Reviews, profiles and news about art in Chicago

News: Luftwerk to Debut High Tech, Site-Specific Installations at Garfield Park Conservatory

Design, Digital Art, Garfield Park, Installation, Multimedia, News etc., Public Art, Sculpture No Comments »
Rendering of “Florescence," 2015. Luftwerk Studio.

Luftwerk Studio. Rendering of “Florescence,” 2015.

Five technology-infused and site-specific installations will populate the Garfield Park Conservatory in a year-long exhibition titled “solarise: a sea of all colors” debuting in September. Each immersive installation invites viewers to interact with nature, color and light while exploring the Conservatory grounds. “Garfield Park Conservatory has long been known as a Chicago cultural anchor,” remarked Mayor Rahm Emanuel, “and this interactive art installation will underscore the conservatory’s cultural legacy while engaging residents in new ways.”

Created by Luftwerk, an art practice co-founded by Petra Bachmaier and Sean Gallero, the installations respond to the philosophies of Jens Jensen, the landscape architect who designed the conservatory, who believed in the importance of public access to nature in the city. Each of the five installations—“The Beacon,” “Portal,” “Florescence,” “Seed of Light,” and “Prismatic”—emphasize and supplement the conservatory’s natural spaces. With the installations, Luftwerk aims “to instill in visitors an increased sense of wonder, while they roam the gardens and vegetation rooms. [We hope to] inspire visitors to take a closer look at how nature, art, and technology can interact.” Read the rest of this entry »

Review: Hardcore Architecture/The Franklin

Architecture, Design, Digital Art, Galleries & Museums, Garfield Park, Installation, Multimedia, Performance, Photography No Comments »
"Suburban Mutilation. The address given for their untitled cassette, in Green Bay, WI 54301. Source: MAXIMUM ROCKNROLL, issue no. 8, September, 1983. Street view date: August, 2012"

Suburban Mutilation. The address given for their untitled cassette, in Green Bay, WI 54301. Source: MAXIMUM ROCKNROLL, issue no. 8, September, 1983. Street view date: August, 2012″

RECOMMENDED

Started as a Tumblr project by Marc Fischer and Public Collectors, “Hardcore Architecture” explores the surprisingly suburban outposts of hardcore underground bands from the 1980s, juxtaposing names like Suburban Mutilation and Crimes Against Humanity with cookie-cutter homes, two-car garages, and well-maintained lawns. The exhibition is housed at The Franklin, a home with its own two-car garage and well-maintained lawn, and includes the Google Street View images Fischer culled alongside zines and a display of T-shirts and tapes from the artist’s own collection. Read the rest of this entry »

Review: Frances Stark/Art Institute of Chicago

Digital Art, Galleries & Museums, Installation, Michigan Avenue, Multimedia, Photography, Video 1 Comment »
Frances Stark. "From therealstarkiller #1298," 2015 Archival inkjet print, 7" x 7". Courtesy the artist.

Frances Stark. “From therealstarkiller #1298,” 2015
Archival inkjet print, 7″ x 7″. Courtesy the artist.

RECOMMENDED

Intimism, a term associated with paintings of domestic scenes filled with family and friends, expertly describes the video and digital offerings in this expansive, beautiful and playful show. Leave it to Stark, best known for “My Best Thing,” a video animation of a relationship formed on Chatroulette, to shed light on the contrast between private and public in our digitized lives.

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Eye Exam: Leaving Saturn’s Return

Digital Art, Drawings, Performance No Comments »
James Lee Byars. Pink letter, ca. 1982 Gold crayon on pink Japanese paper Collection of Michael Lowe and Kimberly Klosterman

James Lee Byars. Pink letter, ca. 1982
Gold crayon on pink Japanese paper
Collection of Michael Lowe and Kimberly Klosterman

By Matt Morris

“You’ve gotten so much more mystical this year,” said my twin during a recent phone call. We’d been talking horoscopes and tarot, and more generally about forms of reading that are predicated on alternatives to empirical reason. We’ve turned thirty this year, and now we’re completing a period astrologers call Saturn’s return. It’s the first time Saturn returns to its position at the time of your birth, and it’s said to accompany crisis and questioning—finding out what you’ve built so far, whether it’s strong enough to continue working, and what tumultuous deconstruction will radically reshape your life. Read the rest of this entry »

Review: Manish Nai/Kavi Gupta Gallery

Architecture, Collage, Craft Work, Digital Art, Galleries & Museums, Installation, Multimedia, Sculpture, Textiles, West Loop No Comments »
Manish Nai. "Untitled," 2015 Dyed burlap, 90" x 4"

Manish Nai. “Untitled,” 2015
Dyed burlap, 90″ x 4″

RECOMMENDED

The work of Mumbai-based Manish Nai makes a viewer reconsider the limits of an artistic medium. He doesn’t use traditional media, such as heavy metals and wood, oil or acrylic. Instead, Nai uses everyday materials—cardboard, jute, newspaper and even his family’s used clothing—to sculpt, mark and render.

