Reviews, profiles and news about art in Chicago

Review: Bring Your Own Body/Glass Curtain Gallery

Activist Art, Collage, Drawings, Galleries & Museums, Installation, Media & Genres, Multimedia, Performance, Photography, Sculpture, South Loop, Textiles, Video No Comments »
Zackary Drucker. "Southern for Pussy," 2015. Video still.

Zackary Drucker. “Southern for Pussy,” 2015. Video still.

RECOMMENDED

“Bring Your Own Body: Transgender Between Archives and Aesthetics,” currently on view at Glass Curtain Gallery at Columbia College, provides a multilayered experience by featuring works of contemporary transgender artists juxtaposed with archival materials to illustrate the multiplicity of transgender identities as they are represented in the art world, pop culture and institutional discourses. Named after an unpublished manuscript by intersex pioneer Lynn Harris, “Bring Your Own Body” blends historical documents and contemporary art to provide critical perspectives on the ongoing formation of transgender identities. Read the rest of this entry »

Review: Kathryn Andrews/Museum of Contemporary Art

Galleries & Museums, Installation, Multimedia, Photography, Prints, Sculpture, Streeterville No Comments »
Installation view of "Kathryn Andrews: Run for President" at the MCA Chicago. /Photo: Nathan Keay.

Installation view of “Kathryn Andrews: Run for President” at the MCA Chicago/Photo: Nathan Keay

A nineteenth-century general sits atop a mound of skulls. Set against overlapping neon pink and yellow backgrounds (the aluminum support adding an incongruous sheen), the general and his sword, plumed helmet and squat pose summed up a satirical critique of Whig politics in the 1848 Currier & Ives print from which Kathryn Andrews worked. A plexiglass panel along the piece’s right edge reveals the folded costume of the Joker, worn by Jack Nicholson in Tim Burton’s “Batman.” American politics has long been the province of murderous fools, but what, precisely, does Andrews offer in her argot of visual culture? What does it mean to repurpose old satire as new satire?

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Review: Phases of Faces/Jean Albano Gallery

Digital Art, Drawings, Multimedia, Painting, Photography, Prints, River North, Video No Comments »
Joe Tallarico. "Marold and Haude," 2014. Watercolor, ink and colored pencil, 11 x 15 inches.

Joe Tallarico. “Marold and Haude,” 2014. Watercolor and ink, 11 x 15 inches.

Five decades of the Chicago Imagists tradition are alive and well in “Faces,” the first exhibit of the new year at Jean Albano Gallery. Whether the human face is directly engaging the viewer or part of an entire figure, these faces are far removed from a Rembrandt self-portrait. They evince no naturalism, no idealism, no profound drama, no soul. These are not the faces of people on life’s journey. Read the rest of this entry »

Eye Exam: Two Rules of Bad Mixtapes

Ceramics, Collage, Craft Work, Design, Drawings, Galleries & Museums, Installation, Media & Genres, Multimedia, Outsider Art, Painting, Performance, Photography, Prints, Sculpture, Streeterville, Textiles No Comments »
Installation view of "Pop Art Design" at the MCA Chicago. /Photo: Nathan Keay.

Installation view of “Pop Art Design” at the MCA Chicago/Photo: Nathan Keay

By Ruslana Lichtzier

I enjoy thinking about the structure of the museum as a mixtape. Within an expanded taste, different exhibitions are organized with loose connections in an evolving tempo, hopefully with a mutual understanding regarding the role of the institution. Back in the day, mixtapes were a tool of courting; in making one, the mixtape-maker demonstrated how cool they were, how broad, complex, versatile and surprising was their taste. The danger was, and still is, in them exposing themselves as being…well, not cool.

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Review: Intention to Know/Stony Island Arts Bank

Art Books, Collage, Greater Grand Crossing, Painting, Sculpture No Comments »
Installation view of "Intention to Know: The Thought Forms of Annie Besant" at the Rebuild Foundation's Stony Island Arts Bank." /Photo: Habib Bolat.

