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	<title>Newcity Art &#187; Ceramics</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Stoked: Five Artists of Fire and Clay/Elmhurst Art Museum</title>
		<link>http://art.newcity.com/2010/12/06/review-stoked-five-years-of-fire-and-clayelmhurst-art-museum/</link>
		<comments>http://art.newcity.com/2010/12/06/review-stoked-five-years-of-fire-and-clayelmhurst-art-museum/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 05:57:30 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Suburban]]></category>
		<category><![CDATA[Anne Meyer]]></category>
		<category><![CDATA[Elmhurst Art Museum]]></category>
		<category><![CDATA[Kevin Flicker]]></category>
		<category><![CDATA[Matthew Welch]]></category>
		<category><![CDATA[Richard Bresnahan]]></category>
		<category><![CDATA[Samuel Johnson]]></category>
		<category><![CDATA[Sister Johanna Becker]]></category>
		<category><![CDATA[Stephen Earp]]></category>
		<category><![CDATA[Takashi Nakazato]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6937</guid>
		<description><![CDATA[RECOMMENDED Thirty-five years ago, Sister Johanna Becker, OSB, of Saint Benedict&#8217;s College arranged for a graduating senior, Richard Bresnahan, to apprentice with Takashi Nakazato, a thirteenth-generation potter in Karatsu, a Japanese port city near the coast of Korea, that has been known as a ceramic center since the sixteenth century. Three years later, Bresnahan returned [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Creating What Has Never Been/Floating World Gallery</title>
		<link>http://art.newcity.com/2010/11/01/review-creating-what-has-never-beenfloating-world-gallery/</link>
		<comments>http://art.newcity.com/2010/11/01/review-creating-what-has-never-beenfloating-world-gallery/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 04:57:07 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Floating World Gallery]]></category>
		<category><![CDATA[Gutai Group]]></category>
		<category><![CDATA[Sueharu Fukami]]></category>
		<category><![CDATA[Takuo Nakamura]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6765</guid>
		<description><![CDATA[RECOMMENDED When progressive young postwar Japanese artists followed their American colleagues into the brave new world of Abstract Expressionist painting, they were only expanding upon a tradition that had been putting expressive shapes, lines, colors and textures on the surfaces of pots for over a thousand years. The Gutai Group, founded in 1954, encouraged experimentation [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Rebecca Warren/The Renaissance Society</title>
		<link>http://art.newcity.com/2010/10/11/review-rebecca-warrenthe-renaissance-society/</link>
		<comments>http://art.newcity.com/2010/10/11/review-rebecca-warrenthe-renaissance-society/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 04:58:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Hamza Walker]]></category>
		<category><![CDATA[Ken Price]]></category>
		<category><![CDATA[Lucio Fontana]]></category>
		<category><![CDATA[Rebecca Warren]]></category>
		<category><![CDATA[Rosemarie Trockel]]></category>
		<category><![CDATA[The Renaissance Society]]></category>
		<category><![CDATA[William J. O'Brien]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6594</guid>
		<description><![CDATA[Here Rebecca Warren exhibits two types of sculpture. Medium-sized steel planks with a corroded patina are propped in a vague Constructivist revival style, each adorned with a single pom-pom ball. The steel sculptures are, plainly, a one-line joke, parodies of historical Minimalism. Humor in art can be a great antidote to the junk of life, [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Review: The New Gallery of American Folk Art/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2010/03/29/review-the-new-gallery-of-american-folk-artart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2010/03/29/review-the-new-gallery-of-american-folk-artart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 04:57:44 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Craft Work]]></category>
		<category><![CDATA[Outsider Art]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[John Penniman]]></category>
		<category><![CDATA[Jose Benito Ortega]]></category>
		<category><![CDATA[Leslie Bolling]]></category>
		<category><![CDATA[Sheldon Peck]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5230</guid>
		<description><![CDATA[RECOMMENDED If the Art Institute had an attic, it would look exactly like Gallery 227, a strange narrow hallway on the second floor that wraps around the brick dome of the Ryerson Library. Until last year, it held temporary exhibitions of architectural drawings and models. In the recent reinstallation of the museum’s permanent collection, architecture [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art Break: Four Course Tossed Salad</title>
		<link>http://art.newcity.com/2010/03/08/art-break-four-course-tossed-salad/</link>
		<comments>http://art.newcity.com/2010/03/08/art-break-four-course-tossed-salad/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 04:58:33 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Artists of Eastbank]]></category>
		<category><![CDATA[Dustin Yager]]></category>
		<category><![CDATA[Judy Chicago]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5061</guid>
		<description><![CDATA[“RimWare” is a handmade, four-piece porcelain dinnerware set with inlaid drawings of gay rimjobs. On a small appetizer plate, a man washes his behind in the shower. As the meal moves on to salad, soup and dinner courses, the scene gets progressively dirtier. Assholes receive lickings. Each piece of flatware has a decorative gold mesh [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Jan van der Ploeg/Shane Campbell Gallery</title>
		<link>http://art.newcity.com/2009/03/30/review-jan-van-der-ploegshane-campbell-gallery/</link>
		<comments>http://art.newcity.com/2009/03/30/review-jan-van-der-ploegshane-campbell-gallery/#comments</comments>
		<pubDate>Tue, 31 Mar 2009 04:57:32 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[Jan van der Ploeg]]></category>
		<category><![CDATA[Shane Campbell Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2749</guid>
		<description><![CDATA[RECOMMENDED For Dutch artist Jan van der Ploeg’s first exhibition with Shane Campbell Gallery, he brought his paintings to the United States in his luggage, reminding me of the “Suitcase Paintings” exhibition at the Loyola Museum of Art last year, which featured small-scale Abstract Expressionist work that was (or could be) likewise transported via luggage. [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/03/30/review-jan-van-der-ploegshane-campbell-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Nicholas Freeman/Finch Gallery</title>
		<link>http://art.newcity.com/2008/12/09/review-nicholas-freemanfinch-gallery/</link>
		<comments>http://art.newcity.com/2008/12/09/review-nicholas-freemanfinch-gallery/#comments</comments>
		<pubDate>Tue, 09 Dec 2008 18:17:06 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Finch Gallery]]></category>
		<category><![CDATA[Nicholas Freeman]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=1777</guid>
		<description><![CDATA[RECOMMENDED Nicholas Freeman’s work momentarily transports viewers to ancient Greece, only to pull them back to the present, and keeps them lingering between the two. Freeman’s terracotta paintings, on pottery thrown by Lisa Harris and Jennifer Cooper, emulate ancient Greek vases and drinking cups painted in the Red-figure style. Ornate borders and familiar characters from [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2008/12/09/review-nicholas-freemanfinch-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Deft Hands, Discerning Eyes/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2008/09/22/review-deft-hands-discerning-eyes-art-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2008/09/22/review-deft-hands-discerning-eyes-art-institute-of-chicago/#comments</comments>
		<pubDate>Mon, 22 Sep 2008 02:58:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Loop]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Dorothy Braude Edinburg]]></category>
		<category><![CDATA[Kato Tsubusa]]></category>
		<category><![CDATA[Tsujimura Shiro]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=1099</guid>
		<description><![CDATA[RECOMMENDED Anyone remember Dorothy Braude Edinburg? Her collection of eighteenth-through-twentieth-century European drawings filled up five rooms at the Art Institute two years ago—and now we get to see her Korean and Chinese ceramics that date from the seventh through the thirteenth centuries. This Boston lady was quite the aesthete—and her choices reveal a taste for [...]]]></description>
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		<slash:comments>0</slash:comments>
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