Reviews, profiles and news about art in Chicago

Review: Out of Office/Museum of Contemporary Art

Galleries & Museums, Installation, Multimedia, Painting, Photography, Prints, Sculpture, Streeterville No Comments »
Hugh Scott-Douglas. "Untitled," 2014. Collection Museum of Contemporary Art Chicago, gift of Marshall Field's by exchange.

Hugh Scott-Douglas. “Untitled,” 2014.
Collection Museum of Contemporary Art Chicago, gift of Marshall Field’s by exchange.

RECOMMENDED

“Out of Office” culls five works from the MCA collection to inquire about labor and financial transactions. The show’s title cannily suggests that the office has expanded. We’re always at the office, even while on lunch break.

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Review: Ask the Oracle/Heaven Gallery

Galleries & Museums, Installation, Media & Genres, Multimedia, Painting, Performance, Sculpture, Wicker Park/Bucktown No Comments »
Ann Gaziano, "Pan, Dot and Sofa." Used baking pans, plate hangers, velour fabric, wood.

Ann Gaziano, “Pan, Dot and Sofa.” Used baking pans, plate hangers, velour fabric, wood.

RECOMMENDED

An oracle, similar to a Magic 8 Ball, ascertains and communicates the unknown and introduces an abrupt epiphany, offering a glimpse of the future and providing calm in the face of uncertainty. This group exhibition focuses on supernatural phenomena such as mediums, possession and artificial divination through painting, sculpture and performance.

During the opening, Claire Arctander performed “Magic Act,” in which she challenged the traditional role of the turn-of-the-century male magician. By choosing volunteers in the crowd, Arctander encouraged individuals to “participate in togetherness” and then, calmly but forcibly, tied their shoelaces together as they stood in a congested circle. Arctander’s performance challenged the comfort of intimacy for the handful of participants that were selected and created a meaningful disconnect from the surrounding audience. Read the rest of this entry »

Review: Other Planes of There/Corbett vs. Dempsey

Drawings, East Village, Galleries & Museums, Media & Genres, Multimedia, Painting, Photography, Prints, Sculpture No Comments »
126

Sun Ra. “Other Planes of There,” 1966.
Ink on metallic silver paper, 14 x 14 inches.


RECOMMENDED

Loosely organized around formal parameters and an eponymous ink drawing by musician Sun Ra, this exhibition of paintings, prints and sculpture explores materials, space and the myriad permutations they assume in contemporary art. From digital printing to additive sculpture to oil on canvas, this stylistically wide-ranging show shifts direction and tone as boldly as Sun Ra changed directions in music.

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Review: Dimitri Pavlotsky/Studio Oh!

Galleries & Museums, Media & Genres, Painting, Pilsen No Comments »
Dimitri Pavlotsky. "Making Music," 2013. Oil on canvas, 42 x 68 inches.

Dimitri Pavlotsky. “Making Music,” 2013.
Oil on canvas, 42 x 68 inches.

RECOMMENDED

The dissolution of the Soviet Union was mostly a disaster for its state-funded visual artists, who were thoroughly trained to celebrate a social and aesthetic order whose appeal did not outlive its demise. Fortunately, many of them have landed in the Chicago area, where their skills in heroic, naturalistic narrative were banished from American art for so long that they can now appear fresh. Read the rest of this entry »

Review: Kevin Swallow/Firecat Projects

Galleries & Museums, Media & Genres, Painting, Wicker Park/Bucktown 1 Comment »
Kevin Swallow. "Transit Skyline," 2014. Oil on panel, 18 x 24 inches.

Kevin Swallow. “Transit Skyline,” 2014.
Oil on panel, 18 x 24 inches.

RECOMMENDED

Kevin Swallow likes the rooftop water tanks of Chicago, but he likes them less as an urban historian and more as a child who identifies with their willful isolation. With its bursting-proud tank high up on its tall, spindly legs, isn’t an old fashioned tank just like a wobbly two-year old, setting out to explore the world?

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Review: The Freedom Principle/Museum of Contemporary Art

Activist Art, Collage, Design, Drawings, Galleries & Museums, Installation, Michigan Avenue, Multimedia, Painting, Performance, Photography, Prints, Video No Comments »
Nick Cave. "Speak Louder," 2011. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: James Prinz Photography.

Nick Cave. “Speak Louder,” 2011.
Courtesy of the artist and Jack Shainman Gallery, New York. Photo: James Prinz Photography.

