Reviews, profiles and news about art in Chicago

News: Judy Ledgerwood Paintings to Appear on Billboards and Shuttles During Expo

Gold Coast/Old Town, Loop, News etc., Public Art, River North No Comments »
Judy Ledgerwood. "Captiva #2"

Judy Ledgerwood. “Captiva #2″

In conjunction with Expo Chicago, the Beaches of Fort Myers and Sanibel, a southwest Florida destination, has worked with Chicago-based painter Judy Ledgerwood to create a monumental set of public artworks that will appear on billboards in downtown Chicago, River North, Gold Coast and along major expressways. These works will debut on September 13, and will remain on view around town for four weeks. In addition, components of this project will be featured on the official Expo Chicago shuttles that will transport visitors along routes from Navy Pier to other cultural and shopping destinations around the city. Read the rest of this entry »

News: New Season of ACRE-TV Launches Today

Multimedia, News etc., Video No Comments »
Still from Tara Nelson's "Fruit Hospital"

Still from Tara Nelson’s “Fruit Hospital”

“If television delivers the people, ACRE TV delivers the Soylent Green, thinly sliced and mostly eyes and ears and brains. I stream, you stream, we all stream for mustard paintings and ketchup pairings. I’ve never seen the Food Network, but I assume it’s like this.” So goes ACRE TV’s description of “Psychedelicatessen,” their block of programming that premieres today, Monday, September 1 and runs through the end of October. Featuring thirty-plus artists and collaborative projects, programs are lined up from 8am through till midnight each day. These projects center around unexpected intersection points between psychedelia and a connoisseurship of food-related artworks. Read the rest of this entry »

Art Break: Elijah Burgher on Magic and Art

Painting No Comments »
Elijah Burgher and his cat Monster in the artist's studio

Elijah Burgher and his cat Monster in the artist’s studio/Photo: Ashley Dawson

I do not say that I believe in magic, just as I do not say that I believe in art. From a molar perspective, belief is only ever provisionally employed as a tool; otherwise, criticality is too easily short-circuited. I cannot separate the two—magic and art. One can speculate on their tangled roots, on the one hand; and verify in experience that they are two aspects of the same crucial faculty, imagination, on the other. I like Aleister Crowley’s definition of magic best: “the science and art of causing change to occur in conformity with will.” Will is the keyword here. Desire. Intention. Read the rest of this entry »

News: Mural in Logan Square Seeks Community Participation

Logan Square, News etc., Public Art, Street Art No Comments »
Rachel Slotnick's Logan Square mural in progress

Rachel Slotnick’s Logan Square mural in progress

There are three “Paint With Us” painting days scheduled this weekend when the community is invited to get involved in the completion of Rachel Slotnick’s mural in progress at Milwaukee and Kedzie in Logan Square. Adjoining the Logan Square Blue Line stop, this is the latest mural project to adopt two-year terms for the prominent wall space in the square. Lindsey Meyers, the director of the neighborhood’s Beauty & Brawn Gallery and longtime Logan Square resident, has coordinated the project with Slotnick after considering the wall’s potential over years. Meyers explains by email, “I pass that wall multiple times a day and it always spoke to me. I continued to see its size and scope and only saw beauty and potential.”

Painting days are scheduled for today, August 29, from 4pm-7pm; Sunday, August 31, from 1pm-3pm; and Monday, September 1, from 1pm-3pm. Interested participants need only show up; the gallery will provide all painting materials. Read the rest of this entry »

Review: Phantoms in the Dirt/Museum of Contemporary Photography

Loop, Photography No Comments »
Richard Mosse. "Sugar Ray," chromogenic development print, 2012

Richard Mosse. “Sugar Ray,” chromogenic development print, 2012

RECOMMENDED

“Phantoms in the Dirt” at The Museum of Contemporary Photography, guest curated by the MCA’s Karsten Lund, takes a literal approach to the photographic treatment of detritus, while showcasing a number of works with more subtle allusions to dirt, dust, baseness and the essential materiality of the photographic process.

The exhibition is introduced by a number of richly material works. Harold Mendez’s installation “Let the shadows in to play their part” plasters the back wall of the museum’s first floor in eucalyptus bark, fleck’s of black silicone carbide and other pigments. Richard Mosse’s palpable photographs of a surreal cotton-candy landscape are in fact images of the Congolese countryside shot on Kodak Aerochrome, a defunct infrared film which renders vegetation in brilliant pinks and reds. Read the rest of this entry »

News: Milton Glaser’s Dying Planet Now Produced by Chicago Button Makers

Activist Art, Design, Logan Square, News etc. No Comments »

glaser1

At the beginning of August, a striking new environmentalist campaign was launched by Milton Glaser, the indelible graphic designer responsible for such iconic works as the I heart NY logo. The stark new design of a black circle shaded a dimming green across its bottom edge connotes the earth’s present environmental changes and is accompanied by the tagline: “IT’S NOT WARMING, IT’S DYING.” Now the Chicago based Busy Beaver Button Co. has partnered with Glaser to create and widely distribute one-inch buttons of the logo through the website itsnotwarming.com. Read the rest of this entry »

