Reviews, profiles and news about art in Chicago

Review: Todd Kelly and Morgan Mandalay/LVL3

Installation, Painting, Wicker Park/Bucktown No Comments »
Morgan Mandalay. "Still Life of Flowers and Red Curtains," 2015 oil paint and spray paint on b.o.g.o. canvas 12" x 16" each

Morgan Mandalay. “Still Life of Flowers and Red Curtains,” 2015
oil paint and spray paint on b.o.g.o. canvas
12″ x 16″ each

RECOMMENDED

The works by Todd Kelly and Morgan Mandalay in “Happy Little” help bring the concept of the still life into the twenty-first century. Kelly’s pieces are the more straightforward of the two, with influences ranging from Dutch and French masters from seventeenth and eighteenth centuries to a visual representation of the gravitational pull of the planets. The Brooklyn-based artist uses oil and spray paint and collage to layer materials over one another, often creating expertly composed work that almost appears three-dimensional, as in “Theory of Gravity Still Life 13.” These complex pieces contain collaged shapes of abstract and representational elements, such as a Christmas tree or the artist’s initials. Read the rest of this entry »

Review: Imaginary Landscapes/Mana Contemporary

Installation, Painting, Photography, Pilsen, Sculpture, Textiles No Comments »
Assaf Evron. “Untitled (Athens and Oraibi)”

Assaf Evron. “Untitled (Athens and Oraibi)”

RECOMMENDED

In this compact exhibition curated by Allison Glenn, landscape serves as a metaphorical ground for four artists’ expansive manipulations of imaginary sites. Each of the works evince traces of fragmentation, collapse and compression, processes that appear here as gestures enacted on sites that are more the spaces of memory and history than they are physical terrains. Read the rest of this entry »

Portrait of the Artist: Faheem Majeed

Artist Profiles, Gold Coast/Old Town No Comments »
Faheem Majeed. Photo by Devin Mays.

Faheem Majeed/Photo: Devin Mays

At the Museum of Contemporary Art, we sit at the large table inside Faheem Majeed’s piece “Planting and Maintaining a Perennial Garden.” Two museum patrons crash my interview for the chance to speak with the artist. Piece by piece, they share a dialogue about Majeed’s ideas and their impressions of his work. We are, he tells us, in a re-creation of the South Side Community Art Center, a space he ran for seven years. “It oozed into my being. I know everything about that space.” Read the rest of this entry »

Review: Australian Artists from Ukraine/Ukrainian Institute of Modern Art

Painting, Ukrainian Village/East Village No Comments »
Maximilian Feuerring. “The Artist’s Studio,” c. 1955 – 60,  oil on board, 21” x 30”

Maximilian Feuerring. “The Artist’s Studio,” c. 1955 – 60,
oil on board, 21” x 30”

RECOMMENDED

With its wavy ribbons of flagrant magenta, hot orange and cool aqua, only one of these paintings feels typically Australian. With its flat, Byzantine, icon-like figuration, only one feels especially Ukrainian. But all twenty-seven have a luminosity, an intensity of craftsmanship, and a sense of looking out, rather than within, to celebrate the modern world. There’s often a feeling of tumult, but it’s never grim, and it’s always overcome. There’s never a sense of being overwhelmed or lost in self-doubt. Ludwik Dutkiewicz has the one piece that’s closest to Abstract Expression—but still it’s basically a landscape, its defiant gestures depicting the sky above, the earth below. Like the Ukrainian-American artists in the UIMA permanent collection, they appear unaffected by Surrealism and the irony-inflected trends of the New York art world, though all these paintings were done between 1950 and 1980. Like many of the early modernists, they are building a modern world in which they would like to live—as far from the horrors of the 1940s as Australia is from central Europe, a world somewhere in between the Arcadian sensuality of Matisse, and the neo-Medieval piety of Rouault. Read the rest of this entry »

News: Hyde Park Art Center Breaks Ground on New Wing Sunday April 19

Architecture, Hyde Park, Multimedia, News etc. No Comments »
Hyde Park Art Center - Guida Family Creative Wing Schematic Detail.

Hyde Park Art Center – Guida Family Creative Wing Schematic Detail

The new Guida Family Creative Wing at the Hyde Park Art Center (HPAC) will open in fall 2015, thanks to a successful 75th Anniversary Campaign in 2014 and $750,000 gift from John, Julie and Angelina Guida. On Sunday, April 19, celebration of their groundbreaking will coincide with a reception with multiple exhibitions on view, including resident artist Susan Giles’ exhibition, “Scenic Overlook” and Nancy Lu Rosenheim’s “Swallow City.” Read the rest of this entry »

Review: Mr. Imagination/Intuit

Photography, River West, Sculpture No Comments »
"Mr. Imaginations Horse" by dimitre.

