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	<title>Newcity Art &#187; Garfield Park</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Wish You Were Here/ADDS DONNA</title>
		<link>http://art.newcity.com/2011/12/13/review-wish-you-were-hereadds-donna/</link>
		<comments>http://art.newcity.com/2011/12/13/review-wish-you-were-hereadds-donna/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:05:23 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[ADDS DONNA]]></category>
		<category><![CDATA[Ama Saru]]></category>
		<category><![CDATA[Gareth Long]]></category>
		<category><![CDATA[Hsiao Chen]]></category>
		<category><![CDATA[Jo Hormuth]]></category>
		<category><![CDATA[Laura Mackin]]></category>
		<category><![CDATA[Michael Milano]]></category>
		<category><![CDATA[Yogi Proctor]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9116</guid>
		<description><![CDATA[RECOMMENDED “Cynic” seems an unfair label for the uncompromising Diogenes, who carried a lantern during daylight in search of an honest man. At bottom, Dada was similarly nostalgic for art as a lost ideal, an end in itself rather than a vehicle for reflection. This starry-eyed hopelessness applies to an evolving exhibition now in its third [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Beach Party IV/The Hills Esthetic Center</title>
		<link>http://art.newcity.com/2011/09/13/review-beach-party-ivthe-hills-esthetic-center/</link>
		<comments>http://art.newcity.com/2011/09/13/review-beach-party-ivthe-hills-esthetic-center/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:15 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Alec Regan]]></category>
		<category><![CDATA[Alex Chitty]]></category>
		<category><![CDATA[Amber Thomas]]></category>
		<category><![CDATA[Ben Foch]]></category>
		<category><![CDATA[Brandon Alvendia]]></category>
		<category><![CDATA[Caleb Lyons]]></category>
		<category><![CDATA[Carson Fisk-Vittore]]></category>
		<category><![CDATA[Jesse Butcher]]></category>
		<category><![CDATA[Josh Reames]]></category>
		<category><![CDATA[Kate Ruggery]]></category>
		<category><![CDATA[The Hills Esthetic Center]]></category>
		<category><![CDATA[Winslow Smith]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8528</guid>
		<description><![CDATA[RECOMMENDED It’s been over six years since Brandon Alvendia and Caleb Lyons put together a Spring Break-themed art show at the Butcher Shop Gallery, a cavernous warehouse on Lake Street, now closed. Featuring over fifty artists (including me), it was primarily and ultimately a formidable bacchanal. Alvendia, who was giving out stenciled spray-tans, was again [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: East Meets West/Murphy Hill Gallery</title>
		<link>http://art.newcity.com/2011/04/25/review-east-meets-westmurphy-hill-gallery/</link>
		<comments>http://art.newcity.com/2011/04/25/review-east-meets-westmurphy-hill-gallery/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 04:56:47 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Clayton Beck III]]></category>
		<category><![CDATA[David Leffel]]></category>
		<category><![CDATA[Konstantin Maksimov]]></category>
		<category><![CDATA[Magdalena Almy]]></category>
		<category><![CDATA[Mary Qian]]></category>
		<category><![CDATA[Matthew Almy]]></category>
		<category><![CDATA[Murphy Hill Gallery]]></category>
		<category><![CDATA[Oil Painting Society of Chinese American]]></category>
		<category><![CDATA[Ralph Murphy]]></category>
		<category><![CDATA[Ravenswood Academy]]></category>
		<category><![CDATA[Victor Wang]]></category>
		<category><![CDATA[Zhi Wei Tu]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7592</guid>
		<description><![CDATA[RECOMMENDED In 1955, the Soviet Union sent Konstantin Maksimov (1913-1993) to Beijing to teach a select group of Chinese students how to make social-realist art. Thus began another East-West cultural exchange, one that is still practiced by Chinese artists around the world. With Maksimov, as well as many others, the work often seems to have [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Cameron Crawford and John Almanza/New Capital</title>
		<link>http://art.newcity.com/2011/01/03/review-cameron-crawford-and-john-almanzanew-capital/</link>
		<comments>http://art.newcity.com/2011/01/03/review-cameron-crawford-and-john-almanzanew-capital/#comments</comments>
		<pubDate>Tue, 04 Jan 2011 05:58:38 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Cameron Crawford]]></category>
		<category><![CDATA[John Almanza]]></category>
		<category><![CDATA[Maya Pik]]></category>
		<category><![CDATA[New Capital]]></category>
		<category><![CDATA[Noe Cuellar]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7013</guid>
		<description><![CDATA[RECOMMENDED Renaissance scholar and mystic Nicholas of Cusa said of divine truth: “I experience how necessary it is for me to enter into the cloud…and to seek there the truth where impossibility confronts me.” An elegant failure to achieve perfection shines through in the pale, porous works of Cameron Crawford and John Almanza, now on [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/01/03/review-cameron-crawford-and-john-almanzanew-capital/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Five Decades of the Fantastic/Murphy Hill Gallery</title>
		<link>http://art.newcity.com/2010/11/29/review-five-decades-of-the-fantasticmurphy-hill-gallery/</link>
		<comments>http://art.newcity.com/2010/11/29/review-five-decades-of-the-fantasticmurphy-hill-gallery/#comments</comments>
		<pubDate>Tue, 30 Nov 2010 05:57:14 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Albert Paris-Gütersloh]]></category>
		<category><![CDATA[Amy Swartele]]></category>
		<category><![CDATA[Brigid Marlin]]></category>
		<category><![CDATA[Ernst Fuchs]]></category>
		<category><![CDATA[Giselle Behrens]]></category>
		<category><![CDATA[Inscape Group]]></category>
		<category><![CDATA[Miguel Tio]]></category>
		<category><![CDATA[Murphy Hill Gallery]]></category>
		<category><![CDATA[Society for the Art of the Imagination]]></category>
		<category><![CDATA[Vienna School of Fantastic Realism]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6914</guid>