Installation view of “Intention to Know: The Thought Forms of Annie Besant” at the Rebuild Foundation’s Stony Island Arts Bank.”/Photo: Habib Bolat

RECOMMENDED

This isn’t another review of Theaster Gates’ Stony Island Arts Bank, part of his broader Rebuild Foundation. But what a lot more there is to say about his ambitious, inspiring and paradoxical project, part community center and part colonial outpost of the multinational avant-garde. This is only a review of the latest exhibition at the Arts Bank, “Intention to Know: The Thought Forms of Annie Besant.”

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In Profile: Robert Burnier

Artist Profiles, Design, Digital Art, Logan Square, Sculpture No Comments »
Robert Burnier. /Photo: Paul Germanos.

Robert Burnier/Photo: Paul Germanos

In his fourth-floor studio at Mana Contemporary, Robert Burnier sits easily with one leg crossed over the other. A small, neon-orange traffic cone protrudes from the wall behind him, politely framed by carefully arranged clippings of paint swatches. Much of Burnier’s recent work has left his studio for “The Ship’s Carpenter,” his current exhibition at Elastic Arts. Small photographs of the works litter the walls, neatly arranged as they might be curated. Read the rest of this entry »

Review: Winter Experiment: SAIC at MMG/Monique Meloche Gallery

Collage, Drawings, Galleries & Museums, Installation, Media & Genres, Multimedia, Painting, Photography, Sculpture, Wicker Park/Bucktown No Comments »
Cheryl Pope. " I ONLY NOTICE YOU WHEN I SEE YOU," 2015. Printed nylon banner, 36 x 60 inches.

Cheryl Pope. “I ONLY NOTICE YOU WHEN I SEE YOU,” 2015. Printed nylon banner, 36 x 60 inches.

RECOMMENDED

The exhibition begins outside on Division Street. There, the ruby red glow of Michelle Grabner’s painting “Untitled” from “Chicago Gingham” emanates outward through the street window and across the snow-covered sidewalk, enticing warmth and springtime nostalgia. Read the rest of this entry »

Review: Spirit in the Land/Addington Gallery

Painting, River North No Comments »
Michael Dubina. "Untitled Matchbook," 3.75 x 1.5 inches.

Michael Dubina. “Fall,” n.d. Painted matchbook, 3.75 x 1.5 inches.

An uplifting Romanticism inspired the spacious, heroic American landscape painting of the early nineteenth century. Then came truth-to-nature, followed by truth-to-place and, eventually, truth-to-painting. But now, with no widely shared expectations, landscape painting is not so much a genre as an occasional mode of self-expression with a few identifiable natural features, illuminated by an inner rather than a solar light. Read the rest of this entry »

Review: Scott Wolniak and John Phillip Abbott/Devening Projects + Editions

Galleries & Museums, Garfield Park, Media & Genres, Multimedia, Painting, Prints, Sculpture, Video No Comments »
Scott Wolniak. "Tablet: Vision Phase 2," 2014 - 2015. Ink, watercolor, acrylic, gouache, chalk on plaster with steel mesh on panel, 24 x 21 inches.

Scott Wolniak. “Tablet: Vision Phase 2,” 2014 – 2015. Ink, watercolor, acrylic, gouache, chalk on plaster with steel mesh on panel, 24 x 21 inches.

RECOMMENDED

For most artists, the stream of production isn’t steady and the output isn’t homogenous. “To Break is to Build,” a collection of works by multimedia artist Scott Wolniak, is inspired by the minutiae of studio activity: struggles with materials and other less acutely productive moments.  Read the rest of this entry »

Review: Documents for the Past-Present-Future/Efrain Lopez Gallery

East Village, Galleries & Museums, Installation, Media & Genres, Multimedia, Sculpture No Comments »
Installation view of "Documents for the Past-Present-Future" featuring "Future Reliquaries" by Kayla Anderson. /Photo: at Efrain Lopez Gallery.

Installation view of “Documents for the Past-Present-Future” featuring “Future Reliquaries” by Kayla Anderson

RECOMMENDED

This group show at Efrain Lopez Gallery questions humanity’s relationship with our environment. Through the scientific lenses of anthropology and archaeology, these artists transform geographical content. Read the rest of this entry »