Terry Dowd, Incorporated (TDI) recently announced the relocation of their operations and storage facilities from 2501 West Armitage to Mana Contemporary Chicago’s headquarters at 2233 South Throop. While TDI has not yet opened its doors for business at their new home, their move has already commenced, occupying a total of 20,000 square feet at Mana already, whose nine-level building spans a total of 400,000 square feet. They are scheduled to be fully operating by April of 2015 and will debut a new logo and website in the next few months. Read the rest of this entry »
“I don’t actually care about painting people’s nails,” Sarah Beth Woods confesses. “I love making these little nail tips and adorning them. I love the material and the kind of bricolage aspect of it. But I really love what happens when you put it out in the world for people to interact with. I think so much can happen when there are other people putting them on and sharing their stories.”
Woods’ artistic practice bridges the fine-art world with the beauty shop. She creates elaborate, exaggerated braided headdresses and press-on nail tips, often bringing them into fine-art contexts to adorn visitors. Neon-pink nail tips are decorated with oversized gold dollar signs. Red and blue shower poufs have been deconstructed and then woven into intricate hair weaves. Her ghetto-fabulous aesthetic looks straight out of a Nicki Minaj music video, yet her personal appearance is surprisingly neat and conservative. She keeps her hair and nails short, her friendly smile decorated only with clear lip gloss.
Last month, Woods opened her exhibition “Bricoleur” with an event she described as a “collaborative, interactive fiber installation and hair braiding experience” at Azimuth Projects, an apartment gallery in Logan Square with hair braider Fatimata Traore. Visitors took turns having their hair braided and then “accented” with shiny door-knocker earrings and colorful tassels. Woods’ sculptural works comprised of hairpieces and jewelry remain on display in the space. Read the rest of this entry »
Thursday, September 4
Dan Ramirez, painting
Union League Club of Chicago, 65 West Jackson
Opening reception: 5:30pm-7pm, through September 30
(Members only opening, viewing by appointment only)
Anthony Iacuzzi and Christopher Schneberger, photography
Perspective Gallery, 1310-1/2B Chicago Avenue, Evanston
Opening reception: 5pm-8pm, through September 28
Amy Vogel, mixed-media survey exhibition
Cleve Carney Art Gallery at College of DuPage, Fawell and Park Boulevards, Glen Ellyn
Opening reception: 12pm-2pm, through October 25
Taehoon Kim and Barbara Diener, large scale sculpture and photographic installation
Moraine Valley Community College, 9000 West College, Palos Hills
Opening reception: 3pm–5pm, through September 18 and October 23 respectively Read the rest of this entry »
Green Lantern Press has announced that in October they will open Sector 2337—a new space in Logan Square that will function as both a storefront gallery and a bookstore. The space will host three exhibitions a year supplemented by a series of public programs. In addition, the Press’ online bookstore will be represented in the space with books specializing in contemporary art, poetry, theory and independent press titles. In their press release, Green Lantern Gallery & Press founder Caroline Picard and New Corpse co-director Devin King said, “By marrying these threads—contemporary exhibitions, readings, performances, poetry, and printed matter—we continue the spirit of The Green Lantern Gallery and Press, making community, culture, and discourse easily accessible to Chicago.” Read the rest of this entry »
There are three “Paint With Us” painting days scheduled this weekend when the community is invited to get involved in the completion of Rachel Slotnick’s mural in progress at Milwaukee and Kedzie in Logan Square. Adjoining the Logan Square Blue Line stop, this is the latest mural project to adopt two-year terms for the prominent wall space in the square. Lindsey Meyers, the director of the neighborhood’s Beauty & Brawn Gallery and longtime Logan Square resident, has coordinated the project with Slotnick after considering the wall’s potential over years. Meyers explains by email, “I pass that wall multiple times a day and it always spoke to me. I continued to see its size and scope and only saw beauty and potential.”
