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	<title>Newcity Art &#187; Edgewater</title>
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		<title>Portrait of a Gallery: Good News Only</title>
		<link>http://art.newcity.com/2011/12/06/portrait-of-a-gallery-good-news-only/</link>
		<comments>http://art.newcity.com/2011/12/06/portrait-of-a-gallery-good-news-only/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:10:11 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Edgewater]]></category>
		<category><![CDATA[Galleries & Museums]]></category>
		<category><![CDATA[6018 North]]></category>
		<category><![CDATA[Candy Chang]]></category>
		<category><![CDATA[Edgewater Artists in Motion]]></category>
		<category><![CDATA[Elizabeth Shank]]></category>
		<category><![CDATA[Good News Only]]></category>

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		<description><![CDATA[It’s never too early to teach kids how to curate contemporary art exhibitions. Good News Only, a new organization on the North Side, is dedicated to teaching high-school students the skills of becoming a curator. This includes exposure to Chicago’s cultural events, selecting an exhibition theme and artworks, visiting artists’ studios, installing the gallery, writing [...]]]></description>
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		<title>Review: Stephanie Nadeau/Experimental Sound Studio</title>
		<link>http://art.newcity.com/2010/09/27/review-stephanie-nadeauexperimental-sound-studio/</link>
		<comments>http://art.newcity.com/2010/09/27/review-stephanie-nadeauexperimental-sound-studio/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 04:57:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Edgewater]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Experimental Sound Studio]]></category>
		<category><![CDATA[Stephanie Nadeau]]></category>

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		<description><![CDATA[RECOMMENDED There’s nothing like a good word play to pique my interest in…well…just about anything. Stephanie Nadeau’s exhibition, “Is it Farther or Further?” is no exception. Add in the promise of a “data-powered music box driven by the winds of Antarctica” and I am sold. I mean, who can resist that? The show’s stated exploration—the [...]]]></description>
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		<title>Review: Alice Hargrave/Experimental Sound Studio</title>
		<link>http://art.newcity.com/2010/06/07/review-alice-hargraveexperimental-sound-studio/</link>
		<comments>http://art.newcity.com/2010/06/07/review-alice-hargraveexperimental-sound-studio/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 04:57:01 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Edgewater]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Alice Hargrave]]></category>
		<category><![CDATA[Experimental Sound Studio]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5715</guid>
		<description><![CDATA[RECOMMENDED Two decades ago, when Alice Hargrave exhibited her black-and-white photography at the Cultural Center, she was consumed by a deep and unsparing gothic sensibility of ominous distress. Still fascinated by the “sublime decay and disintegration that occurs over time,” Hargrave now shoots in color and has plunged into the unforgiving tunnel of nostalgia, producing [...]]]></description>
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		<title>Kristin Frieman: Profile of the Artist</title>
		<link>http://art.newcity.com/2008/06/05/kristin-frieman-profile-of-the-artist/</link>
		<comments>http://art.newcity.com/2008/06/05/kristin-frieman-profile-of-the-artist/#comments</comments>
		<pubDate>Thu, 05 Jun 2008 16:21:31 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Artist Profiles]]></category>
		<category><![CDATA[Edgewater]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Experimental Sound Studio]]></category>
		<category><![CDATA[Kristin Frieman]]></category>
		<category><![CDATA[Lynn Book]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>

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		<description><![CDATA[Kristin Frieman is above all a dressmaker and designer. Today, though, some of her stylized and theoretical “art dresses” stand in a corner waiting to be looked at, and never worn. “I like to think of fashion as a verb,” she says: the process of handling, feeling, evaluating the raw materials is central to her practice. [...]]]></description>
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