		<description><![CDATA[RECOMMENDED The Vienna School of Fantastic Realism, founded in 1946 by students of Albert Paris-Gütersloh, is one of the many living traditions of world art that’s never made it to Chicago. Maybe that’s because Vienna is as quintessentially aristocratic as Chicago is blue-collar. Or perhaps this less-irrational variant of Surrealism has been deemed tangential to [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/11/29/review-five-decades-of-the-fantasticmurphy-hill-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Le Dernier Cri/The Hills Esthetic Center</title>
		<link>http://art.newcity.com/2010/11/01/review-le-dernier-crithe-hills-esthetic-center/</link>
		<comments>http://art.newcity.com/2010/11/01/review-le-dernier-crithe-hills-esthetic-center/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 04:58:07 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Caroline Sury]]></category>
		<category><![CDATA[Le Dernier Cri]]></category>
		<category><![CDATA[Pakito Bolino]]></category>
		<category><![CDATA[The Hills Esthetic Center]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6762</guid>
		<description><![CDATA[RECOMMENDED While the unbounded freedom of conceptual art is the empty kernel at the core of our aesthetic era, much art nonetheless still makes its point more effectively in what it does than in what it says. And it seems no coincidence that France, the nation that formulated sadism, the most perfected practical realization of [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/11/01/review-le-dernier-crithe-hills-esthetic-center/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Portrait of the Gallery: Adds Donna</title>
		<link>http://art.newcity.com/2010/10/11/portrait-of-the-gallery-adds-donna/</link>
		<comments>http://art.newcity.com/2010/10/11/portrait-of-the-gallery-adds-donna/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 04:59:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Galleries & Museums]]></category>
		<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[ADDS DONNA]]></category>
		<category><![CDATA[Ilia Ovechkin]]></category>
		<category><![CDATA[Jared Madere]]></category>
		<category><![CDATA[Jerome Acks]]></category>
		<category><![CDATA[Jesus Gonzalez Flores]]></category>
		<category><![CDATA[Justin Jackson]]></category>
		<category><![CDATA[Leah Patgorski]]></category>
		<category><![CDATA[Xavier Jimenez]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6620</guid>
		<description><![CDATA[“Do you remember what I just said about the hammer?” asked Martin Heidegger in an imaginary encounter with Robert Solomon. “That it is not first of all a thing but a tool that we use. It is only when we suspect that something has gone wrong with it that we stop using it and look [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/10/11/portrait-of-the-gallery-adds-donna/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Renate Wolff/Devening Projects and Editions</title>
		<link>http://art.newcity.com/2010/06/07/review-renate-wolffdevening-projects-and-editions/</link>
		<comments>http://art.newcity.com/2010/06/07/review-renate-wolffdevening-projects-and-editions/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 04:57:53 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Devening Projects and Editions]]></category>
		<category><![CDATA[Renate Wolff]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5721</guid>
		<description><![CDATA[RECOMMENDED It was by good fortune that I made a pilgrimage to the Farnsworth House, Mies van der Rohe’s disciplined and graceful glass and steel dwelling on the Fox River, the day before I saw Renate Wolff’s new wall painting, “Skies in Between,” at Devening Projects and Editions. Wolff has produced a cool and stunning non-objective [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/06/07/review-renate-wolffdevening-projects-and-editions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Peter Otto/Dan Devening Projects + Editions</title>
		<link>http://art.newcity.com/2010/04/05/review-peter-ottodan-devening-projects-editions/</link>
		<comments>http://art.newcity.com/2010/04/05/review-peter-ottodan-devening-projects-editions/#comments</comments>
		<pubDate>Tue, 06 Apr 2010 04:57:38 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Dan Devening Projects + Editions]]></category>
		<category><![CDATA[John Heartfield]]></category>
		<category><![CDATA[Peter Otto]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5290</guid>
		<description><![CDATA[RECOMMENDED Peter Otto&#8217;s putrid palette befits his ghoulish subjects. He is a painter of the dead and the dying. Contrary to the literal documentation produced by photojournalists, Otto employs painterly abstraction for the purpose of preventing fixation upon the graphic details of the horror he depicts. He, like most good artists, requires his audience to [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/04/05/review-peter-ottodan-devening-projects-editions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art Break: Back in Black</title>
		<link>http://art.newcity.com/2010/03/01/eye-exam-new-and-historical-black-visual-culture/</link>
		<comments>http://art.newcity.com/2010/03/01/eye-exam-new-and-historical-black-visual-culture/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 04:59:41 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Evanston]]></category>
		<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[AfriCOBRA]]></category>
		<category><![CDATA[Frank Smith]]></category>
		<category><![CDATA[Mary Qian]]></category>
		<category><![CDATA[Murry Depillars]]></category>
		<category><![CDATA[Tim Leeming]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5029</guid>
		<description><![CDATA[“Black Men – We Need You – Preserve Our Race – Leave White Bitches Alone,” screams the angry text on a silk-screened poster from the early 1970s. Thank goodness Barack Obama Sr. didn’t heed that advice ten years earlier! This is but one of several historical issues that arise when contemplating the AfriCOBRA exhibition at [...]]]></description>
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		<slash:comments>0</slash:comments>
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