Painting days are scheduled for today, August 29, from 4pm-7pm; Sunday, August 31, from 1pm-3pm; and Monday, September 1, from 1pm-3pm. Interested participants need only show up; the gallery will provide all painting materials. Read the rest of this entry »
At the beginning of August, a striking new environmentalist campaign was launched by Milton Glaser, the indelible graphic designer responsible for such iconic works as the I heart NY logo. The stark new design of a black circle shaded a dimming green across its bottom edge connotes the earth’s present environmental changes and is accompanied by the tagline: “IT’S NOT WARMING, IT’S DYING.” Now the Chicago based Busy Beaver Button Co. has partnered with Glaser to create and widely distribute one-inch buttons of the logo through the website itsnotwarming.com. Read the rest of this entry »
My first exposure to Comfort Station coincided with Matthew Hoffman’s 2013 exhibition “Independence.” A mysterious placard was erected in the shadow of the Illinois Centennial Monument. Like most of Hoffman’s work, it was aggressively present on social networks. In the background of some of the photos was a puzzling Tudor-style building that looked comically out of place in trendy Logan Square. The text read: “A motivational sign in a grassy field is nice and all, but it’s not going to do the hard work for you. That’s up to you.”
This wording resonates with the ethos and initiative of Comfort Station. It is a unique architectural landmark that places equal emphasis on both programming and exhibitions. In a recent conversation I had with both of the directors, Jordan Martins characterized their vision as such: “We identify as an ‘art space’ not just due to the exhibitions, but through all of our programs as a totality. The most important thing for us is the plurality, multiplicity and simultaneity of these events and programs and how they activate the space.” Read the rest of this entry »
After Amie Sell’s photo installation “Home Sweet Home” was unceremoniously removed from the Milwaukee Avenue Arts Festival on June 27, she began to meet with other spaces and curators to find somewhere else to present the censored artworks. As Newcity reported at the time of the controversy, Sell’s works criticized gentrification in the Logan Square neighborhood, including real estate developer Mark Fishman, who is the owner of the building in which the works would have been exhibited.
When Traci Fowler and Trevor Schmutz heard about Sell’s work, they invited her to adapt the installation to be shown in Kitchen Space, their apartment gallery in Logan Square. On Sunday, August 3, the new installation of “Home Sweet Home” opened in the two artists’ home, where it will remain on view through August 24. On Sunday, August 17, Kitchen Space will host a lunchtime discussion (tentatively scheduled from 1pm to 3pm) about the issues of gentrification and affordable housing in Logan Square that Sell’s work has researched. Read the rest of this entry »
When Chaz Evans and Jonathan Kinkley met while studying art history at UIC a few years ago, they embarked on a dream to start a gallery project that celebrated the work of artists who create the spectacular visual experiences in video games. On August 8, they will launch the new Video Game Art Gallery, with their first exhibition hosted by Galerie F in Logan Square. This initial foray into a physical show of fine art prints is part of VGA’s work across their online platform as well as through exhibition programming. In an email, Evans explains, “We are working with this hybrid model as it fits well with the media we are showing: it exists both as live software but also as framed images.” The gallery’s website is set up so that collectors can purchase prints that range in price from $75 to $400. Some of the games from which the inkjet prints have been drawn are widely popular, such as “BioShock: Infinite.” But Evans and Kinkley also hope to introduce audiences to visually stunning hidden gems like “MirrorMoon EP,” a first-person puzzler by Santa Ragione with concept art by Gabriele Brombin. Playable demos of these and other games will complement the prints on view at Galerie F in August. Other future pop-up exhibitions are currently in the works.
This year’s Milwaukee Avenue Arts Festival (MAAF) became a site for controversy when Amie Sell’s site-specific installation dealing with affordable housing and displacement through neighborhood development was taken down without the artist’s consent the day the show was meant to open. In a thorough account on Sell’s website, she states that it was Mark Fishman, a real estate developer who owns the building in which her work was to be shown, who was responsible for shutting down the exhibition. Fishman is directly criticized in “Home Sweet Home,” the ongoing project Sell intended to exhibit, and also sits on the I Am Logan Square board, the nonprofit organization that sponsors MAAF along with other cultural events and career development opportunities for artists.