Reviews, profiles and news about art in Chicago

News: Gene Siskel Film Center to Host Screening of Chicago Imagists Documentary

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Karl Wirsum, Art Green, Gladys Nilsson, Suellen Rocca, Jim Nutt, 1967 (Photo by Charles Krejcsi)

Karl Wirsum, Art Green, Gladys Nilsson, Suellen Rocca, Jim Nutt, 1967/Photo: Charles Krejcsi

The Gene Siskel Film Center has announced that in the first week of October it will host a run of Leslie Buchbinder’s first feature-length film, “Hairy Who & the Chicago Imagists,” a documentary that introduces broader audiences to the lively Chicago-based art movement that contested the primacy of Pop Art in the 1960s with wacky and cleverly funny cartoon figurative painting. The documentary will screen daily from Friday, October 3 through Thursday October 9 (full schedule here). Friday’s screening on opening night will feature appearances from director Leslie Buchbinder, producer Brian Ashby and editor Ben Kolak. Then on Sunday, artists Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca and Karl Wirsum will be present at the 5:30pm screening. On the last evening of the run, Thursday, October 9, Ashby returns with screenwriter/music advisor John Corbett and sound designer/engineer Alex Inglizian. Read the rest of this entry »

Review: Sandra Binion/University Club of Chicago

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Sandra Binion. "At Window," 2014,  archival pigment print, 18 x 24 inches

Sandra Binion. “At Window,” 2014,
archival pigment print, 18 x 24 inches

RECOMMENDED

In sixteen muted color photographic studies taken in the French provinces, Sandra Binion’s “Distillé” seeks to evoke the world in which nineteenth-century novelist Gustave Flaubert placed his famous anti-heroine, Madame Bovary. Bathed in fog or shrouded in shadows, indistinct, often distressed, and sometimes illegible, Binion’s images are directed to engendering a mood that might best be characterized as somber. In the most telling piece in the show, in which Binion comes the closest to making a direct connection to Emma Bovary, whose loneliness and consequent delusions fostered by romantic literature led her to a disastrous dalliance, we see, from behind, a silhouetted woman in a darkened room standing before the sliver of a window, the rest of which is obscured by floral-patterned drapes, revealing an unremitting, almost glaring light-gray sky. Read the rest of this entry »

Review: Cargo Space/A+D Gallery

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Exterior view, Cargo Space bus, 2014 Parked in the Papermaker's Garden, Columbia College Chicago, Wabash Ave. at 8th St. Photo credit: April Alonso

Exterior view, Cargo Space bus, 2014
Parked in the Papermaker’s Garden, Columbia College Chicago, Wabash at 8th/Photo: April Alonso

RECOMMENDED

Cargo Space: Chicago/Milwaukee,” an exhibition running simultaneously at A + D Gallery in Chicago and INOVA in Milwaukee, is built around a mobile residency housed on a twenty-seven-foot diesel bus, a conceptual project formed by collaborators Christopher Sperandio and Simon Grennan, sponsored by Rice University in Houston, and propelled by a desire to physically connect artists and audiences that are geographically distant through a mobile platform. Among the included artists (a sprawling group of Chicago and Milwaukee based makers) is Erik L. Peterson who has staged the work “Stretch Limo (94),” 2014, a site-specific installation at INOVA, a building that originally housed an automobile factory. Read the rest of this entry »

News: Judy Ledgerwood Paintings to Appear on Billboards and Shuttles During Expo

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Judy Ledgerwood. "Captiva #2"

Judy Ledgerwood. “Captiva #2″

In conjunction with Expo Chicago, the Beaches of Fort Myers and Sanibel, a southwest Florida destination, has worked with Chicago-based painter Judy Ledgerwood to create a monumental set of public artworks that will appear on billboards in downtown Chicago, River North, Gold Coast and along major expressways. These works will debut on September 13, and will remain on view around town for four weeks. In addition, components of this project will be featured on the official Expo Chicago shuttles that will transport visitors along routes from Navy Pier to other cultural and shopping destinations around the city. Read the rest of this entry »

Beyond Trend: Fashion Advice from the FRC, Yes Please

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The Fashion Resource Center's Assistant Director Caroline Bellios and Director Gillion Carrera

The Fashion Resource Center’s assistant director Caroline Bellios and director Gillion Carrara

In the words of Gillion Carrara, director of the Fashion Resource Center (FRC) at SAIC, “a fresh face, a posture, a pose and a look of curiosity” never go out of style. Leave the normcore on the internet. In anticipation of the impending fall semester, Newcity checked in with IRL fashionistas Carrara, Caroline Bellios, FRC’s assistant director and SAIC grad and FRC employee, Eric Lengsouthiphong to find out their fashionable expectations for the season. At least we have layering to look forward to.

