EXPO CHICAGO 2014 at Navy Pier’s Festival Hall/Photo: Justin Barbin
Today Expo Chicago announced the galleries that will be participating in the art fair’s fourth year. The 2015 iteration will take place September 17-20, 2015 at Navy Pier. The fair boasts growth from last year’s 137 to 140 confirmed participating galleries this fall.
A small shake-up in Chicago participants: Russell Bowman Art Advisory and Linda Warren Projects are not returning to the fair this year, but Western Exhibitions, casati gallery and Volume Gallery will join the main floor of exhibitors. Regards, a Ukrainian Village gallery that opened last summer, and the West Loop’s Aspect/Ratio are as of yet the only Chicago galleries included in EXPOSURE, the part of the fair reserved for younger programs and projects. Read the rest of this entry »
Throughout Friday, April 17, and Saturday, April 18, from 10am-4pm the Lake FX Expo at the Chicago Cultural Center will connect Chicago’s creative community to the resources that can advance their career. Participants like Kickstarter, Inventables, Lawyers for the Creative Arts, Kartemquin Films, Links Hall, Tribeca Flashpoint Media Arts Academy, Fractured Atlas and others will be available in a trade show format for discussion with Expo visitors.
The Chicago Department of Cultural Affairs and Special Events (DCASE), an organization committed to bettering Chicago’s arts and culture, recently announced its full schedule for the inaugural Lake FX Summit + Expo, presented by Google and co-produced by CIMMfest and The Recording Academy Chicago Chapter, along with a host of sponsors. Geared toward artists, creative professionals and entrepreneurs, this free, four-day conference begins on April 16. It will include professional development panels, workshops, keynotes by industry leaders and a resource fair at the Chicago Cultural Center and various locations around the city. Read the rest of this entry »
Karen Kilimnik. “the summer house,” 2011, water soluble oil color on canvas (Barbara Mathes Gallery, Booth #312)
I won’t be going out to the fair today. I imagine, though, that some of the Expo population will find their way out to Oak Park for an opening at the Suburban, for brats, beer, backyard chatter that just might be more about the Packers than an art fair packed to its rafters with haute consumption. From 2pm-4pm, the Chicago area’s favorite run-from-home alt gallery will present Pat Collier, Dennis Kowalski and Drew Heitzler’s work. I can’t tell you how much I’m looking forward to those proportions, that scale, this town.
By late morning on Wednesday, after the unveiling of Judy Ledgerwood’s Florida-inspired billboards, I was enjoying asking “So are you from Chicago?” much more than “Where are you traveling from?” Asked the former, many a gallerina or vaguely multi-ethnic fellow in a flamboyantly patterned shirt would scoff, grunt, answer quickly, “No, I live in New York/LA/not here.” Zachary Cahill told me Friday night that a favorite part of Expo, a quintessential Chicago aspect, is that hike through the mini-mall ruckus that comprises a typical day at Navy Pier. And definitely that stretch before reaching the exhibition hall is a great way to check yourself on how seriously you take any of this. Read the rest of this entry »
GAMA. ” Zuflucht (Refuge),” 2014 (Booth #403)
Because Expo 2013 was brimming with overpriced abstract condo décor, second-rate Robert Motherwell collages and lukewarm photography, this year I set myself the task of seeking out the best examples of “representational” painting that I could find. Although still lives, portraits and landscapes (even those highly abstracted) don’t really fit the typical art fair mold, I’d think they’d be easier to sell than a painting that says “Fuck Off” or “I Want to Cum in Your Heart.” But what do I know? Read the rest of this entry »
Elise Ferguson. “Saree”
Northern Trust announced this afternoon that it will purchase a painting by Elise Ferguson for the organization’s permanent collection. Ferguson’s painting “Saree” appears in Romer Young Gallery’s booth (#736). Ferguson has ties to Chicago although she currently lives and works in Brooklyn, New York. She did her art schooling here, earning her BFA from the SAIC and her MFA from UIC. She presented a solo exhibition of paintings similar to the Northern Trust purchase at Romer Young in San Francisco in April of this year. “Saree” is a complexity of interlocking geometric designs in red against a two-tone green surface. Read the rest of this entry »
Kate Sierzputowski in the most sought-after seat at EXPO (Steve Atkins “Indifference Cure”) (2nd Floor)
In news that will surprise no one, the opening day of Expo Chicago was still reliably the best place to witness outrageous art world social posturing, unintentional relational aesthetics and the cultural phenomenon of taking photos of things with an iPad. Everyone was dressed to buy, judge or party (if you’re unsure which camp they fall in, check the shoes) and many booths practiced outright selfie-baiting, ensuring high exposure on local social networks (file that under brilliant marketing techniques.)
