Reviews, profiles and news about art in Chicago

Review: Bring Your Own Body/Glass Curtain Gallery

Activist Art, Collage, Drawings, Galleries & Museums, Installation, Media & Genres, Multimedia, Performance, Photography, Sculpture, South Loop, Textiles, Video No Comments »
Zackary Drucker. "Southern for Pussy," 2015. Video still.

Zackary Drucker. “Southern for Pussy,” 2015. Video still.

RECOMMENDED

“Bring Your Own Body: Transgender Between Archives and Aesthetics,” currently on view at Glass Curtain Gallery at Columbia College, provides a multilayered experience by featuring works of contemporary transgender artists juxtaposed with archival materials to illustrate the multiplicity of transgender identities as they are represented in the art world, pop culture and institutional discourses. Named after an unpublished manuscript by intersex pioneer Lynn Harris, “Bring Your Own Body” blends historical documents and contemporary art to provide critical perspectives on the ongoing formation of transgender identities. Read the rest of this entry »

Eye Exam: Two Rules of Bad Mixtapes

Ceramics, Collage, Craft Work, Design, Drawings, Galleries & Museums, Installation, Media & Genres, Multimedia, Outsider Art, Painting, Performance, Photography, Prints, Sculpture, Streeterville, Textiles No Comments »
Installation view of "Pop Art Design" at the MCA Chicago. /Photo: Nathan Keay.

Installation view of “Pop Art Design” at the MCA Chicago/Photo: Nathan Keay

By Ruslana Lichtzier

I enjoy thinking about the structure of the museum as a mixtape. Within an expanded taste, different exhibitions are organized with loose connections in an evolving tempo, hopefully with a mutual understanding regarding the role of the institution. Back in the day, mixtapes were a tool of courting; in making one, the mixtape-maker demonstrated how cool they were, how broad, complex, versatile and surprising was their taste. The danger was, and still is, in them exposing themselves as being…well, not cool.

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Review: Intention to Know/Stony Island Arts Bank

Art Books, Collage, Greater Grand Crossing, Painting, Sculpture No Comments »
Installation view of "Intention to Know: The Thought Forms of Annie Besant" at the Rebuild Foundation's Stony Island Arts Bank." /Photo: Habib Bolat.

Installation view of “Intention to Know: The Thought Forms of Annie Besant” at the Rebuild Foundation’s Stony Island Arts Bank.”/Photo: Habib Bolat

RECOMMENDED

This isn’t another review of Theaster Gates’ Stony Island Arts Bank, part of his broader Rebuild Foundation. But what a lot more there is to say about his ambitious, inspiring and paradoxical project, part community center and part colonial outpost of the multinational avant-garde. This is only a review of the latest exhibition at the Arts Bank, “Intention to Know: The Thought Forms of Annie Besant.”

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Review: Winter Experiment: SAIC at MMG/Monique Meloche Gallery

Collage, Drawings, Galleries & Museums, Installation, Media & Genres, Multimedia, Painting, Photography, Sculpture, Wicker Park/Bucktown No Comments »
Cheryl Pope. " I ONLY NOTICE YOU WHEN I SEE YOU," 2015. Printed nylon banner, 36 x 60 inches.

Cheryl Pope. “I ONLY NOTICE YOU WHEN I SEE YOU,” 2015. Printed nylon banner, 36 x 60 inches.

RECOMMENDED

The exhibition begins outside on Division Street. There, the ruby red glow of Michelle Grabner’s painting “Untitled” from “Chicago Gingham” emanates outward through the street window and across the snow-covered sidewalk, enticing warmth and springtime nostalgia. Read the rest of this entry »

Double Take: The “New Contemporary” at the Art Institute

Collage, Design, Drawings, Galleries & Museums, Installation, Michigan Avenue, Multimedia, Outsider Art, Painting, Photography, Prints, Sculpture, Video 1 Comment »
Andy Warhol. "Big Electric Chair," 1967-68.

Andy Warhol. “Big Electric Chair,” 1967-68

In “Double Take,” Newcity Art commissions two or more critics to consider a single topic or exhibition in order to offer multiple perspectives on complex, timely matters in Chicago’s visual arts.

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Portrait of the Artist: William J. O’Brien

Artist Profiles, Ceramics, Collage, Drawings, Galleries & Museums, Lincoln Park, Media & Genres, Multimedia, Painting, Sculpture No Comments »
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Portrait of William J. O’Brien in his studio, circa, 2013. /Photo: Robert Chase Heishman.

Weaving his way gracefully around shelves brimming with colorful sculptures and past an in-progress colored pencil drawing tacked onto the wall, William J. O’Brien guides me into the ceramics section of his large, ground-floor studio. The room smells of clay and incense, and three large tables are packed with drying clay bodies draped in fogged plastic. Read the rest of this entry »

Eye Exam: Politics of Representation

Activist Art, Collage, Digital Art, Evanston, Galleries & Museums, Hyde Park, Installation, Multimedia, Painting, Performance, Video No Comments »
"GERMONEY" banner at the German Pavilion, 56th Venice Biennale. /Photo: Hito Steyerl.

“GERMONEY” banner at the German Pavilion, 56th Venice Biennale./Photo: Hito Steyerl

By Elliot J. Reichert

If I were not dreading what comes next, I would be happy for this year to be over. Read the rest of this entry »

Review: Michael Robinson/Carrie Secrist Gallery

Collage, Galleries & Museums, Media & Genres, Multimedia, Video, West Loop No Comments »
Michael Robinson. "Mad Ladders," 2015. High Definition film, stereo sound, 16 x 9 aspect ratio, 10 minutes.

Michael Robinson. “Mad Ladders,” 2015. High Definition film, stereo sound, 16 x 9 aspect ratio, 10 minutes.

RECOMMENDED

Presented as a large-scale projection in a blacked-out, custom-built room that converts the gallery into a black-box space, Michael Robinson’s most recent film, “Mad Ladders” transforms the Carrie Secrist gallery floor, and with it, the cinematic landscape. Read the rest of this entry »

Review: Karsten Lund/The Franklin

Collage, Galleries & Museums, Garfield Park, Installation, Media & Genres, Photography No Comments »
Karsten Lund. "Distal Zone, installation view at the Franklin, 2015.

Karsten Lund. “Distal Zone,” installation view at the Franklin, 2015.

RECOMMENDED

Hannah Hoch once said that “[t]he process of remounting, cutting up, sticking down, activating—that is to say, alienating—took hold in all different forms of art.” The technique of combining and reshaping media spans music, literature, poetry and quite particularly, collage. Read the rest of this entry »

Review: La Muerte Niña: Day of the Dead/National Museum of Mexican Art

Activist Art, Collage, Craft Work, Design, Galleries & Museums, Installation, Media & Genres, Multimedia, Painting, Photography, Pilsen, Sculpture, Textiles No Comments »
Rocío Caballero. “On the Threshold of Silence/En el umbral del silencio,” 2014. Mixed media on canvas.

Rocío Caballero. “On the Threshold of Silence/En el umbral del silencio,” 2014. Mixed media on canvas.

RECOMMENDED

Including over ninety artists from both the United States and Mexico, “La Muerte Niña: Day of the Dead” is an exhibition in which the private becomes public. The space is awash with orange and yellow marigolds, sequins, skeletons and religious iconography, but beyond this visually stunning assembly of cultural symbols are carefully constructed personal stories. Read the rest of this entry »