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	<title>Newcity Art &#187; Michigan Avenue</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
	<lastBuildDate>Wed, 01 Feb 2012 05:02:16 +0000</lastBuildDate>
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		<title>Review: Moyra Davey/Donald Young Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-moyra-daveydonald-young-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-moyra-daveydonald-young-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:30 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Donald Young Gallery]]></category>
		<category><![CDATA[Moyra Davey]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9300</guid>
		<description><![CDATA[RECOMMENDED “In the Spirit of Walser” at Donald Young Gallery is a series of exhibitions by artists inspired by the poetic, rambling stories of Swiss writer Robert Walser (1878-1956). The second exhibition in this series features new works by Moyra Davey, including &#8220;Subway Writers II,” a grid of twenty-five photographs, and &#8220;Les Goddesses,” a sixty-one [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: The Three Graces/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/12/06/review-the-three-gracesart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/12/06/review-the-three-gracesart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:02:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Peter J. Cohen]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9061</guid>
		<description><![CDATA[RECOMMENDED When Peter J. Cohen went through his vast collection of old anonymous snapshots gleaned from flea markets and garage sales, he was struck by how many of them depicted female threesomes, gathered those together, tacked them on the gallery wall, and titled the exhibition “The Three Graces”—beauty, charm and grace. Billed as a history of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Lee Bey/City Gallery</title>
		<link>http://art.newcity.com/2011/11/29/review-lee-beycity-gallery/</link>
		<comments>http://art.newcity.com/2011/11/29/review-lee-beycity-gallery/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 10:01:00 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[City Gallery]]></category>
		<category><![CDATA[Lee Bey]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9032</guid>
		<description><![CDATA[RECOMMENDED In a happy conceit, photographer Lee Bey has paired his sensitive contemporary color shots of landmarks in Chicago’s neighborhoods with images of the same sites taken long ago, to show how much the scenes have changed, and in some cases have remained the same, at least in their meanings, if not their overt appearance. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Jim Lutes/Valerie Carberry Gallery</title>
		<link>http://art.newcity.com/2011/11/22/review-jim-lutesvalerie-carberry-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/22/review-jim-lutesvalerie-carberry-gallery-2/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:00:04 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Jim Lutes]]></category>
		<category><![CDATA[Valerie Carberry Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9002</guid>
		<description><![CDATA[Those who saw his 2009 retrospective at the Renaissance Society might well be surprised that Jim Lutes is painting moody landscapes. Until now, his career has moved back and forth between abstract expression and spectral, sketchy, flabby figuration. But the four wall-size landscapes now showing in Valerie Carberry are far too picturesque to be considered [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: The Language of Less (Then and Now)/Museum of Contemporary Art &amp; Reduction or Something Less/LVL3 Gallery</title>
		<link>http://art.newcity.com/2011/10/18/review-the-language-of-less-then-and-nowmuseum-of-contemporary-art-reduction-or-something-lesslvl3-gallery/</link>
		<comments>http://art.newcity.com/2011/10/18/review-the-language-of-less-then-and-nowmuseum-of-contemporary-art-reduction-or-something-lesslvl3-gallery/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 09:01:30 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Carol Bove]]></category>
		<category><![CDATA[Conor Backman]]></category>
		<category><![CDATA[Gedi Sibony]]></category>
		<category><![CDATA[Jason Dodge]]></category>
		<category><![CDATA[Leonor Antunes]]></category>
		<category><![CDATA[LVL3]]></category>
		<category><![CDATA[Magalie Guerin]]></category>
		<category><![CDATA[Matt Nichols]]></category>
		<category><![CDATA[Michael Darling]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Oscar Tuazon]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8772</guid>
		<description><![CDATA[After a year that’s been rich in lively shows and discussion about the relevance and legacy of Minimalism—the Gerard Byrne show and accompanying panels at the Renaissance Society, for one—this fall’s big Minimalism-then-and-now show at the MCA is a bit of a theoretical letdown. The first major show by chief curator Michael Darling, who joined [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Ellen Lanyon and Philip Pearlstein/Valerie Carberry Gallery</title>
