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	<title>Newcity Art &#187; Lakeview</title>
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		<title>Review: Joe Koecher/Wink Optical</title>
		<link>http://art.newcity.com/2011/11/22/review-joe-koecherwink-optical/</link>
		<comments>http://art.newcity.com/2011/11/22/review-joe-koecherwink-optical/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:00:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Joe Koecher]]></category>
		<category><![CDATA[Wink Optical]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8991</guid>
		<description><![CDATA[RECOMMENDED One of the legions of Chicago photographers who testify to their love for their sweet home’s cityscape by shooting on the streets in their own distinctive styles, Joe Koecher distinguishes himself from the others by his split personality that makes him a visual Dr. Jekyll and Mr. Hyde. Look at Koecher’s clear and sometimes [...]]]></description>
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		<title>Review: Doug Ischar/Golden Gallery</title>
		<link>http://art.newcity.com/2011/11/15/review-doug-ischargolden-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/15/review-doug-ischargolden-gallery-2/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:01:59 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Doug Ischar]]></category>
		<category><![CDATA[Golden Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8951</guid>
		<description><![CDATA[RECOMMENDED A long-time “spectator of public sexuality,” Doug Ischar was in his prime and in his element in the hey-day of the untrammeled breakout by gays from the closet and into the beaches and bars. In 1987, Ischar found his perfect scene: San Francisco’s leather bar, the Eagle, in the thick of its chock-full-of-patrons “beer [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Jamal Saidi/Chicago Photography Center</title>
		<link>http://art.newcity.com/2011/11/15/review-jamal-saidichicago-photography-center/</link>
		<comments>http://art.newcity.com/2011/11/15/review-jamal-saidichicago-photography-center/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:01:31 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[Jamal Saidi]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8956</guid>
		<description><![CDATA[RECOMMENDED Nowhere in the world is more socially complicated than Lebanon, with its dizzying array of religions and sects, and nowhere is more cosmopolitan than its capital Beirut, where all of them meet, mingle, fight and fraternize. Conflict photographer Jamal Saidi knows his native city intimately and has documented its troubled vicissitudes and its resilience [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: John Sevigny/Chicago Photography Center</title>
		<link>http://art.newcity.com/2011/10/11/review-john-sevignychicago-photography-center/</link>
		<comments>http://art.newcity.com/2011/10/11/review-john-sevignychicago-photography-center/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 09:00:24 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[John Sevigny]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8721</guid>
		<description><![CDATA[RECOMMENDED Shooting in black and white with a 35mm camera, John Sevigny—although he has been producing his documentaries and poetic studies of Mexico and Mexicans in the twenty-first century—is a throwback to the street photographers of seventy or more years ago in both style and subject. If one were to go by Sevigny’s images of [...]]]></description>
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		<title>Review: Anthea Behm/Golden Gallery</title>
		<link>http://art.newcity.com/2011/09/27/review-anthea-behmgolden-gallery/</link>
		<comments>http://art.newcity.com/2011/09/27/review-anthea-behmgolden-gallery/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 09:00:43 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Anthea Behm]]></category>
		<category><![CDATA[Ferris Bueller]]></category>
		<category><![CDATA[Golden Gallery]]></category>
		<category><![CDATA[Theodor Adorno]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8625</guid>
		<description><![CDATA[RECOMMENDED In the heaven on earth of postmodern play, Anthea Behm is the games’ mistress, this time consummating a high-low (don’t ask, do tell) unholy liaison between stodgy elitist cultural theorist Theodor Adorno and sportive young adolescent-minded Ferris Bueller, played by a number of male and female performers wandering through the Art Institute spouting texts [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Jean Sousa/Chicago Photography Center</title>
		<link>http://art.newcity.com/2011/09/20/review-jean-sousachicago-photography-center/</link>
		<comments>http://art.newcity.com/2011/09/20/review-jean-sousachicago-photography-center/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 09:00:59 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[Jean Sousa]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8576</guid>
		<description><![CDATA[RECOMMENDED Taking the peony—from budding through blossoming to wilting away—as a metaphor for our transient and fleeting everyday experiences, Jean Sousa’s thirteen digital and digitally altered color photographs of the life-cycle of the flower move between soft and atmospheric abstractions, and harsh and densely, deeply detailed studies. The two directions are not random; the suggestive [...]]]></description>
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		<title>Review: Sabina Cosic/Chicago Photography Center</title>
		<link>http://art.newcity.com/2011/08/23/review-sabina-cosicchicago-photography-center/</link>
		<comments>http://art.newcity.com/2011/08/23/review-sabina-cosicchicago-photography-center/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 09:00:25 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[Sabina Cosic]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8299</guid>
		<description><![CDATA[RECOMMENDED In ten color fantasy scenario photo-works, Sabina Cosic illustrates the story of Mary Mae and her brother Chaos—a tale of sibling rivalry that puts Cain and Abel to shame for its utter descent into horrifying absolute evil, which Cosic relates in texts below each image in small print. Suffice it to say that Mary [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Eye Exam: Queer Spirits</title>
		<link>http://art.newcity.com/2011/05/30/eye-exam-queer-spirits/</link>
		<comments>http://art.newcity.com/2011/05/30/eye-exam-queer-spirits/#comments</comments>
		<pubDate>Tue, 31 May 2011 04:59:29 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Chicago History Museum]]></category>
		<category><![CDATA[Golden Gallery]]></category>
		<category><![CDATA[John Neff]]></category>
		<category><![CDATA[Robert Blanchon]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7952</guid>
		<description><![CDATA[By Jason Foumberg In 1998, one year before he died at age 33 of AIDS in Chicago, the artist Robert Blanchon created “Untitled (drawing horse),” a replica of the type of benches that students use in a drawing class, but made entirely of glass panes. Blanchon probably enjoyed the fact that, in order to use [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Claude Andreini/Chicago Photography Center</title>
		<link>http://art.newcity.com/2011/05/09/review-claude-andreinichicago-photography-center/</link>
		<comments>http://art.newcity.com/2011/05/09/review-claude-andreinichicago-photography-center/#comments</comments>
		<pubDate>Tue, 10 May 2011 04:57:59 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[Claude Andreini]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7781</guid>
		<description><![CDATA[RECOMMENDED Belgian photographer Claude Andreini’s black-and-white small-format studies of the Nazi death camps of Auschwitz and Terezin are meant to renew memories of the Holocaust, yet—more than anything—they evoke the quietude and loneliness of derelict institutional spaces of any kind that, in this case, have been kept intact frozen in time, stripped and bare. Often [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Ryan Zoghlin/Chicago Photography Center</title>
		<link>http://art.newcity.com/2011/03/28/review-ryan-zoghlinchicago-photography-center/</link>
		<comments>http://art.newcity.com/2011/03/28/review-ryan-zoghlinchicago-photography-center/#comments</comments>
		<pubDate>Tue, 29 Mar 2011 04:57:52 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[Ryan Zoghlin]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7469</guid>
		<description><![CDATA[RECOMMENDED One of the most versatile, productive and consistent conceptual photographers on today’s scene, Ryan Zoghlin receives a stunning mid-career retrospective in this exquisite show curated by Susan Aurinko. Ceaselessly trying out different kinds of cameras, film, and printing processes—old and new—Zoghlin always adapts technique to meaning, delivering distinctive integral images in each of the [...]]]></description>
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