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	<title>Newcity Art &#187; Loop</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Human/Gallery 180</title>
		<link>http://art.newcity.com/2012/01/31/review-humangallery-180/</link>
		<comments>http://art.newcity.com/2012/01/31/review-humangallery-180/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:37 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Brandon Briggs]]></category>
		<category><![CDATA[Catherine Maize]]></category>
		<category><![CDATA[Chuck Gneich]]></category>
		<category><![CDATA[E. Thurston Belmer]]></category>
		<category><![CDATA[Illinois Institute of Art]]></category>
		<category><![CDATA[Marisa Andropolis]]></category>
		<category><![CDATA[Nicole McCormick Santiago]]></category>
		<category><![CDATA[Ted Preuss]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9303</guid>
		<description><![CDATA[A variety of annual, national juried exhibitions have been emerging in Chicago over the past few years, and now Chuck Gniech, of the Illinois Institute of Art, has mounted his second “Human” exhibition, intending to explore “the human form as well as the human condition.” Ninety artists responded to his nationwide call, and twenty were [...]]]></description>
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		<title>Review: The Wroclaw School of Printmaking/Chicago Cultural Center</title>
		<link>http://art.newcity.com/2012/01/17/review-the-wroclaw-school-of-printmakingchicago-cultural-center/</link>
		<comments>http://art.newcity.com/2012/01/17/review-the-wroclaw-school-of-printmakingchicago-cultural-center/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:51 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Eugeniusz Geppert Academy of Art and Design]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9223</guid>
		<description><![CDATA[RECOMMENDED Looking at Chicago Cultural Center’s exhibition of the Wroclaw School of Printmaking, one gets the sense that there might be more time in Wroclaw, Poland, than we have here. Three galleries filled with large, complex, detailed and technically brilliant prints provide evidence that artists in Poland have time to concentrate on dense, romantic images. Printmaking [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Exposure/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2012/01/03/review-exposureart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2012/01/03/review-exposureart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 10:00:07 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Heather Rasmussen]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9186</guid>
		<description><![CDATA[RECOMMENDED Fascinated by the colorful and ruthlessly rectangular shipping crates that festoon California ports, Heather Rasmussen took to making miniature paper replicas of them; arranged her constructions to simulate documented accidents in which piles of containers crashed into each other, collapsed, or scattered in a mess; and shot her scenarios in color, leaving out any [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Lloyd DeGrane/Gage Gallery</title>
		<link>http://art.newcity.com/2011/12/20/review-lloyd-degranegage-gallery/</link>
		<comments>http://art.newcity.com/2011/12/20/review-lloyd-degranegage-gallery/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 10:00:40 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Gage Gallery]]></category>
		<category><![CDATA[Lloyd DeGrane]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9162</guid>
		<description><![CDATA[RECOMMENDED Between 1990 and 2001, Chicago’s gifted and gutsy documentary photographer Lloyd DeGrane went on the adventure of his life, going inside the walls of Cook County Jail and Stateville Correctional Center near Joliet, shooting the entire world of incarceration from beginning to end, from the captors to the captives, and from the grinding oppressive [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Special Collection/Chicago Photography Collective</title>
		<link>http://art.newcity.com/2011/12/20/review-special-collectionchicago-photography-collective/</link>
		<comments>http://art.newcity.com/2011/12/20/review-special-collectionchicago-photography-collective/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 10:00:24 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Alan Teller]]></category>
		<category><![CDATA[Chicago Photography Collective]]></category>
		<category><![CDATA[Damon Shell]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9159</guid>
		<description><![CDATA[RECOMMENDED Among the eighteen accomplished Chicago photographers displaying their “favorite images” here in a variety of straight genres, the most abstract pieces are the standouts, preparing us to take some comfort and even joy in the blustery days that loom ahead. Remember last February’s blizzard. Damon Shell lets us relive it blissfully with his color [...]]]></description>
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		<title>Eye Exam: Illuminating Conceptual Art</title>
		<link>http://art.newcity.com/2011/12/13/eye-exam-illuminating-conceptual-art/</link>
		<comments>http://art.newcity.com/2011/12/13/eye-exam-illuminating-conceptual-art/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:15:37 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Adrian Piper]]></category>
