Design, Digital Art, Drawings, Galleries & Museums, Hyde Park, Installation, Multimedia, Painting, Photography, Prints, Sculpture
Antony Gormley, After an idea by Gabriel Mitchell, “Infinite Cube,” 2014.
Mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights.
On the occasion of the University of Chicago’s 125th anniversary, the Smart Museum of Art has compiled an exhibition of objects from its collection spanning three millennia that explore the multifaceted nature of memory. Works such as Zdenek Tmej’s “Broken Glasses, Breslau” and Arthur Amiotte’s “Wounded Knee III” capture violent moments of the past—burdensome memories to carry that are nonetheless worthy of preservation. Read the rest of this entry »
Jessica Stockholder/Photo: Steven Rosofsky
Jessica Stockholder’s work greets me before she does. Colorful and vibrant, it illuminates the dark gray exterior of Kavi Gupta Gallery’s Elizabeth Street location. Read the rest of this entry »
Scott Reeder. “Landlord Painting,” 2015
I like a little humor with my art, and even a cursory look at the work of Scott Reeder will tell you that he agrees. Read the rest of this entry »
James Hyde. “Steps,” 2015.
Acrylic dispersion on stretched vinyl print, 110 x 86 inches.
The best modern design is circumspect if not chaste. Read the rest of this entry »
Activist Art, Art Books, Ceramics, Collage, Craft Work, Design, Digital Art, Drawings, Galleries & Museums, Installation, Multimedia, Painting, Photography, Prints, Sculpture, Streeterville, Video
“LUMA At Ten: Greatest Hits,” Installation view, including “Silver Clouds” by Andy Warhol and “Paranirvana (Self Portrait)” by Lewis deSoto./Photo: Loyola University Chicago
Religion is often the apparent culprit in today’s war-torn world, so an exhibition with a spiritual undertone may seem unnerving. Read the rest of this entry »
“Front & Center,” Installation view/Photo: S. Nicole Lane
The Center Program at the Hyde Park Art Center is an opportunity for artists to receive feedback, formulate new work and have a final exhibition in the main gallery over six months. The facilities and staff at HPAC offer a supportive atmosphere for artists to engage in conversation and further their studio practice. The twenty-four artists in the 2015 Center Program span various disciplines and media. The culminating group exhibition is playful and vibrant, as well as informative and candid. Read the rest of this entry »
Stevie Hanley. Still from “Hairy Eyeball Love, ” 2015. Sound by Caleb Yono.
Stevie Hanley does not ask viewers what it might be like to taste a color or see a sound. Instead, the sculptures, installations and drawings embody the show’s titular experience of synesthesia, a phenomenon where multiple states of sensory perception are joined. Viewers are encouraged to use earplugs as they watch “Hairy Eyeball Love,” a single-channel video installation showing, among other things, a giant plush spider resting on top of similar neon-colored ear plugs. Nearby, a four-panel mixed media painting, “Ommatidia Quilt,” separates the ear plug cabinet from the video projection while emulating the jewel-hued view through a kaleidoscope.
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Activist Art, Architecture, Art Fairs, Art Schools, Collage, Comics, Design, Digital Art, Drawings, Evanston, Fall Preview, Galleries & Museums, Garfield Park, Gold Coast/Old Town, Humboldt Park, Hyde Park, Installation, Little Village, Logan Square, Loop, Michigan Avenue, Multimedia, Museum Campus, Outsider Art, Painting, Performance, Photography, Pilsen, Prints, Public Art, River North, River West, Rogers Park, Sculpture, South Loop, Street Art, Streeterville, Suburban, Ukrainian Village/East Village, Uptown, Video, West Loop, West Town, Wicker Park/Bucktown
The thing that was sent to me in its intended but unsettling orientation.
By Elliot J. Reichert
The above image was sent to me anonymously in the middle of the night. Shocking as it appears, I was relieved to receive it. You see, weeks ago I had contacted a few artist friends to ask them to reflect on the upcoming fall art season in Chicago and to ask one to “take over” the task of appraising it. To my surprise, they were reluctant to describe it, even those who had exhibitions of their work opening in the coming weeks. Later, I realized that their silence was my doing, having asked a question that could produce no coherent answer.
Much like the drawing game made famous by the Surrealists, Chicago’s 2015 fall art season is an exquisite corpse—a thing of grotesque beauty that is the dream of no one, but the creation of many. At first glance, it appears sinister, like the Block Museum’s solo show of newly commissioned works by Chicago artist Geof Oppenheimer. Rumor has it that the sculptor has filled the museum’s ample galleries with austere and foreboding installations resembling the cinderblock constructions of grim institutions, like prison, or perhaps your corporate office. Even more menacing, Irena Haiduk, also Chicago-based and also exhibiting new work, will haunt the eaves of the Renaissance Society’s transformed gallery with the Sirens of Greek mythology, luring visitors unexpectedly into a debate on the revolutionary possibilities of art and social change amidst current political upheaval worldwide. Read the rest of this entry »
Installation view. “Mom & Pops,” at the Arts Incubator. Photo: Sarah Pooley.
Dining at local “mom and pop” restaurants or frequenting family-run businesses is increasingly uncommon in the United States. Corporations, such as Walmart, Panera and McDonald’s, are making it difficult for these businesses to survive. That being so, a longing for a former way of life in the midst of a changing American Dream is one way to see the five artworks that occupy the storefront gallery at the Arts Incubator.
“Mom & Pops” is nostalgic for the past it evokes: a time when immigrants flocked to America, especially during the twentieth century, in pursuit of the American Dream. Some may have opened a family business, like a tailor shop or a restaurant, to achieve this dream. Hyeon Jung Kim’s “Labyrinth,” a circular structure filled with business shirts covered in clear plastic bags, suggests a family-owned dry cleaning store. The business shirts reflect a time when more Americans dressed up for work, unlike today’s casual professional attire.
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