Lora Fosberg saw her friend cut down, and she found beauty in the body. Read the rest of this entry »
Lora Fosberg saw her friend cut down, and she found beauty in the body. Read the rest of this entry »
The Chicago Artists Coalition has announced that it will launch a yearly exhibition of new Chicago art to run concurrently with EXPO Chicago, the International Exposition of Contemporary & Modern Art. “The Annual: An Exhibition of New Chicago Art” will be an unique opportunity for art enthusiasts and collectors to learn more about the work of young and upcoming Chicago artists and collect new works. Each year, the show will be arranged by two guest curators with intimate knowledge of Chicago’s most relevant and rising art makers.
“The Annual will offer a fresh, of-the-moment look at the concerns and practices of today’s emerging generation of Chicago artists and makers,” said Claudine Isé, Lead Curator of the inaugural exhibition. Artists featured include Kiam Marcelo Junio, Alfredo Salazar-Caro, Susy Bielak, Noël Morical, Macon Reed and Michelle Anne Harris. A comprehensive list of participating artists will be made available in early August.
A gallery talk organized around the exhibition will offer deeper insight into the state of contemporary art in Chicago, highlighting a variety of multidisciplinary local artists. “The works represent a range of material and stylistic approaches—including digital and those involving considerable handmade labor,” said Isé in an interview with Newcity.
The goal of the exhibition is to “create an accessible context where individuals can connect with other local and international collectors and artists, as well as provide an entry point for the first-time buyer. The exhibition also helps to support our mission, as individual collecting is crucial to sustaining the art marketplace,” said Caroline Older, Executive Director of the Chicago Artists Coalition, in a press statement.
Lead Curator Claudine Isé, a Visiting Clinical Assistant Professor in the School of Art and Art History at University of Illinois, Chicago (UIC) and former Executive Director of Woman Made Gallery, will be joined by Assistant Curator, Alexandria Eregbu. Eregbu was highlighted in Newcity’s “Breakout Artists 2015: Chicago’s Next Generation of Image Makers” and was previously a HATCH Curatorial Resident at the Chicago Artists Coalition.
This year marks EXPO Chicago’s fourth season at Navy Pier, showing artwork from over 140 galleries and arts organizations from around the world. Taking place from September 17 to 20, the exposition offers curators, collectors and art lovers the chance to experience a dynamic range of contemporary and modern artworks and programs. A complimentary shuttle will run from Navy Pier to the intersection of Carpenter and Fulton Market, one block north of the Chicago Artists Coalition. The Annual exhibition and its corresponding programs will be open to the public. Interested parties are invited to an opening breakfast on Friday, September 18, and a gallery talk with the curators on the evening of Saturday, September 19. (Whitney Richardson)
“The Annual: An Exhibition of New Chicago Art” will take place at Chicago Artists Coalition, 217 North Carpenter, from September 18-20, 2015.
An exhibition filled with cardboard boxes naturally speaks to today’s consumer culture. Rather than displaying tangible goods, the materials used to protect and transport commodities are on show here. The exhibition makes an apt critique of commodity culture, illustrating the constant re-branding efforts of corporations, as well as the vast spread of consumerism and its attendant waste. Read the rest of this entry »
In “Havoc and Tumbled,” collaborators Kera MacKenzie and Andrew Mausert-Mooney packed Roman Susan’s little room with TVs and plants. Each monitor is different, ranging from 1970s-style sets to slick, hi-def screens. While each video has its own content, bits of scenes and clips bleed into other TVs, establishing them as parts of the same filmic project. Each screen is different, so things shift in quality, creating a fluctuation in visual textures in this glimpse of wildlife in this Rogers Park gallery.
Graphic designer Jason Pickleman has opened up a gallery at 4755 North Clark that he is calling Lawrence & Clark (L&C). Pickleman is no stranger to the arts, as a practicing artist and a graphic designer who has created iconic logos for Avec, the Wit Hotel and many more. A rare breed in these times, L&C will be a collection-based gallery, showcasing work that Pickleman owns, the majority of which he purchased in Chicago over more than thirty years of living and working here. Read the rest of this entry »
It’s going to get confrontational in Wicker Park/Bucktown, beginning Saturday, July 25. The mission behind Out of Site is “to create unexpected encounters of public performance,” a take-it-to-the-streets art festival embarking on its fifth year of public performance art programming. Artists create whimsical disruptions for people as they go about their daily routines, choosing sites around the neighborhood that resonate with their practice.
