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	<title>Newcity Art &#187; Drawings</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Mary Borgman/Ann Nathan Gallery</title>
		<link>http://art.newcity.com/2012/01/17/review-mary-borgmanann-nathan-gallery/</link>
		<comments>http://art.newcity.com/2012/01/17/review-mary-borgmanann-nathan-gallery/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:47 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Ann Nathan Gallery]]></category>
		<category><![CDATA[Mary Borgman]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9228</guid>
		<description><![CDATA[RECOMMENDED Over the past decade, Mary Borgman has done one thing, and done it well: monumental, six-foot-high charcoal portraits of handsome, multi-ethnic young dudes, often with their shirts off, set against a glowing background. These are young adults in that exciting, though sometimes dangerous period of self-discovery before settling into the responsibilities of family and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Superstructures/The Mission</title>
		<link>http://art.newcity.com/2012/01/17/review-superstructuresthe-mission/</link>
		<comments>http://art.newcity.com/2012/01/17/review-superstructuresthe-mission/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:26 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[David Salkin]]></category>
		<category><![CDATA[Jeroen Nelemans]]></category>
		<category><![CDATA[Susan Giles]]></category>
		<category><![CDATA[The Mission]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9217</guid>
		<description><![CDATA[RECOMMENDED Susan Giles’ site-specific sculpture of the unbuilt Calatrava tower, toppled over inside The Mission, is a model of something unrealized. Although it might refer to the economic crash that scuttled the plans for the building, Giles’ “Crumpled Spire,” deftly built of wood, rests gracefully in the space, echoing the shapes of the windows, lighting grids [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: David Lefkowitz/Carrie Secrist Gallery</title>
		<link>http://art.newcity.com/2011/11/15/review-david-lefkowitzcarrie-secrist-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/15/review-david-lefkowitzcarrie-secrist-gallery-2/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:00:48 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Carrie Secrist Gallery]]></category>
		<category><![CDATA[David Lefkowitz]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8927</guid>
		<description><![CDATA[RECOMMENDED David Lefkowitz’s exhibition, “Facilities and Grounds,” is a careful examination of the relationship between the natural world and the built environments we inhabit everyday. In his series of pristine watercolors on meticulously unfolded cardboard boxes, Lefkowitz depicts everything from grand views of a city, to sturdy-looking stone buildings, to airport terminals. The architecture, however, [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/11/15/review-david-lefkowitzcarrie-secrist-gallery-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Dmitry Samarov/Lloyd Dobler Gallery</title>
		<link>http://art.newcity.com/2011/11/08/review-dmitry-samarovlloyd-dobler-gallery/</link>
		<comments>http://art.newcity.com/2011/11/08/review-dmitry-samarovlloyd-dobler-gallery/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 10:01:10 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Dmitry Samarov]]></category>
		<category><![CDATA[Lloyd Dobler Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8901</guid>
		<description><![CDATA[RECOMMENDED After eighteen years of tending bar and driving a cab, Dmitry Samarov is finally receiving the attention he deserves, thanks to “Hack: Stories from a Chicago Cab,” published by the University of Chicago Press. Two non-gallery shows popped up last month, featuring his sports- and music-related illustrations and some nearly abstract paintings of tumultuous [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Ryan Travis Christian/Western Exhibitions</title>
		<link>http://art.newcity.com/2011/10/25/review-ryan-travis-christianwestern-exhibitions/</link>
		<comments>http://art.newcity.com/2011/10/25/review-ryan-travis-christianwestern-exhibitions/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 09:00:57 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Ryan Travis Christian]]></category>
		<category><![CDATA[Western Exhibitions]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8831</guid>
		<description><![CDATA[RECOMMENDED Postmodern wisdom holds that paintings used to be orgasmic—after all, pretty much everyone in those old harmonious oil tableaux used to share identical slackjawed expressions of rapt ecstasy, staring up like nomadic goatherds seeing their first airplane. And then modern art came along and made everything flat and serious and boring. But, while Ryan [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Bill Harrison/Packer Schopf Gallery</title>
		<link>http://art.newcity.com/2011/10/18/review-bill-harrisonpacker-schopf-gallery/</link>
