Reviews, profiles and news about art in Chicago

Review: Eugene Smith/Chicago Cultural Center

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W. Eugene Smith, "Zoot Sims," c. 1957-1964, gelatin silver print. Courtesy of the W. Eugene Smith Archive, Center for Creative Photography, The University of Arizona, and © The Heirs of W. Eugene Smith.

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Too old for the Beat Generation’s cool, when fabled Life Magazine photographer W. Eugene Smith spiraled into midlife crisis in 1957, he left his wife and kids, beat a path to Manhattan’s Sixth Avenue, rented a seedy apartment, and drenched himself in the emerging jazz scene where he shot 4,000 photos in the ensuing eight years. The resulting images—186 of which are on display—comprise some of the most affecting products of the film-noir sensibility, casting a dark spell of harsh vibrancy over the city. Although there are dusky scenes of the jazz world galore, Smith’s most powerful photos are lonely street studies shot from above on slushy days that reflect his sense of abandonment and assertion during what he called the worst and most exciting time in his life. The many images of isolated people and knots of strangers, so small and so engulfed by their surroundings, tell the whole story. The tracks of jazz that sound through the gallery put the viewer in just the right mood of affirmative alienation that Smith felt and admirably projected into visual form. (Michael Weinstein)

Through September 19 at the Chicago Cultural Center, 78 East Washington

411: Art That Does Not Stand Still

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Photo: Katrina Nelken

Some folks boarding the El this Saturday night will be on quite a ride, as they participate in a fashion show, get serenaded by a mariachi band and “illuminate their thoughts” with colorful plastic balls stuffed with LED lights over the course of their journey around the Loop, among other things. Since its inception two years ago, Art on Track has offered people of all stripes experiences uncharacteristic of the urban arts scene. “The sheer novelty puts us in the category of kitsch,” says creator Tristan Hummel, “but we’re attracting new people to art.” What began as a creative means for Hummel and his contemporaries to showcase their work has since evolved into a yearly spectacle covered by the likes of NPR. The artists meet early on the morning of the event at Midway, where each is allotted a mere eight hours to decorate their forty-two-foot long car with respect for the CTA’s family-friendly standards in mind—sorry, that means no shocking political statements or Mapplethorpe-esque nudes. At the end of the day they have exactly thirty minutes to take it all apart. It’s a massive undertaking for all involved, but Hummel insists that all the effort that goes into making Art on Track possible is worthwhile. It’s not just “absolutely fun” but also indicative of an exciting direction for visual artists, many of whom are beginning to realize that their work does not “fit a classical setting.” (Emma Ramsay)

Art on Track rolls 5pm-10pm August 7, $10. Four stops and unlimited circuits allow riders to switch among the eight cars on this special train. Board at either the Adams/Wabash or Washington/Wells stops. artontrack.com