Reviews, profiles and news about art in Chicago

Review: Wyatt Grant/Paris London Hong Kong

Painting, Sculpture, West Loop 1 Comment »
Wyatt Grant. "Facade," 2014 gouache on wood

Wyatt Grant. “Facade,” 2014
gouache on wood

Vicious tenebrous gods of Subjectivity! There’s no real reason, that I could find, for castigating Wyatt Grant’s “Dreamer Gets Another Dream,” a collection of collages and paintings and bantam sculptures; only that they fail both conceptually and aesthetically—”aesthetic” here not to be confused with “beautiful”—and therefore holistically. What is it saying, when the most attractive pieces are abstract works that embody the supposed theme of the show the least, wherein the colors and shapes and lines and spaces are arranged just so in a purified neo-plastic way? (This is how, by the way, a work of art succeeds aesthetically.) Meanwhile, the finest piece of quasi-representational work is one wherein the abstraction runs high and fast—a tartan face, a floating eye, a hulking hourglass form—and sits in a pile next to the gallery assistant, ready and willing to be taken home with you (not an indictment; personally, I love how my favorite piece can live with me, and me it). Read the rest of this entry »

Review: Jaime Davidovich/Threewalls

Drawings, Installation, Multimedia, Video, West Loop No Comments »
Jaime Davidovich. "The Live! Show," 1980

Jaime Davidovich. “The Live! Show,” 1980

RECOMMENDED

Argentinian artist Jaime Davidovich moved to a New York teeming with ideas, conversations and possibilities during the 1960s and seventies, when it was gritty, dangerous and artists could afford a building in SoHo. Whereas Gordon Matta-Clark, Donald Judd and the Judson Dance Theater give the period its experimental flavor, Davidovich’s pioneering efforts in artist-run public television never received recognition like abstract video artists Stan Brackhage or Paul Sharits. Read the rest of this entry »

Eye Exam: Authority, Affirmations and Other Nomenclature

Ceramics, Drawings, Installation, Multimedia, Oak Park, Painting, Sculpture, West Loop, Wicker Park/Bucktown 1 Comment »
Nate Young. Installation view of "Untitled (Pulpit No. 1)," 2014, and "Untitled (Altar No. 1)," 2015

Nate Young. Installation view of “Untitled (Pulpit No. 1),” 2014, and “Untitled (Altar No. 1),” 2015

By Matt Morris

Is art that appears to be “about art” ever only limited to that scope of investigation? I’d say it’s doubtful, mostly because mechanisms of power reproduce themselves throughout social institutions, so to reflect upon the constitutive components of an artistic medium (as well as its historical and contemporary contexts) possesses at least the potential of a transferrable method by which one might fashion new freedoms—not through a rebellion from upheld traditional forms but through critical relationships to them. The monochrome continues to do this. Distilled to an uninterrupted plane, color, texture, scale and the tools for applying material (all usually in some way present in most artworks) are amplified, inviting investigation into the parts that comprise the art. In the best of cases, consideration of the conditions of display is inspired as well. The monochrome as a form also holds up under projections: historically used for such diverse conceptual conceits as Suprematism, color field painting, the “radical painting group,” and most recently one of several working modes bizarrely attributed by Ken Johnson to “soccer mom” aesthetics. A century after Kazimir Malevich painted his canvas “Black Square” in 1915, artists continue figuring out how to take apart the language of art-making so that the parsed vocabulary can speak to the power of the entire system. Read the rest of this entry »

Review: Geiger/Welsh/Document

Installation, Painting, Sculpture, West Loop No Comments »
Installation view of Marcus Geiger sculpture and column covering

Installation view of Marcus Geiger sculpture and column covering

RECOMMENDED

A collaboration between Marcus Geiger of Vienna and Margaret Welsh of Chicago, Geiger/Welsh is an elegant pair of works formed from interlocking materials meant for disposal, the first in a series of exhibitions at Document co-curated by Aron Gent and Michael Hall. Materials chosen by both artists for the exhibition are those used to ship, contain or carry artwork, using the packaging commonly associated with protecting objects to create them. Read the rest of this entry »

Review: The world is mystical, dangerous and delicious/Western Exhibitions

Collage, Drawings, Sculpture, West Loop No Comments »
Dutes Miller. "Untitled," 2014 woven paper, glue, artist tape, 8" x 8"

Dutes Miller. “Untitled,” 2014
woven paper, glue, artist tape, 8″ x 8″

RECOMMENDED

Dedicated to dreams and ghosts, the various media of “The world is mystical, dangerous and delicious,” including sculptures, illustrations and collage, speak to their twin subjects with an admirable—and requisite—range; it does not require a particularly broad or tortured interpretation to understand ghosts and dreams as the driving factors behind not only art, but the whole panoply of human expression and existence. As desires become goals become actions, memories become comfort or tumult, all trail a phantom weight in fearful pursuit of their next, and it is these ghosts which one sees with most clarity here. Read the rest of this entry »

Review: Her Work/McCormick Gallery

Painting, West Loop No Comments »
Charlotte Park. "Untitled (red, yellow,orange, and black)," 1950's

