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Review: Paula McCartney/Museum of Contemporary Photography

Photography, South Loop Add comments

"American Goldfinches," 2008. Courtesy of Klompching Gallery, New York

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Is there such an animal as a postmodern bird watcher? Paula McCartney demonstrates that even that is possible in her deep, rich and muted color photographs of various and sundry feathered friends taken at a distance at which they merge into the dense woods that encompass them. “Idyllic” is what McCartney calls her images and we are ready to agree until we find out that the assorted avian creatures are kitschy models that she picked up at craft stores and deployed in her scenes. No problem; McCartney can fool even the most discerning fancier of fowl. For those who are hip to the program, her shots will evoke the smile of absurdity. What else is possible when we peer at a sensuous orange thrush nestled on a branch of a denuded tree in autumn, strive mightily and fruitlessly to admire it, and then remember that it is simply a simulation? (Michael Weinstein)

Through September 26 at the Museum of Contemporary Photography, 600 South Michigan.

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