<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Newcity Art &#187; Pilsen</title>
	<atom:link href="http://art.newcity.com/category/galleries/pilsen/feed/" rel="self" type="application/rss+xml" />
	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
	<lastBuildDate>Wed, 01 Feb 2012 05:02:16 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>Review: El Stitch y Bitch/Antena Gallery</title>
		<link>http://art.newcity.com/2011/09/27/review-el-stitch-y-bitchantena-gallery/</link>
		<comments>http://art.newcity.com/2011/09/27/review-el-stitch-y-bitchantena-gallery/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 09:00:36 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Adriana Baltazar]]></category>
		<category><![CDATA[Antena Gallery]]></category>
		<category><![CDATA[Atena]]></category>
		<category><![CDATA[Claudia Marchan]]></category>
		<category><![CDATA[El Stitch y Bitch]]></category>
		<category><![CDATA[Naomi Martinez]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8652</guid>
		<description><![CDATA[RECOMMENDED This exhibition of work from the group El Stitch y Bitch reminded me of the essentially “relational” aims of feminist work of the 1970s and eighties, specifically Judy Chicago’s Birth Project, a series of embroidered depictions of birth stitched by women, non-artists, from all over the country. While the work on display at Antena [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/27/review-el-stitch-y-bitchantena-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Splay/Roxaboxen Exhibitions</title>
		<link>http://art.newcity.com/2011/08/30/review-splayroxaboxen-exhibitions/</link>
		<comments>http://art.newcity.com/2011/08/30/review-splayroxaboxen-exhibitions/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 09:00:22 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Elise Goldberg]]></category>
		<category><![CDATA[Eve Kosofsky Sedgwick]]></category>
		<category><![CDATA[Fritz Welch]]></category>
		<category><![CDATA[Ivan Lozano]]></category>
		<category><![CDATA[Mark Frost]]></category>
		<category><![CDATA[Rachel Lowther]]></category>
		<category><![CDATA[Roxaboxen Exhibitions]]></category>
		<category><![CDATA[Synvia Whitney]]></category>
		<category><![CDATA[Tessa Siddle]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8402</guid>
		<description><![CDATA[RECOMMENDED I didn’t expect a youthful art show to represent sex, as did Quentin Crisp, to be “the last refuge of the miserable.” But the libidinal charge driving recent utopian art seems, at least in the group show “Splay” now on view at Roxaboxen, to have fizzled. Elise Goldstein hung a series of twenty-four cotton [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/08/30/review-splayroxaboxen-exhibitions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Elsa Muñoz/National Museum of Mexican Art</title>
		<link>http://art.newcity.com/2011/08/23/review-elsa-munoznational-museum-of-mexican-art/</link>
		<comments>http://art.newcity.com/2011/08/23/review-elsa-munoznational-museum-of-mexican-art/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 09:00:44 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[American Academy of Art]]></category>
		<category><![CDATA[Cesáreo Moreno]]></category>
		<category><![CDATA[Dubhe Carreno Gallery]]></category>
		<category><![CDATA[Elsa Muñoz]]></category>
		<category><![CDATA[Marcos Raya]]></category>
		<category><![CDATA[National Museum of Mexican Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8301</guid>
		<description><![CDATA[RECOMMENDED Representational accuracy is a severe challenge to pictorial composition that usually results in the prosaic rather than the poetic. There are plenty of textbooks on perspective and anatomy, but passionate sensitivity seems to be a rare, unsolicited gift from the gods. So rare that when it happens, a painting screams for attention, as the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/08/23/review-elsa-munoznational-museum-of-mexican-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Renovation Creep/Antena Gallery</title>
		<link>http://art.newcity.com/2011/08/23/review-renovation-creepantena-gallery/</link>
		<comments>http://art.newcity.com/2011/08/23/review-renovation-creepantena-gallery/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 09:00:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Antena Gallery]]></category>
		<category><![CDATA[Daniel Bruttig]]></category>
		<category><![CDATA[Erin Thurlow]]></category>
		<category><![CDATA[Joseph Cassan]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8292</guid>
		<description><![CDATA[RECOMMENDED The uncanny potential of domestic objects is key to the art-world appeal of Steven Spielberg’s 1982 sitcomesque horror classic “Poltergeist.” Twenty years later, Paul Pfeiffer’s series of sculptures by that name recreated the tower of chairs stacked on the kitchen table by Spielberg’s ghost. In “Renovation Creep,” Antena gallery’s current show, Daniel Bruttig, Joseph [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/08/23/review-renovation-creepantena-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: In A Strange Land/Calles y Sueños</title>
		<link>http://art.newcity.com/2011/06/13/review-in-a-strange-landcalles-y-suenos/</link>
		<comments>http://art.newcity.com/2011/06/13/review-in-a-strange-landcalles-y-suenos/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 04:57:01 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Anne Dodge]]></category>
		<category><![CDATA[Ben T. Brown]]></category>
		<category><![CDATA[Bia Gayotto]]></category>
		<category><![CDATA[Calles Y Sueños]]></category>
		<category><![CDATA[Chiara Ghalimberti]]></category>
		<category><![CDATA[Rozalinda Borcila]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7978</guid>
