Reviews, profiles and news about art in Chicago

Portrait of the Artist: Alejandro Figueredo Diaz-Perera

Activist Art, Artist Profiles, Installation, Performance, Photography, Sculpture, Video No Comments »
Alejandro Figueredo Diaz-Perera. "In the Absence of a Body," 2015. Courtesy of the artist.

Alejandro Figueredo Diaz-Perera. “In the Absence of a Body,” 2015.
Performance./Courtesy of the artist

Early this July, internationally known Cuban artist Tania Bruguera received her passport from the Cuban government, which had confiscated it for more than six months. Bruguera’s freedom-to-travel marks a turning point in a long and tumultuous relationship with her home country. At the end of last year, she was detained in Havana for her performance “Tatlin’s Whisper #6,” an open-mic participatory event that encourages free speech, a problematic undertaking in the current political climate of Cuba. In the wake of this news and with a recent shift in official diplomatic relations between the United States and Cuba, it would appear that the future looks bright for the Cuban art community.

Alejandro Figueredo Diaz-Perera, a Cuban-born artist now residing in Chicago, is cautiously optimistic about the changes he has seen. “It’s part of the process and it’s needed…this becomes a symbol for the end of the [Cold War]…but the social and political ways of thinking are the same as they were fifty years ago.”

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Review: Look at Me Now!/Monique Meloche Gallery

Collage, Drawings, Galleries & Museums, Installation, Media & Genres, Painting, Wicker Park/Bucktown No Comments »
Hassan Hajjaj. "Miriam," 2010. Metallic lambda print on 3mm white dibond, 53 x 36 ¾ inches / Image courtesy of the artist and Monique Meloche Gallery, Chicago.

Hassan Hajjaj. “Miriam,” 2010.
Metallic lambda print on 3mm white dibond, 53 x 36 ¾ inches/Image courtesy of the artist and Monique Meloche Gallery, Chicago.

RECOMMENDED

Revising the art historical canon to account for a variety of erasures is a commendable curatorial endeavor, but one is perpetually challenged to find new methods to add value to such well-worn conversations. This summer group exhibition takes on tropes related to race, gender and caste by offering fresh alternatives to the history of Western portraiture. Individually, the works of Rashayla Marie Brown, Hassan Hajjaj, Rashid Johnson, Ebony G. Patterson, Amy Sherald, William Villalongo and Nina Chanel Abney are colorful, multifaceted and visually complex; together, they feel oddly muted and restrained. Pronouncements of individual agitation rise up, but the gathering of disparate voices does not make for lively conversation.
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Review: Zack Whitford/Hilton Asmus Contemporary

Galleries & Museums, Media & Genres, Michigan Avenue, Photography No Comments »
Weinstein_IMG_1

Zack Whitford. “These Are Our Times.” Courtesy of Hilton Asmus Contemporary

RECOMMENDED

A gifted young street photographer, who just happens to be the son of Aerosmith’s rhythm guitarist, Brad Whitford, is set loose with the band. The result is a take on rock photography that blows through all the commercial conventions of hype-driven money shots.

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Eye Exam: What Good is Art?

Activist Art, Collage, Drawings, Galleries & Museums, Hyde Park, Installation, Michigan Avenue, Multimedia, Painting, Performance, Photography, Prints, Sculpture No Comments »
Installation view, "The Freedom Principle: Experiments in Art and Music, 1965 to Now," MCA Chicago. July 11-November 22, 2015. Glenn Ligon. Give us a Poem, 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay, © MCA Chicago.

Installation view, “The Freedom Principle: Experiments in Art and Music, 1965 to Now,” MCA Chicago. July 11-November 22, 2015. Glenn Ligon. “Give us a Poem,” 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay,  MCA Chicago.

