Reviews, profiles and news about art in Chicago

News: Chicago Cultural Center Inaugural Artist and Curatorial Residencies Announced [UPDATED]

Loop, News etc. No Comments »
Alexandria Eregbu's performance "Father's Heart," 2013. Photo by Noah Krell.

Alexandria Eregbu’s performance “Father’s Heart,” 2013/Photo: Noah Krell

Last week the Department of Cultural Affairs and Special Events (DCASE) and The Joyce Foundation announced the two curators and six artists who have been selected for the inaugural year of the DCASE Studio Artist and Curatorial Residency Awards at the Chicago Cultural Center (CCC). For the 2014-2015 year, Allison Glenn and Ross Jordan have been selected as curatorial fellows. The selected artists will be provided three-month residencies. The schedule of artist residencies is as follows: Alexandria Eregbu (October-December 2014); Adebukola Bodunrin, Mahwish Chishty and Faheem Majeed in collaboration with Jeremiah Hulsebos-Spofford (January-April 2015); Cecil McDonald and Cheryl Pope (May-August 2015).
Read the rest of this entry »

Review: Sarah Charlesworth/Art Institute of Chicago

Loop, Photography No Comments »
Sarah Charlesworth. "Unidentified Man, Ontani Hotel, Los Angeles," 1980, printed 2012

Sarah Charlesworth. “Unidentified Man, Ontani Hotel, Los Angeles,” 1980, printed 2012

RECOMMENDED

The Art Institute of Chicago has embarked on a nine-month celebration titled “Photography Is_________,” commemorating the department of photography’s establishment in 1974. Sarah Charlesworth, who figured among the Pictures Generation of artists, appropriated photos from newspapers that documented people falling from tall buildings. The resulting images meld photojournalistic and fine art photography techniques, creating conceptual documentations of a moment laced with kinetic energy. Measuring over six feet tall, these compositions show mortality tinged with an intense sense of freedom. These are people jumping or falling to their deaths, some showing momentum and violence, while others look serene as these active moments transform into portraits. Read the rest of this entry »

Review: Heaven and Earth: Art of Byzantium from Greek Collections/Art Institute of Chicago

Loop, Michigan Avenue, Painting, Sculpture No Comments »
Icon of St. Prokopios, 14th century. Byzantine; Greece, Veroia. Church of Saint Prokopios, Veroia.

Icon of St. Prokopios, 14th century. Byzantine; Greece, Veroia. Church of Saint Prokopios, Veroia.

RECOMMENDED

The story of Renaissance painting begins with innovations in naturalism that were a welcome liberation from the schematic strictures of the Byzantine style. Or at least, that’s how the leading art historians of the last century, like Ernst Gombrich, told it. Perhaps that’s why this is the first special exhibition devoted exclusively to Byzantine art at the Art Institute of Chicago in 124 years. But as this exhibition proves, the best Byzantine figurative art in painting, sculpture and mosaic was no less fresh, expressive and exciting than subsequent art periods are known to be. Read the rest of this entry »

Review: A Proximity of Consciousness: Art and Social Action/Sullivan Galleries

Activist Art, Art Schools, Installation, Loop, Performance, Prints, Sculpture No Comments »
Installation view with "Publishing Clearing House" by Temporary Services

Installation view with “Publishing Clearing House” by Temporary Services

RECOMMENDED

“A Proximity of Consciousness” inaugurates SAIC’s season of lectures, book releases and a symposium dedicated to the art of affecting social change. The exhibition is curated by Mary Jane Jacob and Kate Zeller and showcases new works by a powerhouse roster including Michael Rakowitz, Pablo Helguera, James Duignan, J. Morgan Puett, Paul Durica, Iñigo Manglano-Ovalle, Dan Peterman, Laurie Jo Reynolds, Temporary Services, Rirkrit Tiravanija and many more collaborators. Read the rest of this entry »

Portrait of the Artist: Matthew Haussler

Drawings, Loop No Comments »
Matthew Haussler at work on his attempt to break the world record for longest hand drawn maze

Matthew Haussler at work on his attempt to break the world record for longest hand-drawn maze

“I brought my daughter to this room once and she spent five minutes looking at the ceiling, walking around,” says Matthew Haussler about the Cultural Center lobby. “Those are the things most adults don’t notice.” Haussler brought me here to admire the patterned coffers, not unlike the lines within his own work. Months ago he wouldn’t have believed mazes could provide a source of income, let alone that he would gun for the record of the longest hand-drawn maze. With two books of mazes just published by MindWare, and another collection of Chicago mazes funded on Kickstarter, the Cincinnati native has been busy developing his craft. Read the rest of this entry »

Review: Helen Maurene Cooper/Bert Green Fine Art

Loop, Photography No Comments »
Helen Maurene Cooper. "Untitled #2," 2014, archival pigment print

