Reviews, profiles and news about art in Chicago

News: DCASE Hosts REVIVAL over Four Nights Pritzker Pavilion

Loop, Michigan Avenue, Multimedia, Performance, Public Art No Comments »
Documentation from REVIVAL 2013

Documentation from REVIVAL 2013

Tomorrow night is the start of “REVIVAL 2015: Source Evolution,” four evenings of interactive performance experience at the Jay Pritzker Pavilion Stage at Millennium Park, located at 201 East Randolph as part of the Chicago Department of Cultural Affairs and Special Events’ (DCASE) On Edge performance series. REVIVAL has received a two-week residency at the Pavilion during which collaborators Eric Hoff and Jesse Young present a line of exploration for their artists and attendees to consider: “We can go back home. Can we go forward home?” Read the rest of this entry »

News: Maria Gaspar and Jennifer Reeder among 2015 Creative Capital Awardees

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Moving Image artist and filmmaker, Jennifer Reeder

Moving Image artist and filmmaker, Jennifer Reeder

Earlier this month, Creative Capital (CC) announced the forty-six 2015 awardees in the categories of Moving Image and Visual Arts, two of which are Chicago-based artists: filmmaker Jennifer Reeder and visual artist Maria Gaspar. The selected artists were chosen out of a countrywide pool consisting of more than 3,700 proposals. Each funded project receives up to $50,000 in direct funding with the addition of CC’s career-development services that the artists receive at no cost to them, bringing their 2015 investment total to more than $4,370,000. Ruby Lerner, CC’s executive director, says about this year’s awardees, “This is one of our most diverse rosters ever—the range in form and subject matter is thrilling.” Read the rest of this entry »

News: Lion VS Gorilla to Host New Group Show and Mini-Exposition about Utopia

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spotlight_lvg
In the crux of our present-day political and social troubles, where food famine exists all around us and threats loom in the air over something as common as a controversial American movie, it isn’t farfetched to wish for a utopia. Here is your escape. Gallery concept Lion VS Gorilla (LVG) has partnered with the Hairpin Arts Center for “Crystal Palaces in Cockaigne,” an art show and mini-exposition on utopias centered on the medieval myth of Cockaigne, an ideal land of endless ease, hedonism, health and luxury. For those who, like myself, hadn’t yet heard about Cockaigne, it is a land where it rains cheese and roasted pigs saunter by with cleavers in their back among other fascinating occurrences. Read the rest of this entry »

Review: Kendall Babel and Manuel Rodriguez/PEREGRINEPROGRAM

Garfield Park, Multimedia, Photography, Sculpture No Comments »
Manuel Rodriguez. "Capsule 1969-1981," National Geographic magazines, thermoelectric coolers, Tyvek, plywood, Plexiglas, cables, steel, soil sample from a depth of 40 feet at Latitude : 41.878114 |Longitude : -87.629798

Manuel Rodriguez. “Capsule 1969-1981,”
National Geographic magazines, thermoelectric coolers, Tyvek, plywood, Plexiglas, cables, steel, soil sample from a depth of 40 feet at Latitude : 41.878114 |Longitude : -87.629798

RECOMMENDED

How can mapping be a spiritual process? This sparse installation of two complementary works began as a conversation between two artists interested in an innate sense of remoteness, observation and exploration. The show developed through long-distance communication between Southeast Ohio, Puerto Rico and Chicago about shared conceptual vantage points embedded in technology and landscape. Read the rest of this entry »

News: Chicago Artists Coalition Receives its First National Endowment for the Arts’ Art Work Grant

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Installation view of current BOLT exhibition "PREVIEW4," on display at the Chicago Artists Coalition until December 18. Photo courtesy Erik L. Peterson.

Installation view of current BOLT exhibition “PREVIEW4,” on display at the Chicago Artists Coalition until December 18. Photo courtesy Erik L. Peterson.

Chairman of the National Endowment for the Arts (NEA) Jane Chu announced last week that Chicago Artists Coalition (CAC) was one of 919 nonprofit associations (out of 1,474 applicants) nationally to receive an NEA Art Works grant. Says CAC executive director Caroline Older in Newcity’s follow-up interview, “The grant helps the CAC ensure that the Midwest Artist Exchange [an annual initiative that promotes collaboration between BOLT residents and arts communities in adjoining Midwestern cities] can take place.” The core of the MAE is two weekend-long tours in which artists and organizations from Chicago and other Midwestern cities meet up for discussions, presentations and potlucks. Previous exchanges have been with Milwaukee, Minneapolis and Detroit.

The CAC’s 2014-2015 BOLT Residency is the specific focus of the $10,000 in grant support for which the organization has been recommended. The BOLT Residency is a highly competitive, juried, one-year artist studio residency program that gives contemporary emerging artists a chance to engage the Chicago arts community and its public in analytical discourse about contemporary art. “BOLT residents benefit from studio visits with prestigious artists, curators and arts professionals in the Chicago area and from discussions with their peers,” assures CAC director of exhibitions and residencies, Teresa Silva. Read the rest of this entry »

Review: Body Doubles/Museum of Contemporary Art

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Wu Tsang. "Mishima in Mexico," video still, 2012 high definition video projection (color, sound) and programmed LED light installation

Wu Tsang. “Mishima in Mexico,” video still, 2012
high definition video projection (color, sound) and programmed LED light installation

