Design, Digital Art, Drawings, Galleries & Museums, Hyde Park, Installation, Multimedia, Painting, Photography, Prints, Sculpture
Antony Gormley, After an idea by Gabriel Mitchell, “Infinite Cube,” 2014.
Mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights.
On the occasion of the University of Chicago’s 125th anniversary, the Smart Museum of Art has compiled an exhibition of objects from its collection spanning three millennia that explore the multifaceted nature of memory. Works such as Zdenek Tmej’s “Broken Glasses, Breslau” and Arthur Amiotte’s “Wounded Knee III” capture violent moments of the past—burdensome memories to carry that are nonetheless worthy of preservation. Read the rest of this entry »
James Hyde. “Steps,” 2015.
Acrylic dispersion on stretched vinyl print, 110 x 86 inches.
The best modern design is circumspect if not chaste. Read the rest of this entry »
Irena Haiduk. Installation view, “Seductive Exacting Realism,” 2015/Photo: The Renaissance Society
For the first thirty-five minutes of each hour, the gallery is cacophonous. Haiduk consigns the other twenty-five minutes to silence. For just less than half the day, “Seductive Exacting Realism” is absent. In “Waiting Rules,” Ivo Andric tells us that “the surest way to rule is to infect others with waiting.” Arrive too late, and it becomes clear that patience is a prison that springs from the self. Read the rest of this entry »
Ania Jaworska. “Saint,” 2015.
Screen print on folio paper; 30 x 22 inches.
Chicago, priapic King-Hell capital of exceptionalist, heaven-penetrating architecture; birthplace of The Reach, there could be no better place—and no better museum—for Ania Jaworska’s exploration of how our monuments commune with ourselves. Read the rest of this entry »
Activist Art, Art Books, Ceramics, Collage, Craft Work, Design, Digital Art, Drawings, Galleries & Museums, Installation, Multimedia, Painting, Photography, Prints, Sculpture, Streeterville, Video
“LUMA At Ten: Greatest Hits,” Installation view, including “Silver Clouds” by Andy Warhol and “Paranirvana (Self Portrait)” by Lewis deSoto./Photo: Loyola University Chicago
Religion is often the apparent culprit in today’s war-torn world, so an exhibition with a spiritual undertone may seem unnerving. Read the rest of this entry »
David Schalliol. “The Rise of the 606 and its Bloomingdale Trail,” 2015.
One of the most inspired recent additions to Chicago’s public spaces is The 606, a trail that follows the tracks of the once-abandoned elevated Bloomingdale train line that runs in a straight line through Humboldt Park, Logan Square, Wicker Park and Bucktown. To be on the trail is to be transported to a world that is apart from and above the city, yet is immersed in it, as the tops of buildings at times form walls on both sides. The experience is invigorating and empowering, especially because the line has been left in a partly rough state. It is a place where people can jog, stroll and walk down to several ground-level parks that dot the route. Read the rest of this entry »
Activist Art, Architecture, Art Fairs, Art Schools, Collage, Comics, Design, Digital Art, Drawings, Evanston, Fall Preview, Galleries & Museums, Garfield Park, Gold Coast/Old Town, Humboldt Park, Hyde Park, Installation, Little Village, Logan Square, Loop, Michigan Avenue, Multimedia, Museum Campus, Outsider Art, Painting, Performance, Photography, Pilsen, Prints, Public Art, River North, River West, Rogers Park, Sculpture, South Loop, Street Art, Streeterville, Suburban, Ukrainian Village/East Village, Uptown, Video, West Loop, West Town, Wicker Park/Bucktown
The thing that was sent to me in its intended but unsettling orientation.
By Elliot J. Reichert
The above image was sent to me anonymously in the middle of the night. Shocking as it appears, I was relieved to receive it. You see, weeks ago I had contacted a few artist friends to ask them to reflect on the upcoming fall art season in Chicago and to ask one to “take over” the task of appraising it. To my surprise, they were reluctant to describe it, even those who had exhibitions of their work opening in the coming weeks. Later, I realized that their silence was my doing, having asked a question that could produce no coherent answer.