		<comments>http://art.newcity.com/2011/10/18/review-bill-harrisonpacker-schopf-gallery/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 09:00:46 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Bill Harrison]]></category>
		<category><![CDATA[Packer Schopf Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8780</guid>
		<description><![CDATA[RECOMMENDED The collapse of the market for stippled illustration might have been the best thing that ever happened to William Harrison, even if it took him more than ten years to realize it. Up until the mid-nineties he made photo-realistic drawings of commercial products for companies like McDonald&#8217;s and Burger King. But then his fanatically [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Fictional Landscapes/O&#8217;Connor Gallery at Dominican University</title>
		<link>http://art.newcity.com/2011/09/27/review-fictional-landscapesoconnor-gallery-at-dominican-university/</link>
		<comments>http://art.newcity.com/2011/09/27/review-fictional-landscapesoconnor-gallery-at-dominican-university/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 09:00:34 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[River Forest]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Amy Honchell]]></category>
		<category><![CDATA[Dominican University]]></category>
		<category><![CDATA[Young Cho]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8620</guid>
		<description><![CDATA[RECOMMENDED As fiber-based artists Amy Honchell and Young Cho reveal in statements about their respective practices, their works are shot through with personal meanings and associations: Honchell recalls the mountainous Pennsylvania landscapes of her childhood, and Cho elaborates an intimate mythology revolving around a recurring imaginary character. But the private origins of the pieces in [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/27/review-fictional-landscapesoconnor-gallery-at-dominican-university/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Janet McKenzie/Loyola University Museum of Art</title>
		<link>http://art.newcity.com/2011/09/13/review-janet-mckenzieloyola-university-museum-of-art/</link>
		<comments>http://art.newcity.com/2011/09/13/review-janet-mckenzieloyola-university-museum-of-art/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:50 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Janet McKenzie]]></category>
		<category><![CDATA[Loyola University Museum of Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8525</guid>
		<description><![CDATA[RECOMMENDED In 1999, Janet McKenzie’s “Jesus of the People” was selected by Sister Wendy Beckett, the BBC television art docent, from among the ten finalists in the National Catholic Reporter’s “Jesus 2000” project to discover “who Jesus might be for our time.” As Sister Wendy wrote: “This is a haunting image of a peasant Jesus—dark, [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/13/review-janet-mckenzieloyola-university-museum-of-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Phillip Renaud Memorial Exhibition/Palette and Chisel</title>
		<link>http://art.newcity.com/2011/09/13/review-phillip-renaud-memorial-exhibitionpalette-and-chisel/</link>
		<comments>http://art.newcity.com/2011/09/13/review-phillip-renaud-memorial-exhibitionpalette-and-chisel/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:47 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Gold Coast/Old Town]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Palette and Chisel]]></category>
		<category><![CDATA[Phillip Renaud]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8522</guid>
		<description><![CDATA[RECOMMENDED In the mid-1950s, Chicago was a center for magazine and book illustration, and the Chicago Academy of Fine Arts was one of America’s leading commercial art schools. Drawn to that school and hoping for that kind of career, a young Canadian, Phillip Renaud  (1934-2011), traveled here from Edmonton, Alberta not far from the village [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/13/review-phillip-renaud-memorial-exhibitionpalette-and-chisel/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Nulla Dies Sine Linea/Instituto Cervantes</title>
		<link>http://art.newcity.com/2011/05/23/review-nulla-dies-sine-lineainstituto-cervantes/</link>
		<comments>http://art.newcity.com/2011/05/23/review-nulla-dies-sine-lineainstituto-cervantes/#comments</comments>
		<pubDate>Tue, 24 May 2011 04:57:58 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Instituto Cervantes]]></category>
		<category><![CDATA[José Luis Serzo]]></category>
		<category><![CDATA[Luis Pérez Calvo]]></category>
		<category><![CDATA[Santiago Talavera]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7883</guid>
		<description><![CDATA[RECOMMENDED The mantra of “Nulla dies sine linea” (“Not one day without a line”) has inspired and motivated artists and writers for centuries as a reminder that an artist’s skill and a successful work of art must come from daily practice. Pliny the Elder penned the Latin proverb in ancient Rome, Anthony Trollope advised the [...]]]></description>
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		<slash:comments>0</slash:comments>
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