RECOMMENDED

Body double: an actor’s stand-in. Whether in a simulated car crash or simulated intercourse, the body double performs as a seamless break in the continuity of the lead—identity is momentarily transposed, often on a faceless agent. “Body Doubles” at the MCA, organized by curatorial fellow Michelle Puetz, opens up the logic of this cinematic trick. The same formal operation that multiplies the body is exhibited alongside embodied multiplicity. Read the rest of this entry »

Review: Sabina Ott/Chicago Cultural Center

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Installation view of Sabina Ott's “here and there pink melon joy” at the Chicago Cultural Center

Installation view of Sabina Ott’s “here and there pink melon joy” at the Chicago Cultural Center

RECOMMENDED

Sabina Ott’s site-specific installation “here and there pink melon joy” at the Chicago Cultural Center intersperses highbrow with lowbrow sensibilities as a means of contemplating value. Spanning three rooms, each gallery is named after the levels Dante travels in the epic poem “The Divine Comedy.” Ott visualizes the work of Dante and a bibliography of vetted literary greats in an indulgent paean to manmade synthetics, vulgar taste and a preference for the saccharinely artificial. Conventions of value assignment are reconsidered therein. Each artwork is named after lines from Gertrude Stein’s writing, and the stream-of-consciousness, choppy build-up in Stein’s syntax plays similarly as Ott’s glut of attractive material accumulations.
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Eye Exam: The Freakiest Show

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Grand Finale Installation view, "David Bowie Is," MCA Chicago. September 23, 2014–January 4, 2015.  Photo: Nathan Keay. Courtesy of the MCA Chicago.

Grand Finale Installation view, “David Bowie Is,” MCA Chicago. September 23, 2014–January 4, 2015.
Photo: Nathan Keay. Courtesy of the MCA Chicago.

By Erin Toale

Bowiephiles rejoice: no expense was spared on the Museum of Contemporary Art’s iteration of this appropriately elaborate touring spectacle—a multi-chambered rumination on the many-petaled-flower of the living icon’s magnificence. This pageantry, situated on the virtually unrecognizable fourth floor of the MCA, includes memorabilia, archival materials, breathtaking costumes and some of Bowie’s own “art.” Evidence of the takeover exists throughout the building; nowhere can you escape the waft of his anthems, and even the security guards have been adorned with Bowie shirts. To co-opt the semantic organizational structure of the show, Bowie is… pervasive.

Chicago is the only U.S. destination for the show, which was organized by the Victoria and Albert Museum (V&A), London. Bowie and his camp granted archive access to the curators, aided with fact-checking, and monitor the condition of objects but otherwise have been very hands-off, says MCA James W. Alsdorf Chief Curator, Michael Darling, who oversaw the Chicago installation. The exhibit feels very V&A-meets-MTV, replete with a show-stopping, toe-tapping grand-finale. There are moments when the voices of the MCA and Darling ring clear; the show succeeds in these quieter, more contemplative tableaus.
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News: New Season of ART21 Airs Tonight

Artist Profiles, Multimedia, News etc., Video No Comments »
Tania Bruguera. "Museum of Arte Útil," featured in Season 7 of Art21

Tania Bruguera. “Museum of Arte Útil,” featured in Season 7 of Art21

The seventh season of the groundbreaking documentary series that interviews contemporary artists working at the forefront of their field will air on public television station WTTW starting tonight, Friday, October 24, at 10pm. This season will include segments about Tania Bruguera, Abraham Cruzvillegas, Leonardo Drew, Omer Fast, Katharina Grosse, Thomas Hirschhorn, Elliott Hundley, Graciela Iturbide, Joan Jonas, Wolfgang Laib, Trevor Paglen and Arlene Shechet.
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Eye Exam: Mother of Invention

Activist Art, Artist Profiles, Installation, Multimedia, Painting, Pilsen No Comments »
Lise Haller Baggesen. "Mothernism," 2013-14, mixed media audio installation

Lise Haller Baggesen. “Mothernism,” 2013-14,
mixed media audio installation

By Matt Morris

I’m the sort of queer person who hangs out in places where you hear the word “breeder” tossed around; this isn’t really a unifying trait of these places, actually, because I’m often the one saying it. I’m dubious about moves to increase visibility for the material conditions of parents and families. I usually remain unconvinced that these agendas to further elucidate the particulars of family life can resist being co-opted by a forceful patriarchy that rigidly orders gender roles to align with the reproductive determinations of our bodies. It’s a particularly fraught conversation within the art world at least in part because advancements to naturalize current norms threatens cultural producers who aim to innovate and imagine more possibilities for how to live than we’ve previously been offered.

Into the midst of these chilly philosophical divides, artist and writer Lise Haller Baggesen strikes with “Mothernism”—a project comprised of both her traveling multimedia tent installation and a new book released this fall from Green Lantern Press and Poor Farm Press. With the excesses (and excessive generosity) of Baggesen’s artwork and book, she loosens the divide that would place motherhood at odds with a pursuit of rebelling against status quo oppression. As she writes in the book’s chapter “Mother of Demolition”: “Beginning with the old feminist premise of the female as ‘the second sex,’ and lesbianism as a third, I suggest that motherhood is a fourth… and hell, who knows? Maybe menopause is a fifth and so on… Because if we can accept motherhood as one sex among many, we can perhaps relieve the inevitable burden of motherhood perceived as a stagnant destination.” Read the rest of this entry »