		<description><![CDATA[RECOMMENDED What makes much contemporary art successful, whether “political” by intention or by accident, is that it comes as the result of an effort not focused on making something that looks like art. This describes well what happened with Anne Dodge’s “66 Motels” project, on display in the show “In A Strange Land” at the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/06/13/review-in-a-strange-landcalles-y-suenos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: While All Such Things End</title>
		<link>http://art.newcity.com/2011/05/09/review-while-all-such-things-end/</link>
		<comments>http://art.newcity.com/2011/05/09/review-while-all-such-things-end/#comments</comments>
		<pubDate>Tue, 10 May 2011 04:58:24 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Street Art]]></category>
		<category><![CDATA[Cody Hudson]]></category>
		<category><![CDATA[Juan Angel Chavez]]></category>
		<category><![CDATA[Kyle Schlie]]></category>
		<category><![CDATA[WASTE]]></category>
		<category><![CDATA[While All Such Things End]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7771</guid>
		<description><![CDATA[RECOMMENDED Appropriately sited next to Pilsen’s Salvation Army store, a group of outdoor sculptures composed of found objects took shape under the moniker “While All Such Things End,” or WASTE. Some colored strips of rag were tied to chain-link. A yard of fabric with an ambiguous, body-sized shape cutout lay on the dirt. These discards [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/05/09/review-while-all-such-things-end/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Far-Flung Scene: Drawing Out the Chicago Art Landscape</title>
		<link>http://art.newcity.com/2011/04/25/art-break-drawing-out-the-chicago-landscape/</link>
		<comments>http://art.newcity.com/2011/04/25/art-break-drawing-out-the-chicago-landscape/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 04:58:32 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Bronzeville]]></category>
		<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Rogers Park]]></category>
		<category><![CDATA[Chicago Arts District]]></category>
		<category><![CDATA[Diane Grams]]></category>
		<category><![CDATA[DuSable Museum of African American History]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7608</guid>
		<description><![CDATA[By Jason Foumberg A chronic criticism of Chicago’s art landscape is that, for a thriving urban center, its art venues and exhibitions spaces are too farflung across the city’s grid, and therefore largely inaccessible. A Chelsea-type stroll just isn’t possible in Chicago, and even if there are concentrated gallery districts in River North and the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/04/25/art-break-drawing-out-the-chicago-landscape/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: The Slow Way</title>
		<link>http://art.newcity.com/2011/04/11/eye-exam-the-slow-way/</link>
		<comments>http://art.newcity.com/2011/04/11/eye-exam-the-slow-way/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 04:59:53 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Curator Profiles]]></category>
		<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Paul Hopkin]]></category>
		<category><![CDATA[Slow]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7566</guid>
		<description><![CDATA[By Jason Foumberg Paul Hopkin is an artist who opened Slow gallery in August 2009 in a west Pilsen storefront. Slow is a curatorial project where Hopkin pairs two (and sometimes three) artists in an exhibition to see a conversation emerge. We chatted about his practice and vision for the gallery. Tell me about the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/04/11/eye-exam-the-slow-way/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beam Me Up: Chicago Internet artists do the BYOB thing</title>
		<link>http://art.newcity.com/2011/03/29/beam-me-up-chicago-internet-artists-do-the-byob-thing/</link>
		<comments>http://art.newcity.com/2011/03/29/beam-me-up-chicago-internet-artists-do-the-byob-thing/#comments</comments>
		<pubDate>Tue, 29 Mar 2011 14:00:34 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[Archer Ballroom]]></category>
		<category><![CDATA[Bea Fremderman]]></category>
		<category><![CDATA[Brian Khek]]></category>
		<category><![CDATA[Bring Your Own Beamer]]></category>
		<category><![CDATA[BYOB]]></category>
		<category><![CDATA[Chris Collins]]></category>
		<category><![CDATA[Daniel Baird]]></category>
		<category><![CDATA[Kunsthalle New]]></category>
		<category><![CDATA[Nicholas O’Brien]]></category>
		<category><![CDATA[Rafaël Rozendaal]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7509</guid>
		<description><![CDATA[If you walked into the Kunsthalle New gallery in Pilsen at around 8pm last Saturday, the first thing you would have noticed was a group of people standing and staring at the ceiling. Above them, what looked like a pile of rags jumped and rustled, like a cat wandering under a pile of clothes. It [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/03/29/beam-me-up-chicago-internet-artists-do-the-byob-thing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>411: Art Marketing</title>
		<link>http://art.newcity.com/2011/01/31/411-art-marketing/</link>
		<comments>http://art.newcity.com/2011/01/31/411-art-marketing/#comments</comments>
		<pubDate>Tue, 01 Feb 2011 00:36:41 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Pilsen]]></category>
		<category><![CDATA[2nd Fridays]]></category>
		<category><![CDATA[Clarke Canedy]]></category>
		<category><![CDATA[The Black Cloud Gallery of East Pilsen]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7186</guid>
		<description><![CDATA[With more than two-dozen art galleries located in one neighborhood it can be difficult for the new kid on the block to stand out from the crowd. Throw in an economy slowly climbing its way out of recession, let alone it being February in Chicago—not exactly the most conducive environment to foot traffic—and it&#8217;s hard [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/01/31/411-art-marketing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