How would you describe your style? What fall items are you excited to debut this semester?
GC: My personal style is generally minimal in various combinations of black variations and textures. I believe that black illustrates a serious, capable, modern individual. Inspired by a summer trip to Japan, I will wear long Comme des Garçons trousers with a bustle and train combination, a simple black tee and Trippen high heels that recall Japanese geta on the opening day of the FRC. As for the FRC, a selection of new acquisitions are from avant-garde designers Christopher Kane, Comme des Garçons, Marc Le Bihan, Mary Katrantzou, Marios Schwab, Anrealage, Boudicca and a vintage Dior.

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Review: Phantoms in the Dirt/Museum of Contemporary Photography

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Richard Mosse. "Sugar Ray," chromogenic development print, 2012

Richard Mosse. “Sugar Ray,” chromogenic development print, 2012

RECOMMENDED

“Phantoms in the Dirt” at The Museum of Contemporary Photography, guest curated by the MCA’s Karsten Lund, takes a literal approach to the photographic treatment of detritus, while showcasing a number of works with more subtle allusions to dirt, dust, baseness and the essential materiality of the photographic process.

The exhibition is introduced by a number of richly material works. Harold Mendez’s installation “Let the shadows in to play their part” plasters the back wall of the museum’s first floor in eucalyptus bark, fleck’s of black silicone carbide and other pigments. Richard Mosse’s palpable photographs of a surreal cotton-candy landscape are in fact images of the Congolese countryside shot on Kodak Aerochrome, a defunct infrared film which renders vegetation in brilliant pinks and reds. Read the rest of this entry »

News: Richard Hunt and Lois Weisberg Among Fifth Star Awards Recipients Announced Today

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Sculptor Richard Hunt, one of the Fifth Star Awards honorees

Sculptor Richard Hunt, one of the Fifth Star Awards honorees

Today the City of Chicago announced the recipients of the inaugural Fifth Star Awards in a press conference at the Chicago Cultural Center. Five Chicago artists, arts advocates and cultural institutions will be honored by Mayor Rahm Emanuel and the Chicago Department of Cultural Affairs and Special Events (DCASE) in a free live show at the Pritkzer Pavilion in Millennium Park on Wednesday, September 17 at 7pm. The honorees are as follows: Lou Conte, Richard Hunt, Ramsey Lewis, Lois Weisberg and The Auditorium Theatre of Roosevelt University. The event has been scheduled in the same week as EXPO Chicago and the accompanying EXPO Art Week, when the city is a major destination for art lovers, dealers and collectors. A full roster of performers and schedule of events for the September 17 show will be released soon.

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Review: Larry Snider/Douglas Dawson Gallery

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Larry Snider. "Cleaning Mosque, India," 2013

Larry Snider, “Cleaning Mosque, India,” 2013

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Taking clear and deceptively unassuming straight color images, globetrotting photographer Larry Snider has divided his most recent work between posed portraits of Tibetans in China and mainly depopulated interiors of old public buildings from the USA, Denmark, Cuba and India. The highlights of the show are the interiors, in which Snider has positioned his camera to capture intriguing designs composed of architectural details, displaying up-front a formalist side of his vision that he had previously subsumed under a concern with emotional content that characterizes his humanist portraits. Whereas in the past, it was important to know where Snider had shot his images since they function as documents of the life of a particular place, that is less significant now, because the interest of his interiors resides in the internal arrangement of photographic values (light, texture, line and shape, for example) rather than in their external references. Read the rest of this entry »

Review: Jaume Plensa/Millennium Park and Richard Gray Gallery

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"Looking Into My Dreams, Awilda," polyester resin and marble dust, 2012. Photo by Tom Van Eynde

“Looking Into My Dreams, Awilda,” polyester resin and marble dust, 2012. Photo by Tom Van Eynde

RECOMMENDED

Spanish sculptor Jaume Plensa designed his first gigantic head, “Dream,” in 2009 on the site of an abandoned coal mine to help a former mining town, as his website puts it, “fill the void left by the colliery since its closure.” Since then, similar heads have popped up in cities around the world, with four now installed in Millennium Park. All of them are derived from digitally modified 3D photographs of girls on the verge of puberty. All have their eyes closed, as if peacefully looking inward.

The shining white, thirty-nine foot “Looking into my dreams, Awilda” serves well as the Madison Street gateway, inviting the public into what is essentially a contemporary art amusement park. Read the rest of this entry »

Review: Ethel Stein/Art Institute of Chicago

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Ethel Stein. "No to Indian Point," 1997

Ethel Stein. “No to Indian Point,” 1997

RECOMMENDED

With her mastery of craftsmanship and design, Ethel Stein, born 1917, might now be the master weaver at the Bauhaus had it endured as long she has. This retrospective, spanning 1982 through 2008, suggests that her primary concern in those years was the pictorial potential of work produced on an old-fashioned drawloom, photographs of which are prominently displayed beside her work. Responding to personal, community and art world concerns, she did things with a loom that have more often been done with brush, paint and canvas. Read the rest of this entry »