		<link>http://art.newcity.com/2011/10/04/review-ellen-lanyon-and-philip-pearlsteinvalerie-carberry-gallery/</link>
		<comments>http://art.newcity.com/2011/10/04/review-ellen-lanyon-and-philip-pearlsteinvalerie-carberry-gallery/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 09:27:56 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ellen Lanyon]]></category>
		<category><![CDATA[Philip Pearlstein]]></category>
		<category><![CDATA[Valerie Carberry Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8677</guid>
		<description><![CDATA[RECOMMENDED What do the objects in a painting mean? This is a very important question for historians who study art made for the sake of religious or political ideologies. But when art is done for the sake of art, success often depends on what they don’t mean, especially in the post-war American art world that [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/10/04/review-ellen-lanyon-and-philip-pearlsteinvalerie-carberry-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Janet McKenzie/Loyola University Museum of Art</title>
		<link>http://art.newcity.com/2011/09/13/review-janet-mckenzieloyola-university-museum-of-art/</link>
		<comments>http://art.newcity.com/2011/09/13/review-janet-mckenzieloyola-university-museum-of-art/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:50 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Janet McKenzie]]></category>
		<category><![CDATA[Loyola University Museum of Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8525</guid>
		<description><![CDATA[RECOMMENDED In 1999, Janet McKenzie’s “Jesus of the People” was selected by Sister Wendy Beckett, the BBC television art docent, from among the ten finalists in the National Catholic Reporter’s “Jesus 2000” project to discover “who Jesus might be for our time.” As Sister Wendy wrote: “This is a haunting image of a peasant Jesus—dark, [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/13/review-janet-mckenzieloyola-university-museum-of-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Dan Gunn/Museum of Contemporary Art</title>
		<link>http://art.newcity.com/2011/09/13/review-dan-gunnmuseum-of-contemporary-art/</link>
		<comments>http://art.newcity.com/2011/09/13/review-dan-gunnmuseum-of-contemporary-art/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Dan Gunn]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8513</guid>
		<description><![CDATA[RECOMMENDED During the 1980s, artists who produced anxious or enigmatic objects gave up the responsibility to be serious, or at least they shed some of the trappings of the high seriousness characterized by Minimalism. Dan Gunn’s “Patchwork Plateau,” on view at the MCA, is an object resembling a room-dividing screen and is placed on its [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/13/review-dan-gunnmuseum-of-contemporary-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Ralph Eugene Meatyard/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/08/08/review-ralph-eugene-meatyardart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/08/08/review-ralph-eugene-meatyardart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:57:09 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Elizabeth Siegel]]></category>
		<category><![CDATA[Ralph Eugene Meatyard]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8227</guid>
		<description><![CDATA[RECOMMENDED A transplant from Normal, Illinois to Lexington, Kentucky, Ralph Eugene Meatyard took up photography, got into the circle of intellectuals presided over by Wendell Berry, and indulged his proclivities for the surreal suffused with Southern gothic. An early practitioner of the contemporary scenario shot whose trajectory peaked in the 1960s, Meatyard deployed his wife [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/08/08/review-ralph-eugene-meatyardart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Avant-Garde Art in Everyday Life/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 28 Jun 2011 04:57:59 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[El Lissitzky]]></category>
		<category><![CDATA[Gustav Klutsis]]></category>
		<category><![CDATA[John Heartfield]]></category>
		<category><![CDATA[Ladislav Sutnar]]></category>
		<category><![CDATA[Piet Zwart]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8061</guid>
		<description><![CDATA[RECOMMENDED The separation between everyday life and the visionary designers of the avant-garde is one of the ongoing ironies or misrepresentations of the twentieth century. An exhibition at the Art Institute retrieves the connections among graphic design, designed objects, art and “everyday life,” displaying book covers, teapots, postcards and the dynamic graphic work of six [...]]]></description>
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		<slash:comments>0</slash:comments>
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