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	<title>Newcity Art &#187; Multimedia</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Laura Mackin/Three Walls</title>
		<link>http://art.newcity.com/2012/01/17/review-laura-mackinthree-walls/</link>
		<comments>http://art.newcity.com/2012/01/17/review-laura-mackinthree-walls/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:48 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Laura Mackin]]></category>
		<category><![CDATA[Three Walls]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9242</guid>
		<description><![CDATA[RECOMMENDED Images flash by in an instant, zooming in on the random minutiae of a life. A cat playing on a fence, the scenic backdrop of a mountain range, a happy couple in wedded matrimony. Laura Mackin&#8217;s video “Zoom (Dean 1962-2006)” from her solo exhibition, “120 Years,” splices, edits and reconfigures the personal home videos of [...]]]></description>
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		<title>Review: Wipe Out!/Peanut Gallery</title>
		<link>http://art.newcity.com/2012/01/17/review-wipeoutpeanut-gallery/</link>
		<comments>http://art.newcity.com/2012/01/17/review-wipeoutpeanut-gallery/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:19 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Andrea Jablonski]]></category>
		<category><![CDATA[Chris Hodge]]></category>
		<category><![CDATA[Erik Peterson]]></category>
		<category><![CDATA[Merje Veski]]></category>
		<category><![CDATA[Otto Splotch]]></category>
		<category><![CDATA[Peanut Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9225</guid>
		<description><![CDATA[RECOMMENDED Attending an Apocalypse-themed art show is one way to start the new year, particularly if you follow the Mayan Calendar. Six artists’ responses to the subject are currently on view in “Wipe Out!” at Peanut Gallery. Upon entering, one is confronted with a large white tree. Made of paper and found materials, the installation [...]]]></description>
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		<title>Review: Wyatt Grant, Lionel Guzman and Jared Silbert/Hungryman Gallery</title>
		<link>http://art.newcity.com/2011/11/15/review-wyatt-grant-lionel-guzman-and-jared-silberthungryman-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/15/review-wyatt-grant-lionel-guzman-and-jared-silberthungryman-gallery-2/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:00:54 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Logan Square]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[HungryMan Gallery]]></category>
		<category><![CDATA[Jared Silbert]]></category>
		<category><![CDATA[Lionel Guzman]]></category>
		<category><![CDATA[Wyatt Grant]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8931</guid>
		<description><![CDATA[RECOMMENDED The title of New York-based artist Lionel Guzman’s light-box sculpture, “Synthetic,” operates in a few registers. First, a single visual impression is created from disparate elements, by arranging cutouts, rotating color filter gels, a microcontroller, a fan and LEDs inside a stereo speaker case and behind a layer of Plexiglas and vintage graph paper. [...]]]></description>
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		<title>Review: Underground/Woman Made Gallery</title>
		<link>http://art.newcity.com/2011/08/08/review-undergroundwoman-made-gallery/</link>
		<comments>http://art.newcity.com/2011/08/08/review-undergroundwoman-made-gallery/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:57:13 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Anne Elizabeth Moore]]></category>
		<category><![CDATA[Chicago Underground Library]]></category>
		<category><![CDATA[Edie Fake]]></category>
		<category><![CDATA[Esther Pearl Watson]]></category>
		<category><![CDATA[Megan Diddle]]></category>
		<category><![CDATA[Robin Hustle]]></category>
		<category><![CDATA[Ruby Thorkelson]]></category>
		<category><![CDATA[Sanya Gilsic]]></category>
		<category><![CDATA[Spudnik Press]]></category>
		<category><![CDATA[Woman Made Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8221</guid>
		<description><![CDATA[RECOMMENDED Every community, nation or subculture, in order to recognize itself, needs a multisensory sign system to serve as a shared identity archive. The growth of gay liberation from women’s liberation is poignantly set forth in the show “Underground” at Woman Made Gallery, not as an indexed historical narrative but as a contemporary cabinet of [...]]]></description>
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		<title>Eye Exam: Urban Re-Planning</title>
		<link>http://art.newcity.com/2011/06/13/eye-exam-urban-re-planning/</link>
		<comments>http://art.newcity.com/2011/06/13/eye-exam-urban-re-planning/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 04:59:07 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Mark Bradford]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8002</guid>
