Scott Reeder in his Detroit studio
Tyson Reeder in his Chicago studio
By Brian Hieggelke
In a year of important anniversaries at major visual art entities in Chicago, none is more surprising, or significant, than the 150th birthday of the School of the Art Institute. Surprising, in that unlike so many of the city’s oldest leading cultural organizations which were founded in the 1890s and are thus a mere 125 years old or so, SAIC was founded as the Chicago Academy of Design in 1866, five years before the Great Chicago Fire. And its significance, already noteworthy in evolving into one of the top art educators in the world, is magnified by the fact that it was the school that later gave birth to the Art Institute of Chicago itself.
Among the various celebrations planned for this milestone, one of its centerpieces is an exhibition called “Civilization and Its Discontents: SAIC Alumni Exhibition, Selections from 1985–2015,” which runs September 1-October 24, and hosts its reception on Friday, September 18, 6pm-9pm, at the Sullivan Galleries, 33 South State, Seventh Floor. The exhibition, which features about three dozen artists who’ve graduated in the last thirty years, is curated by the brothers Scott and Tyson Reeder, both faculty members at the School, and both accomplished visual artists in their own right. I discussed their collaboration in person with Tyson and via telephone from Detroit with Scott.
The SAIC show you’re curating is a centerpiece of the school’s 150th anniversary but covers just the last three decades. How did the whole thing come together?
Scott: We wanted to focus on the last thirty years because that is a story that maybe isn’t told as much about the school. I think people know a lot about the Imagists, but then there’s that time after that is lesser known, especially outside of Chicago. Read the rest of this entry »