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	<title>Newcity Art &#187; Installation</title>
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		<title>Review: Beach Party IV/The Hills Esthetic Center</title>
		<link>http://art.newcity.com/2011/09/13/review-beach-party-ivthe-hills-esthetic-center/</link>
		<comments>http://art.newcity.com/2011/09/13/review-beach-party-ivthe-hills-esthetic-center/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:15 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Alec Regan]]></category>
		<category><![CDATA[Alex Chitty]]></category>
		<category><![CDATA[Amber Thomas]]></category>
		<category><![CDATA[Ben Foch]]></category>
		<category><![CDATA[Brandon Alvendia]]></category>
		<category><![CDATA[Caleb Lyons]]></category>
		<category><![CDATA[Carson Fisk-Vittore]]></category>
		<category><![CDATA[Jesse Butcher]]></category>
		<category><![CDATA[Josh Reames]]></category>
		<category><![CDATA[Kate Ruggery]]></category>
		<category><![CDATA[The Hills Esthetic Center]]></category>
		<category><![CDATA[Winslow Smith]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8528</guid>
		<description><![CDATA[RECOMMENDED It’s been over six years since Brandon Alvendia and Caleb Lyons put together a Spring Break-themed art show at the Butcher Shop Gallery, a cavernous warehouse on Lake Street, now closed. Featuring over fifty artists (including me), it was primarily and ultimately a formidable bacchanal. Alvendia, who was giving out stenciled spray-tans, was again [...]]]></description>
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		<title>Review: Zachary Cahill/Threewalls</title>
		<link>http://art.newcity.com/2011/09/13/review-zachary-cahillthree-walls/</link>
		<comments>http://art.newcity.com/2011/09/13/review-zachary-cahillthree-walls/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:04 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Three Walls]]></category>
		<category><![CDATA[Zachary Cahill]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8531</guid>
		<description><![CDATA[RECOMMENDED Zachary Cahill’s über-conceptual installation at Threewalls is only a partial representation of the artist’s long-term project: his satirical, and inevitably impossible, efforts to found an orphanage on Chicago’s South Side, along with vivid imaginings and permutations of said orphanage explored through seemingly limitless media. The project’s scope as a whole is so big that [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Queer Spirits</title>
		<link>http://art.newcity.com/2011/05/30/eye-exam-queer-spirits/</link>
		<comments>http://art.newcity.com/2011/05/30/eye-exam-queer-spirits/#comments</comments>
		<pubDate>Tue, 31 May 2011 04:59:29 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Lakeview]]></category>
		<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Chicago History Museum]]></category>
		<category><![CDATA[Golden Gallery]]></category>
		<category><![CDATA[John Neff]]></category>
		<category><![CDATA[Robert Blanchon]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7952</guid>
		<description><![CDATA[By Jason Foumberg In 1998, one year before he died at age 33 of AIDS in Chicago, the artist Robert Blanchon created “Untitled (drawing horse),” a replica of the type of benches that students use in a drawing class, but made entirely of glass panes. Blanchon probably enjoyed the fact that, in order to use [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Mark Booth/Adds Donna</title>
		<link>http://art.newcity.com/2011/05/09/review-mark-boothadds-donna/</link>
		<comments>http://art.newcity.com/2011/05/09/review-mark-boothadds-donna/#comments</comments>
		<pubDate>Tue, 10 May 2011 04:59:19 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[ADDS DONNA]]></category>
		<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Kay Rosen]]></category>
		<category><![CDATA[Mark Booth]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7787</guid>
		<description><![CDATA[RECOMMENDED Where Ed Ruscha and Kay Rosen’s text paintings tend to satisfy some autistic word fixation, it is Mark Booth’s text-based work that, for me, finally prompts poetic reverie. And that’s because the work is poetry, and Booth’s own. His drawings on paper, of texturally dense and hand-lettered phrases, may be familiar to Chicago gallery-goers, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Susan Philipsz/Museum of Contemporary Art</title>
		<link>http://art.newcity.com/2011/02/28/review-susan-philipzmuseum-of-contemporary-art/</link>
		<comments>http://art.newcity.com/2011/02/28/review-susan-philipzmuseum-of-contemporary-art/#comments</comments>
		<pubDate>Tue, 01 Mar 2011 05:57:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Susan Philipz]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7339</guid>
		<description><![CDATA[RECOMMENDED There is some fine situational irony in Scottish artist Susan Philipsz appropriating the words from the international worker’s hymn “We have been naught, we shall be all” as sound art at a time when working people in the Midwest are being stripped of their pensions and health benefits, and labor union participation is at [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Dayton Castleman/Seerveld Gallery</title>
