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	<title>Newcity Art &#187; River North</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Art Shay/Stephen Daiter Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-art-shaystephen-daiter-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-art-shaystephen-daiter-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:52 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Art Shay]]></category>
		<category><![CDATA[Stephen Daiter Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9289</guid>
		<description><![CDATA[RECOMMENDED Chicago’s premier photojournalist Art Shay captured a moment in place and time, here in the early 1950s, when the gritty old city still held on, with its bittersweet ironies and brutalities, its harshness, and its anticipations of technology-fueled urbanity. Shooting straight and on the fly in unremitting black and white, Shay could pull the [...]]]></description>
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		<title>Review: Mary Borgman/Ann Nathan Gallery</title>
		<link>http://art.newcity.com/2012/01/17/review-mary-borgmanann-nathan-gallery/</link>
		<comments>http://art.newcity.com/2012/01/17/review-mary-borgmanann-nathan-gallery/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:47 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Ann Nathan Gallery]]></category>
		<category><![CDATA[Mary Borgman]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9228</guid>
		<description><![CDATA[RECOMMENDED Over the past decade, Mary Borgman has done one thing, and done it well: monumental, six-foot-high charcoal portraits of handsome, multi-ethnic young dudes, often with their shirts off, set against a glowing background. These are young adults in that exciting, though sometimes dangerous period of self-discovery before settling into the responsibilities of family and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Viktoria Sorochinski/Catherine Edelman Gallery</title>
		<link>http://art.newcity.com/2012/01/17/review-viktoria-sorochinskicatherine-edelman-gallery/</link>
		<comments>http://art.newcity.com/2012/01/17/review-viktoria-sorochinskicatherine-edelman-gallery/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Catherine Edelman Gallery]]></category>
		<category><![CDATA[Viktoria Sorochinski]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9232</guid>
		<description><![CDATA[RECOMMENDED From 2005 through the present, Viktoria Sorochinski has been photographing the relation between Anna and her daughter Eve, not as a documentary of the vicissitudes of their bond, but through Sorochinski’s imagination of the many forms it might take in her staged and directorial color scenario shots. What Sorochinski’s images lose in spontaneity and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: China Revisited/Schneider Gallery</title>
		<link>http://art.newcity.com/2012/01/17/review-china-revisitedschneider-gallery/</link>
		<comments>http://art.newcity.com/2012/01/17/review-china-revisitedschneider-gallery/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:35 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Gao Yuan]]></category>
		<category><![CDATA[Schneider Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9235</guid>
		<description><![CDATA[RECOMMENDED Contemporary Chinese photography continues to impress by its conceptual power, sophistication and aesthetic richness in this exhibit of four artists who combine postmodern complexity with subtle senses of beauty. Nobody puts it all together better than Gao Yuan in her “Tattoo” series, in which she placed her models bedecked in their body art in [...]]]></description>
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		<title>Review: Jamie Adams/Zolla/Lieberman Gallery</title>
		<link>http://art.newcity.com/2011/12/13/review-jamie-adamszolla-lieberman-gallery/</link>
		<comments>http://art.newcity.com/2011/12/13/review-jamie-adamszolla-lieberman-gallery/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:05:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Jamie Adams]]></category>
		<category><![CDATA[Zolla Lieberman Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9113</guid>
		<description><![CDATA[These are illusionistic paintings of a pretty girl with her clothes off. But rather than presenting either an ideal of femininity or a sharp look at reality, they are related to academic discourses in art, economics, gender and media studies. It’s what you might call “postmodernism,” which in this case centers on a respectably erudite [...]]]></description>
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		<title>Review: E•CO/Instituto Cervantes</title>
		<link>http://art.newcity.com/2011/12/13/review-ecoinstituto-cervantes/</link>
		<comments>http://art.newcity.com/2011/12/13/review-ecoinstituto-cervantes/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:00:11 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Instituto Cervantes]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9111</guid>
		<description><![CDATA[RECOMMENDED In one of the most important photography shows of the new century, the Spanish Ministry of Culture has gathered the work of twenty critical, socially engaged, free-thinking and autonomous collectives from southern Europe and Latin America, giving us a chance to see one of the most vibrant and progressive art movements in the world [...]]]></description>
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		<title>Review: Edgar Miller/Richard Norton Gallery</title>
		<link>http://art.newcity.com/2011/12/06/review-edgar-millerrichard-norton-gallery/</link>
		<comments>http://art.newcity.com/2011/12/06/review-edgar-millerrichard-norton-gallery/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:01:46 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[River North]]></category>
		<category><![CDATA[Edgar Miller]]></category>
		<category><![CDATA[Richard Norton Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9073</guid>
		<description><![CDATA[RECOMMENDED The legend of Edgar Miller continues this month with a collection of sketches and memorabilia at Richard Norton Gallery. Drawing from the estate of his brother, Frank, this selection is much larger than the few objects that appeared at ArchiTech Gallery earlier this year. But it’s still disappointing, compared with the glories that are [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Eye Exam: The Skin She Lives In</title>
		<link>http://art.newcity.com/2011/11/29/eye-exam-the-skin-she-lives-in/</link>
		<comments>http://art.newcity.com/2011/11/29/eye-exam-the-skin-she-lives-in/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 10:02:00 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Artist Profiles]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Printworks]]></category>
		<category><![CDATA[Riva Lehrer]]></category>
		<category><![CDATA[Tim Lowly]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9034</guid>
		<description><![CDATA[By Damien James Riva Lehrer’s art is fundamentally about one thing: the body in the world. Which is not to be reductive. The potential for variation is limitless; how we live in our space and interact with each other, how we are shaped by and how we shape each experience. Lehrer’s most frequently considered variation [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Photograph as Object/Schneider Gallery</title>
		<link>http://art.newcity.com/2011/11/22/review-photograph-as-objectschneider-gallery/</link>
		<comments>http://art.newcity.com/2011/11/22/review-photograph-as-objectschneider-gallery/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:00:41 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Alan Teller]]></category>
		<category><![CDATA[Carol harmel]]></category>
		<category><![CDATA[Greg Halvorsen Schreck]]></category>
		<category><![CDATA[Jerri Zbiral]]></category>
		<category><![CDATA[Schneider Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8988</guid>
		<description><![CDATA[RECOMMENDED The genre of photo-works, which was one of the developments of the artistic revolution of the 1960s, calls for embedding the photograph in the context of other media to convey a comment on the relation between art and life. In this exhibition of three artists who create ingenious and involved photo-works, Carole Harmel steals [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Gary Briechle/Catherine Edelman Gallery</title>
		<link>http://art.newcity.com/2011/11/08/review-gary-briechlecatherine-edelman-gallery/</link>
		<comments>http://art.newcity.com/2011/11/08/review-gary-briechlecatherine-edelman-gallery/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 10:02:26 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Catherine Edelman Gallery]]></category>
		<category><![CDATA[Gary Briechle]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8895</guid>
		<description><![CDATA[RECOMMENDED If you’re in the mood for a full-strength shot of grotesquerie, glom on to Gary Briechle’s black-and-white Collodion portraits of Maine rednecks (they’ll beat the southern gents and belles any time for their unstudied naivete and unadulterated rawness). Ralph Meatyard’s backwoods surrealism and Diane Arbus’ freakish individualism fuse in Briechle’s studies of people who [...]]]></description>
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