The series launches this weekend with three performances in collaboration with the Wicker Park Fest. Sheryl Oring, an artist from North Carolina, will invite the public to write letters to the President of the United States as part of her piece “I Wish to Say,” previously performed at the 2012 Democratic National Convention, the Berlin Wall Memorial and other locations. To date, over 2,000 letters have been transcribed on a typewriter and submitted to the White House.
While the details surrounding some performances are clear, the vast majority of performances are only yet known by a date, a time, a location, and an artist’s name. Ballenarca, a troupe from Puerto Rico via Austin, Texas, will take place at the intersection of Milwaukee and Evergreen, near the new 606 walking path. Without giving it away, passersby can expect to behold a large, bespectacled mobile sculpture come to life. “The Wisdom Box” by Duff Norris immediately follows. The public can anticipate this work by looking online for records of a previous performance called “Infinity Box,” but if you really want to know more you’ll just have to show up.
Out of Site was founded by artist Carron Little as she was “thinking about how wonderful it would be if people were to come home from a long week in the office and come across a unique surprise,” Little said in an email conversation with Newcity. She continued, “I was also invited onto the WPB Arts Committee to rethink how we fund art locally [after] having written a piece about how all the local funding had gone to a consulting firm. So it was part of a broader initiative to fund performance artists who seemed to be doing a lot of work for free.”
The vision for Out of Site goes beyond the scope of providing simple entertainment to a consumer public. “Public performance is vital for every city landscape; building moments that are out of the ordinary can bring joy and wonder to people,” Little remarked. “This is imperative in our workaholic culture. We need things that take us out of the monotony. The New Situationists in Paris talk about the city being a new Babylon. Le Corbusier founded the modern city discussing ideas of productivity and circulation to build economy, but if people aren’t happy they bring that sadness to work.”
In previous iterations, curators didn’t tell people where the performances would take place. There are no tickets to purchase with a start and end time. Be there or be square, or better yet, you might be there anyway.
Out of Site runs daily at different locations throughout Wicker Park & Bucktown from Saturday, July 25, through Sunday, September 6. (Whitney Richardson)
Intimism, a term associated with paintings of domestic scenes filled with family and friends, expertly describes the video and digital offerings in this expansive, beautiful and playful show. Leave it to Stark, best known for “My Best Thing,” a video animation of a relationship formed on Chatroulette, to shed light on the contrast between private and public in our digitized lives.
In a self-conscious pairing of aesthetically similar bodies of photographic work with seemingly radically different sensibilities, this exhibit brings together Justin Nolan, who takes pictures of simulated faux nostalgic glamour (think of the interiors of Las Vegas commercial palaces—the very inspiration for postmodernism), and Matthew Bender, who shoots the insides of derelict buildings. The first impression upon entering the gallery space is that one is looking at a solo show. The images are all in color, limpid, clear and luscious, with elegant plays of light and shadow. Read the rest of this entry »
Nina Chanel Abney stands in front of a large auditorium full of people. It’s 2011, and she’s just been welcomed to the stage of Washington D.C.’s Corcoran Gallery of Art, where she’s giving a visiting-artist lecture. “I’m a little nervous, but it’s been very humbling to be a part of the ‘30 Americans’ exhibition,” she begins. “Just four years ago, I was in school and I signed up for an artist studio tour and we went to Kehinde Wiley and Wangechi Mutu’s studios—and now I’m in a show with them and it’s a little bit weird.” With a smiling mouth and quivering voice, she continues. “This is my first lecture, so I hope I do a good job for you guys.”
Contemporary art so often pursues the aesthetics of surprise that it takes a willful suspension of disbelief to find anything unexpected. In this way, the curation of the Brandon Anschultz exhibition is not especially surprising. A large wooden plank hangs casually over a balcony as if it had not yet been installed. A small sculpture is hidden away on a remote window sill; another has been placed in a dark corner on the floor, though an attached wire indicates that it was fabricated to hang from above. None of this seems unusual, nor do the drippy-glob sculptures that were made by dipping ordinary objects, like shoes, repeatedly into buckets of thick paint. So much of the world is messy and chaotic, there is nothing strange about one more room of it.