Helen Maurene Cooper. “Untitled #2,” 2014, archival pigment print

RECOMMENDED

Having gained attention for her lush and exquisitely beautiful color studies of nail art, which both document the extravagant and elegant ways in which some people adorn their nails, and place those works of body art against luscious soft and liquid backgrounds, Helen Maurene Cooper now shows herself to be a versatile photographer who is at home in several diverse genres in her exhibition “Raiment in Horto.” Along with two of the nail shots, Cooper’s early survey of her artistic output offers formal color portraits of pit-bull dogs (they are quite cute), diptychs pairing murky miniature tintype portraits of drag queens (who have pulled off looking like young women) and still lifes of rough flowers in vases, and dynamic black-and-white street photos of sidewalk performances. Read the rest of this entry »

Expo Dispatches: Sarah Charlesworth and Conceptual Photography Discussed at Art Institute

Art Fairs, Loop, News etc., Photography No Comments »
Sarah Charlesworth. "Unidentified Man, Ontani Hotel," Los Angeles, 1980, printed 2012, No. 14 of 14 from the series Stills.

Sarah Charlesworth. “Unidentified Man, Ontani Hotel,” Los Angeles, 1980, printed 2012, No. 14 of 14 from the series Stills.

Programming across the city set to coincide with Expo Chicago began on Wednesday with rooftop parties, previews and lectures. Speaking to a near-capacity crowd at the Art Institute of Chicago’s stately Fullerton Hall, artists Liz Deschenes, Laurie Simmons and Sara VanDerBeek were joined by activist Kate Linker Wednesday evening for a wide-ranging discussion of the life and work of the late photographer Sarah Charlesworth in conjunction with the opening of “Stills,” the artist’s first solo museum show in fifteen years. Read the rest of this entry »

Expo Dispatches: Your Fair Survival Guide and Must-See Itinerary

Activist Art, Art Fairs, Installation, Loop, Multimedia, Performance, Public Art, West Loop No Comments »
Ai Weiwei. "Circle of Animals/Zodiac Heads" installed at the Adler Planetarium. Photo Credit: Natalia Salazar / Chicago Park District

Ai Weiwei. “Circle of Animals/Zodiac Heads” installed at the Adler Planetarium. Photo Credit: Natalia Salazar / Chicago Park District

The third year of The International Exposition of Contemporary and Modern Art (EXPO) is upon us. There is much to be seen this weekend both on and off the Pier, but no one can do it all. (I had a hard time even getting through the encyclopedic press materials in a timely manner.) So strap on your sensible shoes, paint your face like Ziggy Stardust, and keep your eyes peeled for Shaq; here are my recommendations, must-sees and predictions for what’s most likely to elicit schadenfreude.

Tickets are $20 for a one-day pass or $30 for the weekend. The fair is open 11am-7pm Friday and Saturday and 11am-6pm Sunday. Unless otherwise noted, all events are taking place at Navy Pier’s Festival Hall (600 East Grand). Read the rest of this entry »

News: Gene Siskel Film Center to Host Screening of Chicago Imagists Documentary

Loop, News etc. No Comments »
Karl Wirsum, Art Green, Gladys Nilsson, Suellen Rocca, Jim Nutt, 1967 (Photo by Charles Krejcsi)

Karl Wirsum, Art Green, Gladys Nilsson, Suellen Rocca, Jim Nutt, 1967/Photo: Charles Krejcsi

The Gene Siskel Film Center has announced that in the first week of October it will host a run of Leslie Buchbinder’s first feature-length film, “Hairy Who & the Chicago Imagists,” a documentary that introduces broader audiences to the lively Chicago-based art movement that contested the primacy of Pop Art in the 1960s with wacky and cleverly funny cartoon figurative painting. The documentary will screen daily from Friday, October 3 through Thursday October 9 (full schedule here). Friday’s screening on opening night will feature appearances from director Leslie Buchbinder, producer Brian Ashby and editor Ben Kolak. Then on Sunday, artists Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca and Karl Wirsum will be present at the 5:30pm screening. On the last evening of the run, Thursday, October 9, Ashby returns with screenwriter/music advisor John Corbett and sound designer/engineer Alex Inglizian. Read the rest of this entry »

Review: Sandra Binion/University Club of Chicago

Loop, Photography No Comments »
Sandra Binion. "At Window," 2014,  archival pigment print, 18 x 24 inches

Sandra Binion. “At Window,” 2014,
archival pigment print, 18 x 24 inches

RECOMMENDED

In sixteen muted color photographic studies taken in the French provinces, Sandra Binion’s “Distillé” seeks to evoke the world in which nineteenth-century novelist Gustave Flaubert placed his famous anti-heroine, Madame Bovary. Bathed in fog or shrouded in shadows, indistinct, often distressed, and sometimes illegible, Binion’s images are directed to engendering a mood that might best be characterized as somber. In the most telling piece in the show, in which Binion comes the closest to making a direct connection to Emma Bovary, whose loneliness and consequent delusions fostered by romantic literature led her to a disastrous dalliance, we see, from behind, a silhouetted woman in a darkened room standing before the sliver of a window, the rest of which is obscured by floral-patterned drapes, revealing an unremitting, almost glaring light-gray sky. Read the rest of this entry »