Ania Jaworska. “Saint,” 2015.
Screen print on folio paper; 30 x 22 inches.
Chicago, priapic King-Hell capital of exceptionalist, heaven-penetrating architecture; birthplace of The Reach, there could be no better place—and no better museum—for Ania Jaworska’s exploration of how our monuments commune with ourselves. Read the rest of this entry »
David Schalliol. “The Rise of the 606 and its Bloomingdale Trail,” 2015.
One of the most inspired recent additions to Chicago’s public spaces is The 606, a trail that follows the tracks of the once-abandoned elevated Bloomingdale train line that runs in a straight line through Humboldt Park, Logan Square, Wicker Park and Bucktown. To be on the trail is to be transported to a world that is apart from and above the city, yet is immersed in it, as the tops of buildings at times form walls on both sides. The experience is invigorating and empowering, especially because the line has been left in a partly rough state. It is a place where people can jog, stroll and walk down to several ground-level parks that dot the route. Read the rest of this entry »
Activist Art, Architecture, Art Fairs, Art Schools, Collage, Comics, Design, Digital Art, Drawings, Evanston, Fall Preview, Galleries & Museums, Garfield Park, Gold Coast/Old Town, Humboldt Park, Hyde Park, Installation, Little Village, Logan Square, Loop, Michigan Avenue, Multimedia, Museum Campus, Outsider Art, Painting, Performance, Photography, Pilsen, Prints, Public Art, River North, River West, Rogers Park, Sculpture, South Loop, Street Art, Streeterville, Suburban, Ukrainian Village/East Village, Uptown, Video, West Loop, West Town, Wicker Park/Bucktown
The thing that was sent to me in its intended but unsettling orientation.
By Elliot J. Reichert
The above image was sent to me anonymously in the middle of the night. Shocking as it appears, I was relieved to receive it. You see, weeks ago I had contacted a few artist friends to ask them to reflect on the upcoming fall art season in Chicago and to ask one to “take over” the task of appraising it. To my surprise, they were reluctant to describe it, even those who had exhibitions of their work opening in the coming weeks. Later, I realized that their silence was my doing, having asked a question that could produce no coherent answer.
Much like the drawing game made famous by the Surrealists, Chicago’s 2015 fall art season is an exquisite corpse—a thing of grotesque beauty that is the dream of no one, but the creation of many. At first glance, it appears sinister, like the Block Museum’s solo show of newly commissioned works by Chicago artist Geof Oppenheimer. Rumor has it that the sculptor has filled the museum’s ample galleries with austere and foreboding installations resembling the cinderblock constructions of grim institutions, like prison, or perhaps your corporate office. Even more menacing, Irena Haiduk, also Chicago-based and also exhibiting new work, will haunt the eaves of the Renaissance Society’s transformed gallery with the Sirens of Greek mythology, luring visitors unexpectedly into a debate on the revolutionary possibilities of art and social change amidst current political upheaval worldwide. Read the rest of this entry »
Architecture, Design, Galleries & Museums, Installation, Media & Genres, Multimedia, News etc., Oak Park, Performance, Public Art, Sculpture
“Night Terrain” by artist Kate McQuillen and curated by Claudine Ise for the 2nd Terrain Biennial. Located at 817 South Highland Avenue, Oak Park.
Playfully eschewing stereotypes of pink flamingos and garden gnomes, the 2nd Terrain Biennial is dedicated to featuring interventions into the conventional landscape of front yards by emerging as well as established artists who have been invited to create site-specific works. Founded in 2011 by Chicago artist Sabina Ott, contributing artists are selected for their ability to challenge the space between public and private, function and decoration and figure and ground.
