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Review: Yozo Hamaguchi/Floating World Gallery

Lincoln Park, Prints Add comments

Picture 4

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Google anything about Japanese prints and eventually you will end up at Floatingworld.com, an internet art dealer based right here in Chicago, which has just opened an amazing 8,200-square-foot display space in Lincoln Park. (That’s four times larger than the Buckingham Japanese print gallery at the Art Institute). It’s a simple, beautiful space, something like an upscale storefront restaurant, and perfect for the delectation of a genre that’s meant to be tasty and pleasing. The first entrée is a retrospective of Yozo Hamaguchi (1909-2000), an artist best known for his perfection of the laborious mezzotint technique that had all but disappeared in the twentieth-century. His monochrome kitchen table still-lifes from the 1950s feel like Japanese variants on  Giorgio Morandi, but as he further explored his medium, his work got smaller, more colorful, and ever more precious, to the point where he was making a new kind of graphic jewelry. And despite spending his adult life in Paris and San Francisco, his later work feels ever more Japanese—i.e., more natural and evanescent. Happily, the gallery displays these prints outside the protective but annoying glass frames that are so necessary in public museums. This exhibition also includes the metal plates that were used in the printing process. In the shrinking world of art galleries, this ambitious new space, with its large public exhibitions, is bucking the trend, and let’s hope it’s not as evanescent as the aesthetic it will display. (Chris Miller)

Through November 30 at Floating World Gallery, 858 W. Armitage, #148.

One Response to “Review: Yozo Hamaguchi/Floating World Gallery”

  1. CFAAnn Says:

    An update on Floating World Gallery: it kicks off their FREE monthly seminar series with “The Great Wave: An introduction to Japanese Woodblock Prints” at 1925 N. Halsted Street, Saturday, May 22 from 1 p.m. to 3 p.m. The seminar, conducted by Director of Exhibitions Elias Martin, will explore the history of the art form, along with production techniques, connoisseurship and collecting strategies. Admission to the seminar is free, however space is limited. For reservations, email classes@floatingworld.com. For more information visit floatingworld.com.

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