“Mr. Imagination’s Horse,” by Dimitre Photography Inc. Bethlehem, PA, July 2006

RECOMMENDED

Mr. Imagination is a Chicago treasure—in the same rank as Chicago outsider artists Henry Darger and Vivian Maier—and this is his first Chicago retrospective. Raised in Maywood, Gregory Warmack (1948-2012) was shot in the stomach during a mugging and had art-inspiring visions while in a coma. Art dealer Carl Hammer began representing him in 1983 and throughout the 1990s and 2000s, Mr. I achieved national renown, winning major commissions. After a move to Bethlehem, Pennsylvania, a 2008 fire destroyed his studio (some fire-enhanced pieces are included here). North Siders may remember Mr. I’s studio on Clark with its sign: “Welcome to the World of Mr. Imagination,” the title of the present show. It’s a world of stern playfulness and a street spirituality. Read the rest of this entry »

News: Chicago-based Artist Sabina Ott Receives 2015 Guggenheim Fellowship

Installation, Multimedia, News etc., Painting, Public Art, Sculpture No Comments »
Installation view of Sabina Ott's “here and there pink melon joy” at the Chicago Cultural Center

Installation view of Sabina Ott’s “here and there pink melon joy” at the Chicago Cultural Center

The John Simon Guggenheim Memorial Foundation (GMF) announced earlier this month that they have awarded 173 fellowships (two of which are joint fellowships) to diverse artists, scholars and scientists. In the foundation’s ninety-first competition for the United States and Canada, this year’s recipients were chosen from a pool of over 3,100 applicants. Among that talented group spanning over fifty-one disciplines with recipients ranging in age from twenty-nine to eighty-three is Sabina Ott, a Chicago-based painter and sculptor who is a professor of art at Columbia College Chicago. With the Guggenheim award, Ott intends to expound the scope upon her most recent work “here and there pink melon joy,” a site-oriented installation of paintings and sculptures completed in August of 2014 that was on display at the Chicago Cultural Center until January 2015. Read the rest of this entry »

Visiting Artist: Alberto Aguilar

Hyde Park, Installation, Multimedia, Public Art No Comments »
Alberto Aguilar. "Forms of Communication," 2015 desks and display sign lettering, photo by Juliet S. Eldred (UofC class of 2017)

Alberto Aguilar. “Forms of Communication,” 2015
desks and display sign lettering, photo by Juliet S. Eldred (UofC class of 2017)

We’re excited to have Alberto Aguilar’s “Crossing Boundaries” text as the eighth in our Visiting Artist column, a recurring feature in which Newcity invites an artist to produce a text in relation to their current art practice. Here Aguilar adds writing into an exploration that brings all aspects of his life into his residency at University of Chicago’s Arts Incubator.

One-thousand words are what I am allotted to write this so I will not waste one and use all. Words have the ability to get one from the top of the page to the bottom and if arranged just right communicate something clearly to the reader.

I am a Crossing Boundaries Resident Artist through the Arts Incubator and the Center for the Study of Race, Politics, and Culture. This began in January and will last for five months. When given this title I could not fully understand what it meant or what boundaries I should cross. Rather than be overtly political I decided I would simply fold all aspects of my life into this residency. During the five months all shows that I am in, my teaching, the visiting artist program that I coordinate, my travels, my family, my new dog, my interaction with others, my curatorial projects, my other residencies are my Crossing Boundaries residency. I figured that by making everything part of the residency some boundaries would inevitably be crossed. Even upon being given the opportunity to write this a few days ago I decided it too would be part of my residency. That every word I write here would be a product of it, proof that boundaries were crossed. In this case the boundary between you and I is being transgressed through the vehicle of this publication and my 1,000 words. Read the rest of this entry »

Review: David Akiba/Alibi Fine Art

Photography, Ravenswood No Comments »
David Akiba. "Sand and Stones S/R #2," 2000  vintage gelatin silver print, 10" x 10" each, diptych

David Akiba. “Sand and Stones S/R #2,” 2000
vintage gelatin silver print, 10″ x 10″ each, diptych

RECOMMENDED

In David Akiba’s homage to the celebrated late-modernist photographer Harry Callahan, he takes up the tradition of the straight black-and-white abstraction that defined the frontiers of art photography in the post-World War II expressionist outburst, when Chicago was at the center of the movement at the fabled Institute of Design. Akiba’s series, done in 2000 and receiving a well-deserved revival here, comprises eleven diptychs of images of small stones that he gathered on the lake shore near Charlevoix, Michigan, which he brought home to Boston, Massachusetts, where he arranged assortments of them into assemblages and photographed them so that they took up the entire frame, betraying no context beyond them. Read the rest of this entry »

Review: Mika Horibuchi and Dan Rizzo-Orr/Heaven Gallery

Installation, Painting, Prints, Sculpture, Wicker Park/Bucktown No Comments »
Dan Rizzo-orr. “Horse Statuette North” and “Horse Statuette Northeast," installation view

Dan Rizzo-orr’s “Horse Statuette North” and “Horse Statuette Northeast,”
with Mika Horibuchi’s “Screen/Screen,” installation view

RECOMMENDED

Mika Horibuchi and Dan Rizzo-Orr worked closely to present “View with a Room” as a project specific to the gallery space. The mostly painted work of the two artists interlocks with ease across two rooms despite wildly various subject matter and technical methods. Visual approaches reflect neatly onto three-dimensional objects, the sculptures orienting the space in turn. Read the rest of this entry »