		<link>http://art.newcity.com/2011/02/21/review-dayton-castlemanseerveld-gallery/</link>
		<comments>http://art.newcity.com/2011/02/21/review-dayton-castlemanseerveld-gallery/#comments</comments>
		<pubDate>Tue, 22 Feb 2011 05:56:40 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Suburban]]></category>
		<category><![CDATA[Dayton Castleman]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7292</guid>
		<description><![CDATA[RECOMMENDED In the statement for his installation &#8220;Negative Matter,&#8221; Dayton Castleman claims inspiration from the industrial light and magic of James Turrell, Olafur Eliasson, Anish Kapoor and Disneyland. An enjoyable grouping, but the oddball in that list is not the Magic Kingdom, but Castleman himself. While I could easily imagine Turrell and his airport-rave ilk [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Eye Exam: Community Confessional</title>
		<link>http://art.newcity.com/2011/01/17/eye-exam-community-confessional/</link>
		<comments>http://art.newcity.com/2011/01/17/eye-exam-community-confessional/#comments</comments>
		<pubDate>Tue, 18 Jan 2011 05:59:07 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Jason Lazarus]]></category>
		<category><![CDATA[Lilly McElroy]]></category>
		<category><![CDATA[Thomas Robertello Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7083</guid>
		<description><![CDATA[By Kristine Sherred A full year past, we reflect on that which once was, that which persists, that which may be. Lilly McElroy&#8217;s second solo exhibition at Thomas Robertello Gallery honors 2009, a year that, for many, typifies economic unrest, unemployment and home loss. Even for those of us unscathed, a new year carries new [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/01/17/eye-exam-community-confessional/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Digital Buddha</title>
		<link>http://art.newcity.com/2011/01/11/eye-exam-digital-buddha/</link>
		<comments>http://art.newcity.com/2011/01/11/eye-exam-digital-buddha/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 05:58:06 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Andre Malraux]]></category>
		<category><![CDATA[Ernest Fenellosa]]></category>
		<category><![CDATA[Katherine R. Tsiang]]></category>
		<category><![CDATA[Sir Edmund Leach]]></category>
		<category><![CDATA[Smart Museum]]></category>
		<category><![CDATA[University of Chicago]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7056</guid>
		<description><![CDATA[By Chris Miller In 1909, distinguished poet and orientalist Victor Segalen, author of “La Grande Statuaire chinoise,” found himself and a colleague alone with a splendid statue of the Buddha in a remote shrine in China. Despite some damage to the torso, “its profile had retained its nobility, its eyes their gaze, the smile of [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/01/11/eye-exam-digital-buddha/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Derek Chan/Museum of Contemporary Art</title>
		<link>http://art.newcity.com/2010/11/15/review-derek-chanmuseum-of-contemporary-art/</link>
		<comments>http://art.newcity.com/2010/11/15/review-derek-chanmuseum-of-contemporary-art/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 05:57:47 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Derek Chan]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6827</guid>
		<description><![CDATA[RECOMMENDED Derek Chan is no stranger to the “monastic residency”; at the invitation of Theaster Gates earlier this year, he performed one as part of the Whitney Biennal. For his current solo exhibition, however, he was not contained within a courtyard as he was at the Whitney, and instead headed West, embarking on a trip [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/11/15/review-derek-chanmuseum-of-contemporary-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Review: Christine Perri/Harold Washington Library Center</title>
		<link>http://art.newcity.com/2010/11/15/review-christine-perriharold-washington-library-center/</link>
		<comments>http://art.newcity.com/2010/11/15/review-christine-perriharold-washington-library-center/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 05:57:41 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Loop]]></category>
		<category><![CDATA[Christine Perri]]></category>
		<category><![CDATA[Harold Washington Library Center]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6824</guid>
		<description><![CDATA[RECOMMENDED Christine Perri’s sui generis installation, “Story Forest, or the Progress of Narrative: A Sculptural Diorama,” located in the eight floor North Exhibit Case of the Harold Washington Library Center, tells an elliptical yet engaging story about story making and telling. The Chicago artist uses figurative carved-wood sculptures and reliefs (in themselves finely wrought), various [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/11/15/review-christine-perriharold-washington-library-center/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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