By Elliot J. Reichert

Each time I venture deeper into the tangled economy of art making and its contingent endeavors, I ask myself: What good is art? I am not an artist, but I work with artists and artworks every day. By all accounts, I should believe deeply in art, and yet I routinely question its value. As such, when I go to look at art, I often search in it for signs of doubt, and I am usually comforted to know that I am not alone in my questioning. For if contemporary art can be united under one banner, it would be doubt itself: doubt about politics, about social relations, about economic and class structures, about the very importance of human life. Ironically, this might be why I gravitate toward art in the first place, despite my ambivalence toward its significance. Art turns my fears into forms; it makes real what I cannot, or do not want, to imagine.  Read the rest of this entry »

Review: Lora Fosberg/Linda Warren Projects

Drawings, Galleries & Museums, Media & Genres, Multimedia, Sculpture, West Town No Comments »
Laura Fosberg. "i love you anyway, too," 2015. Wood and gouache, 9.5 x 7 x 8.5 in.

Laura Fosberg. “i love you anyway, too,” 2015.
Wood and gouache, 9.5 x 7 x 8.5 in.

RECOMMENDED

Lora Fosberg saw her friend cut down, and she found beauty in the body. Read the rest of this entry »

News: Chicago Artists Coalition’s “The Annual: An Exhibition of New Chicago Art” to Run Concurrently with EXPO Chicago

Art Fairs, Fall Preview, News etc., West Loop No Comments »
Alfredo Salazar-Caro. "Untitled (for Panther Modern)," 2015. Digital print, dimensions variable.

Alfredo Salazar-Caro. “Untitled (for Panther Modern),” 2015.
Digital print, dimensions variable.

The Chicago Artists Coalition has announced that it will launch a yearly exhibition of new Chicago art to run concurrently with EXPO Chicago, the International Exposition of Contemporary & Modern Art. “The Annual: An Exhibition of New Chicago Art” will be an unique opportunity for art enthusiasts and collectors to learn more about the work of young and upcoming Chicago artists and collect new works. Each year, the show will be arranged by two guest curators with intimate knowledge of Chicago’s most relevant and rising art makers.

“The Annual will offer a fresh, of-the-moment look at the concerns and practices of today’s emerging generation of Chicago artists and makers,” said Claudine Isé, lead curator of the inaugural exhibition. Artists featured include Kiam Marcelo Junio, Alfredo Salazar-Caro, Susy Bielak, Noël Morical, Macon Reed and Michelle Anne Harris. A comprehensive list of participating artists will be made available in early August. Read the rest of this entry »

Review: Anthony Baab/Threewalls

Design, Drawings, Galleries & Museums, Installation, Multimedia, Sculpture, West Loop No Comments »
Anthony Baab. "Cover the Earth 2," 2015. Marker, cardboard, glue. Dimensions vary. / Image: Clare Britt, courtesy of Threewalls.

Anthony Baab. “Cover the Earth 2,” 2015.
Marker, cardboard, glue. Dimensions vary./Image: Clare Britt, courtesy of Threewalls.

RECOMMENDED

An exhibition filled with cardboard boxes naturally speaks to today’s consumer culture. Rather than displaying tangible goods, the materials used to protect and transport commodities are on show here. The exhibition makes an apt critique of commodity culture, illustrating the constant re-branding efforts of corporations, as well as the vast spread of consumerism and its attendant waste. Read the rest of this entry »

Review: Kera MacKenzie and Andrew Mausert-Mooney/Roman Susan Gallery

Craft Work, Design, Drawings, Galleries & Museums, Installation, Media & Genres, Performance, Rogers Park No Comments »
Kera MacKenzie and Andrew Mausert-Mooney, Installation view, "Havoc and Tumbled, 2015. Courtesy of Roman Susan.

Kera MacKenzie and Andrew Mausert-Mooney, Installation view, “Havoc and Tumbled,” 2015.
Courtesy of Roman Susan.

RECOMMENDED

In “Havoc and Tumbled,” collaborators Kera MacKenzie and Andrew Mausert-Mooney packed Roman Susan’s little room with TVs and plants. Each monitor is different, ranging from 1970s-style sets to slick, hi-def screens. While each video has its own content, bits of scenes and clips bleed into other TVs, establishing them as parts of the same filmic project. Each screen is different, so things shift in quality, creating a fluctuation in visual textures in this glimpse of wildlife in this Rogers Park gallery.

