Laura Davis. Installation shot of “Wall Gems,” 2015.
A page from the artist’s sixth-grade diary. Wood. Wire. Fur from a ladies vintage hat. A twenty-milligram Prozac tablet. These are some of the materials Davis uses in “Legacy of Loneliness,” and they are a good starting point for understanding how the show responds to the historical treatment of female artists. Read the rest of this entry »
Design, Digital Art, Drawings, Galleries & Museums, Hyde Park, Installation, Multimedia, Painting, Photography, Prints, Sculpture
Antony Gormley, After an idea by Gabriel Mitchell, “Infinite Cube,” 2014.
Mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights.
On the occasion of the University of Chicago’s 125th anniversary, the Smart Museum of Art has compiled an exhibition of objects from its collection spanning three millennia that explore the multifaceted nature of memory. Works such as Zdenek Tmej’s “Broken Glasses, Breslau” and Arthur Amiotte’s “Wounded Knee III” capture violent moments of the past—burdensome memories to carry that are nonetheless worthy of preservation. Read the rest of this entry »
Jessica Stockholder/Photo: Steven Rosofsky
Jessica Stockholder’s work greets me before she does. Colorful and vibrant, it illuminates the dark gray exterior of Kavi Gupta Gallery’s Elizabeth Street location. Read the rest of this entry »
Scott Reeder. “Landlord Painting,” 2015
I like a little humor with my art, and even a cursory look at the work of Scott Reeder will tell you that he agrees. Read the rest of this entry »
James Hyde. “Steps,” 2015.
Acrylic dispersion on stretched vinyl print, 110 x 86 inches.
The best modern design is circumspect if not chaste. Read the rest of this entry »
Irena Haiduk. Installation view, “Seductive Exacting Realism,” 2015/Photo: The Renaissance Society
For the first thirty-five minutes of each hour, the gallery is cacophonous. Haiduk consigns the other twenty-five minutes to silence. For just less than half the day, “Seductive Exacting Realism” is absent. In “Waiting Rules,” Ivo Andric tells us that “the surest way to rule is to infect others with waiting.” Arrive too late, and it becomes clear that patience is a prison that springs from the self. Read the rest of this entry »
Ania Jaworska. “Saint,” 2015.
Screen print on folio paper; 30 x 22 inches.
Chicago, priapic King-Hell capital of exceptionalist, heaven-penetrating architecture; birthplace of The Reach, there could be no better place—and no better museum—for Ania Jaworska’s exploration of how our monuments commune with ourselves. Read the rest of this entry »
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“LUMA At Ten: Greatest Hits,” Installation view, including “Silver Clouds” by Andy Warhol and “Paranirvana (Self Portrait)” by Lewis deSoto./Photo: Loyola University Chicago
Religion is often the apparent culprit in today’s war-torn world, so an exhibition with a spiritual undertone may seem unnerving. Read the rest of this entry »
“Front & Center,” Installation view/Photo: S. Nicole Lane
The Center Program at the Hyde Park Art Center is an opportunity for artists to receive feedback, formulate new work and have a final exhibition in the main gallery over six months. The facilities and staff at HPAC offer a supportive atmosphere for artists to engage in conversation and further their studio practice. The twenty-four artists in the 2015 Center Program span various disciplines and media. The culminating group exhibition is playful and vibrant, as well as informative and candid. Read the rest of this entry »