For his first solo exhibition in the United States, Nai has created wall hangings, photographic prints, sculptures and four site-specific works, including a gallery pillar wrapped in jute, a burlap-like material that is abundant in India, and a heat-transferred mural that will slowly disappear during the course of the exhibition. His use of traditional artistic processes, such as weaving or drawing and sculpting by hand, in conjunction with contemporary rendering techniques borrowed from digital and new media art, design and architecture give these objects a surprising new dynamism. By combining the old and the new, Nai’s work is thoroughly international even as it remains fully Indian.
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Review: Phillip Maisel/Document Gallery

Collage, Design, Digital Art, Galleries & Museums, Photography, West Loop No Comments »
Phillip Maisel. "Serengeti Green (1836)," 2015 Archival Pigment Print and Scrim. 17" x 24"

Phillip Maisel. “Serengeti Green (1836),” 2015
Archival Pigment Print and Scrim. 17″ x 24″

RECOMMENDED

Repetition with minuscule change might be the hallmark of our day. Apps update regularly, new iPhones roll out yearly, movies reinvent themselves over and over again, all in a pursuit of user satisfaction. A good indicator of this is someone like Katy Perry—plastic bag, party girl, roaring tiger—in short, whatever we want or need her to be. This endless buffet of options suits our twenty-first-century needs but also keeps us fickle and anxious. Phillip Maisel’s photographs in his exhibition “Serengeti Green” use the vernacular of constant, minimal change that dictates this contemporary anxiety, asking us to slow down and consider these minor variations.

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Review: Jillian Mayer/Aspect/Ratio

Digital Art, Multimedia, Photography, Video, West Loop No Comments »
Jillian mayer. Still from "Touchers," 2015  single channel video, 5:39 minutes, unique installation, dimensions variable

Jillian Mayer. Still from “Touchers,” 2015
single channel video, 5:39 minutes, unique installation, dimensions variable

RECOMMENDED

“Touchers” at Aspect/Ratio and Jillian Mayer’s first solo exhibition in Chicago, highlights the loneliness of seeking affection through a cold screen, the impossibility of human touch across monitors. The artist herself is present in each piece, her hands seen within photosensitive prints on plexiglass and fabric in the front of the gallery, while her image and words exist within the central piece, a video installation in the darkened back room. Read the rest of this entry »

News: UIC to Create Chicago-centric Collection of Latin American Art

Digital Art, Multimedia, News etc. No Comments »
Ceramic artist Jesus Torres creates pottery at Hull-House in the early 1930s. Photo: Wallace Kirkland, UIC, Jane Addams Memorial Collection.

Ceramic artist Jesús Torres creates pottery at Hull-House in the early 1930s. Photo: Wallace Kirkland, UIC, Jane Addams Memorial Collection.

The National Endowment for the Arts (NEA) has awarded a $20,000 grant to the University of Illinois at Chicago (UIC) to create a Chicago-focused online collection of Latin American and Latino art, which will be the Chicago Latino Art Now! Virtual Gallery. The UIC-based Inter-University Program for Latino Research, an association of universities nationwide committed to increasing Latino scholarship, will support this project.

“The Chicago Latino Art Now! Virtual Gallery is a permanent digital space for art that will showcase a survey of Chicago art and visual culture since the 1930s,” says Olga Herrera, the principal project investigator, in an email interview with Newcity. For instance, artists closely associated with the Hull-House Kilns such as Jesús Torres, Miguel Juárez and José Ruiz will be featured on the gallery. Additional examples include Mario Castillo, Ray Patlan and Marcos Raya, among others linked with the 1970s mural movement. Read the rest of this entry »

News: Woman Made Gallery Releases Study on Gender Disparities in Commercial Art Galleries

Activist Art, Digital Art, News etc., Prints, West Loop No Comments »
Sydney Snyder's poster for Monique Meloche Gallery, Chicago

Sydney Snyder’s poster for Monique Meloche Gallery, Chicago

To coincide with their current exhibition “The Gallery Tally Poster Project,” Woman Made Gallery (WMG) has issued the release of a report conducted in 2013 regarding gender representation in US commercial galleries. The exhibition is organized by executive director Claudine Isé and Los Angeles artist Micol Hebron and is a social engagement art project, which includes the work of more than 180 artists from all around the world. They not only collected data concerning the ratios of female and male artists in top contemporary art galleries but also visualized it in the form of art, in any medium of their choosing.

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Review: Ian Pedigo/65GRAND

Digital Art, Installation, Photography, Sculpture, West Loop No Comments »
Ian Pedigo, "Lights Have Gone Out," 2015 bone, plastic, metal, wood, paint, carpet, 60" x 65" x 30"

Ian Pedigo, “Lights Have Gone Out,” 2015
bone, plastic, metal, wood, paint, carpet, 60″ x 65″ x 30″

RECOMMENDED

Using found quotidian materials, Ian Pedigo assembles sculptural installations that lyricize banal details of our domestic and built environments. In his exhibition at 65Grand, “The Arrows Like Soft Moon Beams,” the New York-based artist reveals three larger-than-human-size totems which nod to Surrealism and resonate particularly well in Chicago, with its rich culture of spaces (6018North) and makers (Alberto Aguilar, Edra Soto) who turn the domestic into the poetic. In “From the Crown to the Earth” a six-foot-tall panel of black stone grounds the playful figural arrangement of a green plastic bowl lampshade with dangling disco ball earrings. Another grouping converts disembodied chair legs into a wing-like form, hung from a floorboard suspended upside down with a backdrop of blinds. “Lights Have Gone Out” features a candelabra painted matte-black which is simultaneously real, faux, classic and kitsch. Pedigo combines elements from different time periods and vacillates between natural and artificial materials, resulting in both visual stimulation and a sense of suspended timelessness.
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