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News: Graphic Designer Jason Pickleman Opens Collection-based Gallery Lawrence & Clark

Curator Profiles, Design, Installation, Multimedia, News etc., Painting, Photography, Ravenswood No Comments »
Pickleman amidst some of his collection.

Pickleman amidst some of his collection.

Graphic designer Jason Pickleman has opened up a gallery at 4755 North Clark that he is calling Lawrence & Clark (L&C). Pickleman is no stranger to the arts, as a practicing artist and a graphic designer who has created iconic logos for Avec, the Wit Hotel and many more. A rare breed in these times, L&C will be a collection-based gallery, showcasing work that Pickleman owns, the majority of which he purchased in Chicago over more than thirty years of living and working here. Read the rest of this entry »

News: Out of Site 2015 Begins this Weekend

Art Fairs, Multimedia, Performance, Public Art, Street Art, Wicker Park/Bucktown No Comments »
Michal Samama. "Lament of Plastic," performance. Photo by Guy Kremnitzer.

Michal Samama. “Lament of Plastic,” performance/Photo: Guy Kremnitzer

It’s going to get confrontational in Wicker Park/Bucktown, beginning Saturday, July 25. The mission behind Out of Site is “to create unexpected encounters of public performance,” a take-it-to-the-streets art festival embarking on its fifth year of public performance art programming. Artists create whimsical disruptions for people as they go about their daily routines, choosing sites around the neighborhood that resonate with their practice.

The series launches this weekend with three performances in collaboration with the Wicker Park Fest. Sheryl Oring, an artist from North Carolina, will invite the public to write letters to the President of the United States as part of her piece “I Wish to Say,” previously performed at the 2012 Democratic National Convention, the Berlin Wall Memorial and other locations. To date, over 2,000 letters have been transcribed on a typewriter and submitted to the White House.

While the details surrounding some performances are clear, the vast majority of performances are only yet known by a date, a time, a location, and an artist’s name. Ballenarca, a troupe from Puerto Rico via Austin, Texas, will take place at the intersection of Milwaukee and Evergreen, near the new 606 walking path. Without giving it away, passersby can expect to behold a large, bespectacled mobile sculpture come to life. “The Wisdom Box” by Duff Norris immediately follows. The public can anticipate this work by looking online for records of a previous performance called “Infinity Box,” but if you really want to know more you’ll just have to show up.

Sheryl Oring. "I Wish to Say," performance. Photo by Dhanraj Emanuel.

Sheryl Oring. “I Wish to Say,” performance/Photo: Dhanraj Emanuel

Out of Site was founded by artist Carron Little as she was “thinking about how wonderful it would be if people were to come home from a long week in the office and come across a unique surprise,” Little said in an email conversation with Newcity. She continued, “I was also invited onto the WPB Arts Committee to rethink how we fund art locally [after] having written a piece about how all the local funding had gone to a consulting firm. So it was part of a broader initiative to fund performance artists who seemed to be doing a lot of work for free.”

The vision for Out of Site goes beyond the scope of providing simple entertainment to a consumer public. “Public performance is vital for every city landscape; building moments that are out of the ordinary can bring joy and wonder to people,” Little remarked. “This is imperative in our workaholic culture. We need things that take us out of the monotony.  The New Situationists in Paris talk about the city being a new Babylon. Le Corbusier founded the modern city discussing ideas of productivity and circulation to build economy, but if people aren’t happy they bring that sadness to work.”

In previous iterations, curators didn’t tell people where the performances would take place. There are no tickets to purchase with a start and end time. Be there or be square, or better yet, you might be there anyway.

Out of Site runs daily at different locations throughout Wicker Park & Bucktown from Saturday, July 25, through Sunday, September 6. (Whitney Richardson)