		<description><![CDATA[By Laura Fox Mark Bradford’s mural-scale “Helter Skelter I” fills nearly an entire wall in his retrospective at the Museum of Contemporary Art. Complex, competing layers of images, colors, textures and materials are lacerated by overlapping networks of arterial lines streaming endlessly across its expanse. I attempt to follow one line across the plane, trying [...]]]></description>
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		<title>Review: Charles Mahaffee/Lloyd Dobler Gallery</title>
		<link>http://art.newcity.com/2011/06/13/review-charles-mahaffeelloyd-dobler-gallery/</link>
		<comments>http://art.newcity.com/2011/06/13/review-charles-mahaffeelloyd-dobler-gallery/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 04:57:38 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Charles Mahaffee]]></category>
		<category><![CDATA[Lloyd Dobler Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7965</guid>
		<description><![CDATA[RECOMMENDED Several weeks ago, at a mock funeral for the death of painting, Charles Mahaffee set up a few amplifiers and drowned the audience in a crushing drone. Had it been a real funeral, the monotone dirge would have been the perfect accompaniment to oblivion’s threshold. The drone makes another forceful appearance in Mahaffee’s solo [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Temporary Services/Block Museum of Art</title>
		<link>http://art.newcity.com/2011/04/25/review-temporary-servicesblock-museum-of-art/</link>
		<comments>http://art.newcity.com/2011/04/25/review-temporary-servicesblock-museum-of-art/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 04:57:21 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Evanston]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Block Museum of Art]]></category>
		<category><![CDATA[Lisa Anne Auerbach]]></category>
		<category><![CDATA[Matt Bua]]></category>
		<category><![CDATA[Temporary Services]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7616</guid>
		<description><![CDATA[RECOMMENDED “Social Mobility” is an installation put together by Temporary Services, a group that investigates public space. Their projects represent and raise questions about everyday places and people, rather than the colorful outpourings of privileged individuals. Relational art is not political per se, except that it generally takes place in the city, and simultaneously in the flow [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Heidi Norton/Ebersmoore Gallery</title>
		<link>http://art.newcity.com/2011/04/11/review-heidi-nortonebersmoore-gallery/</link>
		<comments>http://art.newcity.com/2011/04/11/review-heidi-nortonebersmoore-gallery/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 04:57:46 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Ebersmoore Gallery]]></category>
		<category><![CDATA[Heidi Norton]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7538</guid>
		<description><![CDATA[RECOMMENDED Heidi Norton is the consummate packer, joining experiment with process, conceptual message, reference to art history, and meta-photography, just for starters, in her enigmatic works, which employ multiple forms (photography, painting and, most recently, sculpture and found objects), sometimes separately and sometimes in a mix. No doubt all of this variety is brought together [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/04/11/review-heidi-nortonebersmoore-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: No Joke/LVL3</title>
		<link>http://art.newcity.com/2011/04/04/review-no-jokelvl3/</link>
		<comments>http://art.newcity.com/2011/04/04/review-no-jokelvl3/#comments</comments>
		<pubDate>Tue, 05 Apr 2011 04:57:37 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Joe Grimm]]></category>
		<category><![CDATA[Kathryn Hixson]]></category>
		<category><![CDATA[LVL3]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7527</guid>
		<description><![CDATA[RECOMMENDED Community is often formed out of a sense of loss, and this is often the loss of a community. In a piece on artist Bruce Nauman, acclaimed Chicago critic Kathryn Hixson wrote, “If the social contract that staves off mutual murder is our most controllable defense against death, and if death is the most feared [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Susan Philipsz/Museum of Contemporary Art</title>
		<link>http://art.newcity.com/2011/02/28/review-susan-philipzmuseum-of-contemporary-art/</link>
		<comments>http://art.newcity.com/2011/02/28/review-susan-philipzmuseum-of-contemporary-art/#comments</comments>
		<pubDate>Tue, 01 Mar 2011 05:57:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Susan Philipz]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7339</guid>
		<description><![CDATA[RECOMMENDED There is some fine situational irony in Scottish artist Susan Philipsz appropriating the words from the international worker’s hymn “We have been naught, we shall be all” as sound art at a time when working people in the Midwest are being stripped of their pensions and health benefits, and labor union participation is at [...]]]></description>
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