Art World’s Big Weekend 2014: Comprehensive Listing of Gallery Openings for September 4-7

Andersonville, Bronzeville, Collage, Drawings, Edgewater, Evanston, Fall Preview, Garfield Park, Installation, Lincoln Square, Logan Square, Multimedia, Painting, Photography, Prints, River North, Sculpture, Suburban, Ukrainian Village/East Village, Video, West Loop, Wicker Park/Bucktown 1 Comment »
Andrew Falkowski. "Pink Monochrome," 2014

Andrew Falkowski. “Pink Monochrome,” 2014

Thursday, September 4


LOOP

Dan Ramirez, painting
Union League Club of Chicago, 65 West Jackson
Opening reception: 5:30pm-7pm, through September 30
(Members only opening, viewing by appointment only)

SUBURBS

Anthony Iacuzzi and Christopher Schneberger, photography
Perspective Gallery, 1310-1/2B Chicago Avenue, Evanston
Opening reception: 5pm-8pm, through September 28

Amy Vogel, mixed-media survey exhibition
Cleve Carney Art Gallery at College of DuPage, Fawell and Park Boulevards, Glen Ellyn
Opening reception: 12pm-2pm, through October 25

Taehoon Kim and Barbara Diener, large scale sculpture and photographic installation
Moraine Valley Community College, 9000 West College, Palos Hills
Opening reception: 3pm–5pm, through September 18 and October 23 respectively Read the rest of this entry »

Review: glitChicago/Ukrainian Institute of Modern Art

Digital Art, Multimedia, Ukrainian Village/East Village No Comments »
Alfredo Salazar-Caro. “I Don’t Need Power at the Cost of Spilled Blood (Liberté, Égalité, Fraternité),” 2014

Alfredo Salazar-Caro. “I Don’t Need Power at the Cost of Spilled Blood (Liberté, Égalité, Fraternité),” 2014

RECOMMENDED

A booming drone engulfs you as you enter the Ukrainian Institute of Modern Art, a vicious vibrating to the chest and inner ear. This omnipresent noise is the first sensation in GlitChicago, an exhibition of Chicago glitch art—work surrounding the errors seen in digital systems—and showcases the work of twenty-two artists. Many of the works are interactive, expressing core tenants of Glitch Art, including “0P3NR3P0,” 2014, a project that allows anyone to submit their own Glitch work to the open-source database, put on by Nick Briz and Joseph YOlk Chiocchi. Jon Cates’ piece “?4\/\/?(?)H?!\/?,” 2014, displays a bricked sculpture holding a USB drive that contains a compressed archive of Glitch Art for free download—data in which Cates has collected and archived for the last fifteen years and contains more than 113.13 GBs. The data has never been shared publicly before this exhibition, and contains media such as photos, videos and emails, adding a further digital layer to the hyper-focused new media-centered exhibition. Read the rest of this entry »

Review: David Rappeneau/Queer Thoughts

Drawings, Pilsen No Comments »
David Rappeneau. "Untitled," acrylic ballpoint pen, pencil, charcoal pencil, and fluorescent marker, 2014

David Rappeneau. “Untitled,” acrylic ballpoint pen, pencil, charcoal pencil, and fluorescent marker, 2014

The works in David Rappeneau’s exhibition “$$$$$$$$$$$$$$$$$$$$$$$$$$$” depict apathetic millennials looking bored and despondent. His drowsy partiers appear to have everything they could desire in a series of twenty-first-century vignettes where passing whims are instantly gratified by drug-induced daydreams and glowing smart phones. On the surface, the action is simple: figures shown in various states of excess, their bodies rounded and stark. These are works that ponder the pleasure and escapism promised by leisure, a classed enterprise made exclusive through wealth and position. Read the rest of this entry »

Review: Norman Zammitt/Andrew Rafacz Gallery

Painting, West Loop No Comments »
Norman Zammitt. "Red to Green I," acrylic on canvas board, 1979

Norman Zammitt. “Red to Green I,” acrylic on canvas board, 1979

RECOMMENDED

Why does the evocation of light from painting pervade the medium’s extensive history? It seems like a nonstarter to grind up and smear colored mud across a substrate in the attempt to produce luminosity. While peers in the loosely delineated movement of Light and Space in California from the 1960s onward abandoned painting in favor of more immaterial installation strategies, Norman Zammitt made a career of reasoned, deliberate canvases informed by floaty sensorial aspirations. His small paintings at Andrew Rafacz are rewarding to viewers precisely because of the tension between their physicality and the optical trickery that their composed horizontal bands of nuanced color excite in the eyes of viewers. Read the rest of this entry »