Reviews, profiles and news about art in Chicago

Review: Drunken Geometry/Devening Projects and Editions

Ceramics, Garfield Park, Installation, Painting, Sculpture No Comments »
Leslie Baum + Allison Wade. Drunken Geometry, installation view, February 2015.

Leslie Baum + Allison Wade. Drunken Geometry, installation view, February 2015.

RECOMMENDED

“Drunken Geometry,” the new collaborative exhibition by Leslie Baum and Allison Wade, is a risky proposition. By tackling the classic conventions and traditions associated with the still life, these two Chicago-based artists seek to extend our preexisting notions of the genre by, in effect, taking them apart. The approach is as pregnant with possibility as it is fraught with travails.

Sculptural formulations are particularly susceptible to problems inherent to deconstruction since a table displayed without substantive transformation remains merely a table, an artifact of our mundane world rather than an active agent in the world of art. Though reasonable people can (and should) disagree, objects placed within the environs of gallery are not art by default. The wall-mounted “Many Things Conspired #1” as well as the floor-bound “New Things (the persistence of ordered objects) #1,” which both seem a little too self-satisfied as minimally altered objects, are the most problematic in this regard. Read the rest of this entry »

News: Corner Art Gallery Opens in Avondale Neighborhood

Avondale, Galleries & Museums, News etc. No Comments »
Artist Lynn Basa standing outside her new Avondale project space Corner. Photo by Doug VanderHoof.

Artist Lynn Basa standing outside her new Avondale project space Corner/Photo: Doug VanderHoof

Painter and School of the Art Institute of Chicago MFA candidate Lynn Basa has opened Corner, a new art gallery in the Avondale neighborhood located at 2912 North Milwaukee. Basa has owned the building at the corner of Drake and Milwaukee since 2008 where her studio also resides. Because she can only work on one painting at a time, Basa wanted to make use of the remaining 400-square-foot space by doing something she found meaningful. We met for an interview in which she says, “I just felt like I could bring more value to my life by creating a connection with the community. Studio work is notoriously isolating and so I wanted to not only start connecting with other artists, but also experiment because I feel like the whole language of gallery space is to keep people out and I started thinking about how this very building was designed to bring people in.” Read the rest of this entry »

News: ThingStead Press Releases New Publication on February 26

Art Books, Art Schools, News etc., Prints No Comments »
Chris Reeves and Aaron Walker's ThingStead press on view at UIC's Gallery 400 lobby

Chris Reeves and Aaron Walker’s ThingStead press on view at UIC’s Gallery 400 lobby

Next time you’re on or near the UIC campus, stop into Gallery 400 and pick up a copy of ThingStead, PhD art history candidate Chris Reeves and MFA candidate Aaron Walker’s small-press print installation project in the lobby. The two took over the space, which is already bustling with daily foot traffic, and turned it into a checkout lane where patrons can peruse and “take-away” a copy of their latest publication. Each booklet is composed of “reimagined drafts and excerpts” from artists and writers on a specific topic, theme or work to create an amalgamation of ideas or “excursus,” as they like to call it.

“Legend and History,” by Columbus, Ohio-based artist, Ryland Wharton is released today, February 26. Reeves describes the book as “mystical concrete poetry,” as it is a reproduction of passages from M. Caron and S. Hutin’s “The Alchemists.”
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News: Christie’s to Auction Ruth Horwich’s Collection

Design, News etc., Prints, Sculpture No Comments »
Ruth Horwich’s collection of Alexander Calder jewelry to be offered at auction. Photo: Christie’s Images Ltd. 2015.

Ruth Horwich’s collection of Alexander Calder jewelry to be offered at auction. Photo: Christie’s Images Ltd. 2015.

Alexander Calder, Andy Warhol and John Chamberlain are a few names from Ruth Horwich’s collection featured in the upcoming First Open sale of Post-War and Contemporary Art at Christie’s in New York on March 6, 2015.

Influential leaders and one of Chicago’s resident power couples, Ruth and her late husband Leonard impacted our region’s art scene not only with loaned and gifted artworks to many of our prominent local institutions—including the Museum of Contemporary Art (MCA) and the Smart Museum of Art—but also as two of MCA’s founders and champions for major public artworks such as Jean Dubuffet’s “Monument with Standing Beast” outside the Thompson Center. Leonard died in 1983, and given Ruth’s death in July 2014, twenty-four pieces from their collection will be offered for sale. An exhibition will precede the auction at Christie’s Rockefeller Center Galleries, from February 28 to March 3, 2015. Read the rest of this entry »

News: The Ed Paschke Art Center Launches Artist Residency Program

News etc., Painting, Textiles No Comments »
Erin M. Chlaghmo, participant in the 2015 Ed Paschke Art Center’s Artist Residency program.

Erin M. Chlaghmo, participant in the 2015 Ed Paschke Art Center’s Artist Residency program

The Ed Paschke Art Center (EPAC), in collaboration with the Luminarts Cultural Foundation at the Union League Club of Chicago, recently announced the launch of an artist residency program, commencing with Erin M. Chlaghmo and John Metido, this year’s participants. Beginning in March and continuing through April 26, 2015, both artists will have access to studio space at the center, where they will produce and exhibit work in an open studio that invites visitors to observe their entire working processes, from conception to completion.

Community, a theme reflected in the residency program, is a critical attribute of both organizations. The Luminarts Cultural Foundation advocates art education and appreciation through competitions for young artists in the Chicago area; EPAC also emphasizes the community, reflecting Paschke’s legacy.