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Eric May. “Eat in the Streets,” 2011 (Booth #740)
Bag of raw almonds for energy boost, false lashes stowed in my handbag for evening-wear eye-drama boost, press badge and a prayer for stamina: Expo Chicago’s press preview yesterday rolled directly into the Vernissage party that dispersed across town to a boat party, a disco dance and dishes of art world gossip: which gallery’s staff is jumping ship? who’s leaving their long-term gallery representation? who’s been exploring her ‘lesbian side’? who’s pregnant? and so on. Thursday’s kickoff to the fair was over-stimulating and today’s shaping up the same. I stopped for lunch and worked out some thoughts about patterns in the artworks exhibited, highlights and rare occasions for profundity for Expo visitors who are art lovers if not big-time collectors. Read the rest of this entry »
Sarah Charlesworth. “Unidentified Man, Ontani Hotel,” Los Angeles, 1980, printed 2012, No. 14 of 14 from the series Stills.
Programming across the city set to coincide with Expo Chicago began on Wednesday with rooftop parties, previews and lectures. Speaking to a near-capacity crowd at the Art Institute of Chicago’s stately Fullerton Hall, artists Liz Deschenes, Laurie Simmons and Sara VanDerBeek were joined by activist Kate Linker Wednesday evening for a wide-ranging discussion of the life and work of the late photographer Sarah Charlesworth in conjunction with the opening of “Stills,” the artist’s first solo museum show in fifteen years. Read the rest of this entry »
Ai Weiwei. “Circle of Animals/Zodiac Heads” installed at the Adler Planetarium. Photo Credit: Natalia Salazar / Chicago Park District
The third year of The International Exposition of Contemporary and Modern Art (EXPO) is upon us. There is much to be seen this weekend both on and off the Pier, but no one can do it all. (I had a hard time even getting through the encyclopedic press materials in a timely manner.) So strap on your sensible shoes, paint your face like Ziggy Stardust, and keep your eyes peeled for Shaq; here are my recommendations, must-sees and predictions for what’s most likely to elicit schadenfreude.
Tickets are $20 for a one-day pass or $30 for the weekend. The fair is open 11am-7pm Friday and Saturday and 11am-6pm Sunday. Unless otherwise noted, all events are taking place at Navy Pier’s Festival Hall (600 East Grand). Read the rest of this entry »
Alfredo Jaar. “Teach Us To Outgrow Our Madness,” 1995, neon, 65.75 x 216 inches
By Alyssa Moxley
Visitors to this year’s Expo Chicago can expect to see an abundance of works outside commercial gallery booths that speak to ecological threats, the consequences of international conflict and similar socially motivated creative concerns. Human Rights Watch presents a large-scale neon installation by Alfredo Jaar, “Teach Us to Outgrow Our Madness,” working with text dealing with generational learning from Nobel laureate Kenzaburo Oe. The Laumeier Sculpture Park opens their World’s Fair archives to New-Delhi based RAQS Media Collective, who will invite visitors to participate in a project elucidating colonial ideologies. Read the rest of this entry »