		<category><![CDATA[Al Ruppersberg]]></category>
		<category><![CDATA[Art Institiute of Chicago]]></category>
		<category><![CDATA[Arte Povera]]></category>
		<category><![CDATA[Dan Graham]]></category>
		<category><![CDATA[Dennis Oppenheim]]></category>
		<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Eleanor Antin]]></category>
		<category><![CDATA[Gilbert & George]]></category>
		<category><![CDATA[Gordon Matta-Clark]]></category>
		<category><![CDATA[Jan Dibbets]]></category>
		<category><![CDATA[John Baldessari]]></category>
		<category><![CDATA[Laurie Anderson]]></category>
		<category><![CDATA[Marcel Broodthaers]]></category>
		<category><![CDATA[Matthew Witkovsky]]></category>
		<category><![CDATA[Mel Bochner]]></category>
		<category><![CDATA[Robert Barry]]></category>
		<category><![CDATA[Robert Smithson]]></category>
		<category><![CDATA[Sol LeWitt]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9134</guid>
		<description><![CDATA[By Monica Westin In my notes for the exhibition “Light Years,” I scrawled to myself that of the multitude of photographs and other lens-based work in the Art Institute’s ambitious show of photo-conceptualism, half a dozen or more involve scenes of beaches. Jan Dibbets’ careful formal studies of tides and waves in photography and film [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Timothy H. O’Sullivan/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/12/13/review-timothy-h-o%e2%80%99sullivanart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/12/13/review-timothy-h-o%e2%80%99sullivanart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:00:50 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Clarence King]]></category>
		<category><![CDATA[Timothy H. O’Sullivan]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9108</guid>
		<description><![CDATA[RECOMMENDED Between 1867 and 1869, the U.S. government sponsored a survey of the wondrous lands between the California border and Cheyenne, Wyoming, including in the team photographer Timothy H. O’Sullivan, who set about shooting intriguing rock formations of various and undreamt of kinds, views from above of budding towns, a vista here and there, and—the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Philip Hartigan/Finestra Art Space</title>
		<link>http://art.newcity.com/2011/10/18/review-philip-hartiganfinestra-art-space/</link>
		<comments>http://art.newcity.com/2011/10/18/review-philip-hartiganfinestra-art-space/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 09:00:52 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Finestra Art Space]]></category>
		<category><![CDATA[Philip Hartigan]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8769</guid>
		<description><![CDATA[RECOMMENDED In a fanciful postmodern project filled with ridiculous pathos, Philip Hartigan appropriated photos of Lucerne, Switzerland, to which he has never been; enlarged them so as to decompose their details; drew over them with softly colored squiggly lines recalling aerosol art, graffiti and tags; printed them at postcard size; joined them to each other [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Terence Hannum/Chicago Cultural Center</title>
		<link>http://art.newcity.com/2011/10/11/review-terence-hannumchicago-cultural-center/</link>
		<comments>http://art.newcity.com/2011/10/11/review-terence-hannumchicago-cultural-center/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 09:01:08 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Banks Violette]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Locrian]]></category>
		<category><![CDATA[Terence Hannum]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8711</guid>
		<description><![CDATA[RECOMMENDED Albeit largely monochromatic, there’s a lot to enjoy in the fanatically perverse visuals issuing from the unholy twenty-year legacy of Scandinavian black metal. There are the band logos, which incorporate traditional Nordic and Celtic design elements with expressionistic lightning cracks and blood splatters; there&#8217;s the album art, featuring epic landscapes, cryptic pagan diagrams and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Rosemary Warner/Chicago Photography Collective</title>
		<link>http://art.newcity.com/2011/10/11/review-rosemary-warnerchicago-photography-collective/</link>
		<comments>http://art.newcity.com/2011/10/11/review-rosemary-warnerchicago-photography-collective/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 09:00:21 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Collective]]></category>
		<category><![CDATA[Rosemary Warner]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8724</guid>
		<description><![CDATA[RECOMMENDED Following its tradition of mounting thematic group shows, the Collective comes up with its best effort to date in its decidedly adult paean to Halloween and horror. All eleven contributing photographers cut deeply and tellingly, with featured artist Rosemary Warner taking the existential honors with her layered and ominously dull brown-toned photo-works that combine images [...]]]></description>
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		<slash:comments>1</slash:comments>
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