RECOMMENDED

The Association for the Advancement of Creative Musicians (AACM), the Chicago-born kaleidoscope of experimental musicians, had a motto: “Ancient to Future.” That rallying call pervades the MCA’s “Freedom Principle: Experiments in Art and Music, 1965 to Now.” The show animates the dawn of the black American avant-garde, born out of the Civil Rights era and African anti-colonial movements, and its legacy in contemporary society.

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Review: Look at Me Now!/Monique Meloche Gallery

Collage, Drawings, Galleries & Museums, Installation, Media & Genres, Painting, Wicker Park/Bucktown No Comments »
Hassan Hajjaj. "Miriam," 2010. Metallic lambda print on 3mm white dibond, 53 x 36 ¾ inches / Image courtesy of the artist and Monique Meloche Gallery, Chicago.

Hassan Hajjaj. “Miriam,” 2010.
Metallic lambda print on 3mm white dibond, 53 x 36 ¾ inches/Image courtesy of the artist and Monique Meloche Gallery, Chicago.

RECOMMENDED

Revising the art historical canon to account for a variety of erasures is a commendable curatorial endeavor, but one is perpetually challenged to find new methods to add value to such well-worn conversations. This summer group exhibition takes on tropes related to race, gender and caste by offering fresh alternatives to the history of Western portraiture. Individually, the works of Rashayla Marie Brown, Hassan Hajjaj, Rashid Johnson, Ebony G. Patterson, Amy Sherald, William Villalongo and Nina Chanel Abney are colorful, multifaceted and visually complex; together, they feel oddly muted and restrained. Pronouncements of individual agitation rise up, but the gathering of disparate voices does not make for lively conversation.
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Eye Exam: What Good is Art?

Activist Art, Collage, Drawings, Galleries & Museums, Hyde Park, Installation, Michigan Avenue, Multimedia, Painting, Performance, Photography, Prints, Sculpture No Comments »
Installation view, "The Freedom Principle: Experiments in Art and Music, 1965 to Now," MCA Chicago. July 11-November 22, 2015. Glenn Ligon. Give us a Poem, 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay, © MCA Chicago.

Installation view, “The Freedom Principle: Experiments in Art and Music, 1965 to Now,” MCA Chicago. July 11-November 22, 2015. Glenn Ligon. “Give us a Poem,” 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay,  MCA Chicago.

By Elliot J. Reichert

Each time I venture deeper into the tangled economy of art making and its contingent endeavors, I ask myself: What good is art? I am not an artist, but I work with artists and artworks every day. By all accounts, I should believe deeply in art, and yet I routinely question its value. As such, when I go to look at art, I often search in it for signs of doubt, and I am usually comforted to know that I am not alone in my questioning. For if contemporary art can be united under one banner, it would be doubt itself: doubt about politics, about social relations, about economic and class structures, about the very importance of human life. Ironically, this might be why I gravitate toward art in the first place, despite my ambivalence toward its significance. Art turns my fears into forms; it makes real what I cannot, or do not want, to imagine.  Read the rest of this entry »

News: Graphic Designer Jason Pickleman Opens Collection-based Gallery Lawrence & Clark

Curator Profiles, Design, Installation, Multimedia, News etc., Painting, Photography, Ravenswood No Comments »
Pickleman amidst some of his collection.

Pickleman amidst some of his collection.

Graphic designer Jason Pickleman has opened up a gallery at 4755 North Clark that he is calling Lawrence & Clark (L&C). Pickleman is no stranger to the arts, as a practicing artist and a graphic designer who has created iconic logos for Avec, the Wit Hotel and many more. A rare breed in these times, L&C will be a collection-based gallery, showcasing work that Pickleman owns, the majority of which he purchased in Chicago over more than thirty years of living and working here. Read the rest of this entry »

Portrait of the Artist: Nina Chanel Abney

Artist Profiles, Galleries & Museums, Painting, Public Art, Ukrainian Village/East Village No Comments »
Nina Chanel Abney

Nina Chanel Abney

Nina Chanel Abney stands in front of a large auditorium full of people. It’s 2011, and she’s just been welcomed to the stage of Washington D.C.’s Corcoran Gallery of Art, where she’s giving a visiting-artist lecture. “I’m a little nervous, but it’s been very humbling to be a part of the ‘30 Americans’ exhibition,” she begins. “Just four years ago, I was in school and I signed up for an artist studio tour and we went to Kehinde Wiley and Wangechi Mutu’s studios—and now I’m in a show with them and it’s a little bit weird.” With a smiling mouth and quivering voice, she continues. “This is my first lecture, so I hope I do a good job for you guys.”

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