What first comes to mind when I think of collage? I picture adhesives and ephemera being used in a two-dimensional scale. Unfortunately, I also think about Pinterest and capitalism, and how the general population has hijacked the collage, turning the medium into a selfish “board” of desires. Chicago Urban Art Society’s second installment of the group show “Medley” is a much needed palate cleanse for me. It reminds that collage is much more than nostalgia and ephemera ((I promised (promised!) myself I wouldn’t use the word “ephemera” in this review, and now I’ve already done it twice.)). “Medley” shows that the art form of assemblage is amorphous and untethered. This is the good side of collage.
Here, there are three-dimensional artworks composed of bike reflectors, destroyed iPhones, nuts and bolts, and metal springs. There are unframed collages where cutout photographs of animals project outward like a pop-up book. Some of the artwork has been coated in resin, giving it the sheen of a tabletop in a diner. There are collages that step away from analog techniques, digitally printed pieces that are surreal and meticulously detailed. Read the rest of this entry »