Much like the drawing game made famous by the Surrealists, Chicago’s 2015 fall art season is an exquisite corpse—a thing of grotesque beauty that is the dream of no one, but the creation of many. At first glance, it appears sinister, like the Block Museum’s solo show of newly commissioned works by Chicago artist Geof Oppenheimer. Rumor has it that the sculptor has filled the museum’s ample galleries with austere and foreboding installations resembling the cinderblock constructions of grim institutions, like prison, or perhaps your corporate office. Even more menacing, Irena Haiduk, also Chicago-based and also exhibiting new work, will haunt the eaves of the Renaissance Society’s transformed gallery with the Sirens of Greek mythology, luring visitors unexpectedly into a debate on the revolutionary possibilities of art and social change amidst current political upheaval worldwide. Read the rest of this entry »
Architecture, Design, Galleries & Museums, Installation, Media & Genres, Multimedia, News etc., Oak Park, Performance, Public Art, Sculpture
“Night Terrain” by artist Kate McQuillen and curated by Claudine Ise for the 2nd Terrain Biennial. Located at 817 South Highland Avenue, Oak Park.
Playfully eschewing stereotypes of pink flamingos and garden gnomes, the 2nd Terrain Biennial is dedicated to featuring interventions into the conventional landscape of front yards by emerging as well as established artists who have been invited to create site-specific works. Founded in 2011 by Chicago artist Sabina Ott, contributing artists are selected for their ability to challenge the space between public and private, function and decoration and figure and ground.
This year’s biennial takes an international scale, but remains centered in the Chicago suburb of Oak Park across from Longfellow Middle School on Highland Avenue. Unlike many alternative exhibitions, these public artworks will be accessible at all times. According to Ott, one of the goals of the exhibition was to engage pedestrians, visitors, teachers, students and neighbors with myriad forms of contemporary art. Another goal with “Terrain 2.0” was to expand the scope beyond Oak Park. Read the rest of this entry »
Luftwerk Studio. Rendering of “Florescence,” 2015.
Five technology-infused and site-specific installations will populate the Garfield Park Conservatory in a year-long exhibition titled “solarise: a sea of all colors” debuting in September. Each immersive installation invites viewers to interact with nature, color and light while exploring the Conservatory grounds. “Garfield Park Conservatory has long been known as a Chicago cultural anchor,” remarked Mayor Rahm Emanuel, “and this interactive art installation will underscore the conservatory’s cultural legacy while engaging residents in new ways.”
Created by Luftwerk, an art practice co-founded by Petra Bachmaier and Sean Gallero, the installations respond to the philosophies of Jens Jensen, the landscape architect who designed the conservatory, who believed in the importance of public access to nature in the city. Each of the five installations—“The Beacon,” “Portal,” “Florescence,” “Seed of Light,” and “Prismatic”—emphasize and supplement the conservatory’s natural spaces. With the installations, Luftwerk aims “to instill in visitors an increased sense of wonder, while they roam the gardens and vegetation rooms. [We hope to] inspire visitors to take a closer look at how nature, art, and technology can interact.” Read the rest of this entry »
Suburban Mutilation. The address given for their untitled cassette, in Green Bay, WI 54301. Source: MAXIMUM ROCKNROLL, issue no. 8, September, 1983. Street view date: August, 2012″
Started as a Tumblr project by Marc Fischer and Public Collectors, “Hardcore Architecture” explores the surprisingly suburban outposts of hardcore underground bands from the 1980s, juxtaposing names like Suburban Mutilation and Crimes Against Humanity with cookie-cutter homes, two-car garages, and well-maintained lawns. The exhibition is housed at The Franklin, a home with its own two-car garage and well-maintained lawn, and includes the Google Street View images Fischer culled alongside zines and a display of T-shirts and tapes from the artist’s own collection. Read the rest of this entry »