by Elliot J. Reichert
The hardest part was soon to come, Matt Morris warned me when we met this summer to discuss my transition into the role of Newcity’s Art Editor. [Read more…]
Long heralded as a mecca for alternative practices, collectivity and socially engaged art, Chicago increasingly finds itself among the most visible international art destinations precisely because of its distinct character and openness to change and growth. What makes this city fertile ground for launching new talent and sustaining confirmed genius? A complex and ever-changing network of curators, collectors, administrators, critics, dealers, educators and other enthusiasts cultivate Chicago’s artistic vitality and diversity. The Art 50 is Newcity’s annual snapshot of Chicago’s art ecosystem. This year, we track the power players who shape the terrain in which we thrive.
The Art 50 was written by Elliot J. Reichert, Maria Girgenti, Abraham Ritchie, Kate Sierzputowski and B. David Zarley.
Cover and interior photos by Joe Mazza/Brave Lux on location at the Museum of Contemporary Art Chicago [Read more…]
By Elliot J. Reichert
In this year’s Art 50, we focus on the power players who shape Chicago’s art landscape. Naomi Beckwith, a Hyde Park native, brings an insider’s knowledge of the city to her role as the Marilyn and Larry Fields Curator at the Museum of Contemporary Art. In just over four years, she’s crafted some of the museum’s most timely exhibitions, including a major outdoor sculptural commission by Yinka Shonibare MBE and the MCA’s current headliner, “The Freedom Principle,” which she co-curated with Dieter Roelstraete. I spoke with her about the art of research, what it means to be a nerd in the art world and what’s next for this rising Chicago art star.
Being born and raised in Chicago, how has this city influenced your work as a curator?
Many people know that I had initially considered a career in the sciences. For my first twenty years, I was academically focused on those disciplines, but two signifiant things changed all that. One was the ethos of this city and its commitment to public spaces, which always included art: festivals, programs, art fairs and museums. I am a very proud child of Chicago Public Schools, which has an amazing field trip program that includes these destinations. This early access to both the formal art space of museums and also informal spaces, like the Hyde Park [57th Street] Art Fair or the African Festival of the Arts in Washington Park, left deep imprints on me. [Read more…]
If you’ve spent any amount of time observing or participating in visual art in Chicago, you know it’s more community oriented and inclusive than competitive or exclusive. In Chicago, everybody’s in, and no one is out. That said, Newcity publishes this ranked list of influential artists every other year in order to celebrate the accomplishments of a few people who work hard and smart, and who happen to call Chicago their home. The Art 50 also serves as a primer for newcomers—know these names and their practices and you can start to understand Chicago art pretty quick. This year we rotated out a bunch of artists who made the pick in 2012. This doesn’t mean we don’t care for their artwork anymore; we just wanted to open up the list for more voices to be heard. (Jason Foumberg)
Art 50 was written by Jason Foumberg, Matt Morris, Kate Sierzputowski, Anastasia Karpova Tinari, Maria Girgenti, Erin Toale, Abraham Ritchie, Collin Pressler and B. David Zarley.
All photos by Joe Mazza/Brave Lux on location at the Smart Museum of Art, the University of Chicago. Top photo in front of Judy Ledgerwood’s “Chromatic Patterns.” [Read more…]
The health and diversity of Chicago’s art ecology relies not just on the number of influential artists (which we profiled in last year’s Art 50), but also on the behind-the-scenes operators, the movers and shakers, who help artists get their message out to large audiences. Chicago’s cultural infrastructure is strengthened by the smart, hardworking people who lead our museums, sell our art, broadcast our ideas, and make the city a better place to be an artist.
The Art 50 was written by Jason Foumberg, Alan Pocaro, Annette Elliot, Sofia Leiby, Janina Ciezadlo, Pedro Vélez, B. David Zarley and Bert Stabler.
“A friend recently confessed to me that he secretly ranks the participants in Chicago’s art world according to their importance,” wrote artist Molly Zuckerman-Hartung in this publication. Molly’s friend doesn’t work at Newcity; although we annually rank half-a-hundred scenesters of the stage and page, this is our first line-up of visual artists. But everyone intimately knows Molly’s secret friend—the shuffler of the big rolodex, the line cutter, who maybe crept through a Deb Sokolow conspiracy, who buys all your friends’ artworks but never yours. Guess who? It’s you. You made this list and you ranked it and you live in it. You’re either on this list or you’re a product of this list or you’re on this list’s parallel universe (maybe, the Top Fifty People Who Read Lists list). Congrats!
We agree that a linear fifty names is simplistic. Instead, picture this list as a family tree that’s been trimmed into an MC Escher hedge maze. Or see the names as intersecting circles, a cosmic Venn diagram, or raindrops hitting a lake. There could be a list of fifty (or 500) best painters, or a new list for every week we publish this newspaper. For now, here are fifty people who have made an impression on other peoples’ lives.
Who are these people? They are mentors, magnets, peers, alchemists, art mothers, Chicago-ish, artists’ artists, evangelicals, alive today, polarizing, underrated, retired, workhorses and teachers. Lots of teachers. If you’re an artist in Chicago it’s likely that a handful of these artists trained you, or showed you that art was even a possibility. The bonus of local legends is that we can learn from them, face to face. Many lead by example.
About the selection process: Artists only for this list. (Power curators and other hangers-on get their own list, next year). To rank these artists we surveyed hundreds of local living artists, racked our brains, had conversations, wrote emails, canvassed the streets with art critics, cast votes, then recalls, called important curators in London who promptly hung up on us, drank pumpkin latte, checked emails and then finally wrote it all down. And now, we present to you, the Art 50. (Jason Foumberg)
The Art 50 was written by AJ Aronstein, Janina Ciezadlo, Stephanie Cristello, Alicia Eler, Pat Elifritz, Jason Foumberg, Amelia Ishmael, Anastasia Karpova, Harrison Smith, Bert Stabler, Pedro Velez, Katie Waddell and Monica Westin. [Read more…]