Ed Paschke (1939-2004), a Chicago born and educated artist, mentored artists throughout his lifetime. EPAC continues this tradition: it preserves and provides public access to Paschke’s work; functions as an educational source for people of all ages; and provides a means to exhibit art. Although EPAC aims to bring Paschke’s artwork to the public, the artist residency program underscores another aspect of EPAC: supporting local artists, like their first two residents.

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Review: Identify/Catherine Edelman Gallery

Digital Art, Installation, Photography, River North No Comments »
Garth and Pierre. "HEAD(S)," 2014 photographs mounted to bank pins

Garth and Pierre. “HEAD(S),” 2014
photographs mounted to bank pins

RECOMMENDED

Among the four wildly diverse approaches to representing the human body photographically on display here, Heather Dewey-Hagborg’s is the most inventive, although not the most meaningful. Dewey-Hagborg picks up cigarette butts and discarded chewing gum off the city sidewalks (depicted in her color shots), subjects the detritus to DNA analysis, runs the genetic profiles through a facial algorithm, and produces 3D resin portraits that presumably resemble the people who left the remains of their consumption for the scavenger-artist to appropriate (the droppings also grace her mini-installation). The three particular subjects whose faces look out at us from the gallery wall are all young, attractive and relentlessly clean, with an airbrushed appearance that belies the butts and gum from which they have been reconstructed. Read the rest of this entry »

Review: MetaModern/Krannert Art Museum

Galleries & Museums, Installation, Painting, Photography, Sculpture, Suburban, Video No Comments »
Jordi Colomer. "Anarchitekton (Barcelona, Bucharest, Brasilia, Osaka)," 2002–04 4 single channel video projection, silent Barcelona: 5 min; Bucharest: 3 min; Brasilia: 3 min 49 sec; Osaka: 1 min 49 sec

Jordi Colomer. “Anarchitekton (Barcelona, Bucharest, Brasilia, Osaka),” 2002–04
4 single channel video projection, silent
Barcelona: 5 min; Bucharest: 3 min; Brasilia: 3 min 49 sec; Osaka: 1 min 49 sec

RECOMMENDED

Updating Barry Schwabsky’s 2012 label “retromodernism,” Colby Chamberlain coined the term “domestic modernism” to describe Margaret Lee’s recent installation of facsimiles depicting twentieth-century art and design icons. Noting that, “apparently Brancusi duplicates are trending,” Chamberlain compared Lee’s model of Brancusi’s “Endless Column” to another shown by Josephine Meckseper in 2013, highlighting their affinity in evoking department store displays. Now featured in the group show “MetaModern” at the Krannert Museum, William Cordova’s tribute to the Brancusi monument—a column of lampshades inverted in an alternating rhythm and lit from within—similarly evokes a retail aura. Iñigo Manglano-Ovalle also replicates a Brancusi phallus, but with a more aeronautical thrust; his nine-foot “Bird in Space” is fabricated from carbon fiber, Kevlar and steel, and seems ready to blow a Sputnik out of the sky. Read the rest of this entry »

Review: Jaime Davidovich/Threewalls

Drawings, Installation, Multimedia, Video, West Loop No Comments »
Jaime Davidovich. "The Live! Show," 1980

Jaime Davidovich. “The Live! Show,” 1980

RECOMMENDED

Argentinian artist Jaime Davidovich moved to a New York teeming with ideas, conversations and possibilities during the 1960s and seventies, when it was gritty, dangerous and artists could afford a building in SoHo. Whereas Gordon Matta-Clark, Donald Judd and the Judson Dance Theater give the period its experimental flavor, Davidovich’s pioneering efforts in artist-run public television never received recognition like abstract video artists Stan Brackhage or Paul Sharits. Read the rest of this entry »

News: CTA Unveils Hebru Brantley Artwork in New Green Line Station

News etc., Public Art, South Loop No Comments »
Hebru Brantley's original artworks installed as two of the eight panels on view at the new green line McCormick Place station

Hebru Brantley’s original artworks installed as two of the eight panels on view at the new CTA Green Line McCormick Place station

Between studio time, gallery shows and public projects, rising Chicago-based artist Hebru Brantley is quite the busy fellow. His latest project is in conjunction with the city’s brand new CTA Green Line Station at McCormick Place. Using transit investment funds and tax-increment-financing funds, the fifty-million-dollar new station will include the Motor Row entertainment district, a convention center and hotels, and showcases eight public art panels of Brantley’s work. Read the rest of this entry »

Review: EXODUS/Arts Incubator

Digital Art, Installation, Multimedia, Sculpture No Comments »
Alexandria Eregbu. "Zion," 2015 drywall, track spikes

Alexandria Eregbu. “Zion,” 2015
drywall, track spikes

RECOMMENDED

This joint exhibition of new works by recent SAIC graduates Alexandria Eregbu and Alfredo Salazar-Caro is a deft combination of divergent practices fused at a fertile point of departure. As the exhibition title implies, movement begot by conflict and political turmoil is the underlying theme of the work on hand and sets the stage for interpretation. Although each artist draws from their own backgrounds—Salazar-Caro addresses immigration and the United States-Mexico border while Eregbu seizes on a constellation of issues touching on the legacy of slavery, the rise of Boko Haram and stereotypes of African athleticism—the works appear contiguously in the gallery with a rhythmic harmony that unites the sculpture and video (and video game) therein. Visual continuities set side-by-side link Salazar-Caro’s “From Space There Are No Borders,” a vinyl printout of a satellite image of the United States-Mexico border hung from floor to ceiling, with Eregbu’s “Zion,” an oblong slab of drywall set upright against the street-facing window bank covered in a pattern of track shoe spikes. Together the formal beauty of the shiny, textured pattern of spikes and the colorful composition of digitally stitched satellite pictures belie the sinister implications of violence and exclusion folded carefully into these works. Read the rest of this entry »