This year’s biennial takes an international scale, but remains centered in the Chicago suburb of Oak Park across from Longfellow Middle School on Highland Avenue. Unlike many alternative exhibitions, these public artworks will be accessible at all times. According to Ott, one of the goals of the exhibition was to engage pedestrians, visitors, teachers, students and neighbors with myriad forms of contemporary art. Another goal with “Terrain 2.0” was to expand the scope beyond Oak Park. Read the rest of this entry »
Suburban Mutilation. The address given for their untitled cassette, in Green Bay, WI 54301. Source: MAXIMUM ROCKNROLL, issue no. 8, September, 1983. Street view date: August, 2012″
Started as a Tumblr project by Marc Fischer and Public Collectors, “Hardcore Architecture” explores the surprisingly suburban outposts of hardcore underground bands from the 1980s, juxtaposing names like Suburban Mutilation and Crimes Against Humanity with cookie-cutter homes, two-car garages, and well-maintained lawns. The exhibition is housed at The Franklin, a home with its own two-car garage and well-maintained lawn, and includes the Google Street View images Fischer culled alongside zines and a display of T-shirts and tapes from the artist’s own collection. Read the rest of this entry »
Manish Nai. “Untitled,” 2015
Dyed burlap, 90″ x 4″
The work of Mumbai-based Manish Nai makes a viewer reconsider the limits of an artistic medium. He doesn’t use traditional media, such as heavy metals and wood, oil or acrylic. Instead, Nai uses everyday materials—cardboard, jute, newspaper and even his family’s used clothing—to sculpt, mark and render.
For his first solo exhibition in the United States, Nai has created wall hangings, photographic prints, sculptures and four site-specific works, including a gallery pillar wrapped in jute, a burlap-like material that is abundant in India, and a heat-transferred mural that will slowly disappear during the course of the exhibition. His use of traditional artistic processes, such as weaving or drawing and sculpting by hand, in conjunction with contemporary rendering techniques borrowed from digital and new media art, design and architecture give these objects a surprising new dynamism. By combining the old and the new, Nai’s work is thoroughly international even as it remains fully Indian.
Read the rest of this entry »
Olayami Dabls, N’Kisi House, 2007,
wood, glass, tile, bricks, paint, MBAD African Bead Museum in Detroit/Photo: Charlene Uresy
By Allison Glenn
The twenty-first century has brought with it the re-emergence of contemporary conceptual artists engaged with penumbral zones. These artists are interested in site, positing new ideas for usage of once-inhabited homes and urban spaces. Whether the middle of the desert or the center of a blighted neighborhood, these sites exist on the theoretical—albeit times physical—margins of society. Artistic engagement with these interstitial spaces is on a material level, with art and architecture converging to create radical and experimental approaches to living. Positing ideas for architecture, technology, space and the body’s relation to it, artists are projecting utopic ideals for the future of the quotidian urban environment. What emerges from this are hybrid works of art and cultural production. Read the rest of this entry »
Hyde Park Art Center – Guida Family Creative Wing Schematic Detail
The new Guida Family Creative Wing at the Hyde Park Art Center (HPAC) will open in fall 2015, thanks to a successful 75th Anniversary Campaign in 2014 and $750,000 gift from John, Julie and Angelina Guida. On Sunday, April 19, celebration of their groundbreaking will coincide with a reception with multiple exhibitions on view, including resident artist Susan Giles’ exhibition, “Scenic Overlook” and Nancy Lu Rosenheim’s “Swallow City.” Read the rest of this entry »
Julia Klein, “Stand/Statuette.” Mock-up of the planned editions. Edition of 25 + 6 artist proofs. All thirty-one are unique in terms of exact measurements and color. Cast bronze, steel and paint.
Threewalls, one of Chicago’s non-profit art leaders in pro-artist programming, is launching the 2015 edition of its Community Supported Art Chicago (CSA) series: “The Tabletop Collection.” Using the theme of a sculpture garden reimagined for a tabletop, the collection will be available as a set with works by five Chicago-based artists: Laura Davis, Assaf Evron, Julia Klein, Sabina Ott and Stephen Reber. Read the rest of this entry »
Mathias Poldena. “Substance,” 2014, 33mm color film with optical sound, 6:40 minutes
From a single pew, viewers absorb Mathias Poledna’s new, luscious projected 35mm film “Substance,” 6:40 minutes looped: abstract washes of gold, close-up shots of three rotating hands, a shiny, beveled dial, and the signature crown revealing the identity of a Rolex Oyster Perpetual. Finally shown in full, the desired timepiece floats away into a black void, with no semblance of place to distract from adoration. An enveloping percussive soundtrack heightens the film’s seduction. The familiar yet hard-to-place music recalls an intense action movie sequence or urban nightclub, its heavy beat lending a dogmatic tempo.
Read the rest of this entry »