Charlotte Park. “Untitled (red, yellow,orange, and black),” 1950’s

RECOMMENDED

With the work of nine painters from the New York School in the 1950s, Chicago dealer Thomas McCormick has collaborated with several out-of-state dealers to pull together the kind of ambitious show more often found in a major museum. The artists chosen are all women, but their work does not feel traditionally feminine, lacking the gorgeous, fluid colorism of Helen Frankenthaler. Neither does it feel conventionally masculine, lacking the heroic, desperate exhaustion of Joan Mitchell. My favorite piece is a funky conglomeration by Charlotte Park, but it might well be mistaken for the work of her husband, James Brooks, whose work often resembles hers. Read the rest of this entry »

Review: New Catalogue/Rhona Hoffman Gallery

Photography, West Loop No Comments »
New Catalogue. "Book (Brave New World by Aldous Huxley): Images for a New Golden Record," 2014 ink jet print, 10" x 10", print; 12.75" x 12.75", framed.

New Catalogue. “Book (Brave New World by Aldous Huxley): Images for a New Golden Record,” 2014
ink jet print, 10″ x 10″, print; 12.75″ x 12.75″, framed.

RECOMMENDED

In 1977, celebrity astronomer Carl Sagan realized his conceit of sending into outer space on NASA’s Voyager spacecraft, a “Golden Record” composed of aural snippets of human culture and slices of life, accompanied by greetings, to be received by any extraterrestrial beings that might come across it and make something of it. The conventional humanism of Sagan’s project got conceptual photographers Luke Batten and Jonathan Sadler, who collaborate under the name New Catalogue, thinking of how they would represent humanity today to other intelligent life forms in the great beyond, and came up with a grid of sixteen small black-and-white shots of hands holding up familiar objects like a pencil, a hammer and a banana, against white backgrounds. The artists recruited Judd Greenstein to compose generally placid contemporary classical viola music, which is piped into their exhibit, and put text on the walls of the gallery’s front room transcribing some of the tracks on the original Golden Record, including the cloying greetings. Read the rest of this entry »

Review: Paula Henderson/Linda Warren Projects

Drawings, Painting, West Loop No Comments »
Paula Henderson. "Traffic Patterns," 2012 acrylic and ink on canvas

Paula Henderson. “Traffic Patterns,” 2012
acrylic and ink on canvas

RECOMMENDED

The brutal abstraction of the human body is among the most beautiful and appalling motifs one could hope to work in or imbibe; there are images online, untold millions of them, people made into pieces, and these ghoulish tableau are debrided, are rendered by the mind, instantaneously, as corn syrup and food coloring and irrigation tubing, because the alternative is simply beyond benign processing. Beautiful violence is real, if maligned; surely I cannot be the only one who views a list of “Photoshop fails!” and is overcome by a desire to steer into the spin, to take the neck-elongating, rib-removing joint floating all the way to the screaming bloody edge and drape our finest fashions on plasticine horrors, Jean Paul Gaultier-cum-John Carpenter; surely the line between pulchritude and terror is thin, as thin as the flesh rent in its creation. Read the rest of this entry »

Review: DOGS CHASE BALLS/Carrie Secrist Gallery

Art Books, Installation, Painting, Video, West Loop No Comments »
Josh Reames. "Infinite Scroll (#1)" and "Infinite Scroll (#2)," both 2014, acrylic on canvas

Josh Reames. “Infinite Scroll (#1)” and “Infinite Scroll (#2),” both 2014, acrylic on canvas

RECOMMENDED

DOGS CHASE BALLS is a show for, (occasionally) by, and about our four-legged companions, with many of the works situated low to the ground for convenience of canine access and interaction (dogs are welcome and frequently present in the gallery throughout the run of the show). NO SPACE, the Mexico-based duo comprised of cool kids Débora Delmar and Andrew Birk, curated this group effort and contributed two pieces. Tennis balls stenciled with their logo are scattered throughout the gallery; evidence of interaction exists in the form of ricochet marks on Secrist’s white walls. A video loop showing happy pups using these props projects onto the floor, harkening to the curatorial impetus for the show (witnessing the unadulterated joy of a dog playing with a ball). The film is a virtual who’s who of Chicago’s art pupperati: breakout stars are Vincent Uribe’s Milo and Wolfie Rawk’s Rudi. Read the rest of this entry »

Review: Orr Menirom/Aspect Ratio

Video, West Loop No Comments »
Still from Orr Menirom's "Limited Speech Holds Endless Misunderstandings" 2013 single channel HD video 9 min 55 sec TRT

Still from Orr Menirom’s “Limited Speech Holds Endless Misunderstandings” 2013 single channel HD video 9 min 55 sec TRT

RECOMMENDED

Orr Menirom’s first American solo show presents a rigorous and challenging work of video collage that begins with excerpts from a 2010 interview between Noam Chomsky and Dana Weiss, a television journalist for the Israeli Channel 2 media network. Having attempted to enter the Occupied Palestinian Territories to give a lecture at Birzeit University near Ramallah, Chomsky was turned away by Israeli border control officials and put on a plane to Amman, Jordan, where he sat for the interview with Weiss that is the material of Menirom’s digital manipulations. Read the rest of this entry »