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	<title>Newcity Art &#187; Painting</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
	<lastBuildDate>Wed, 01 Feb 2012 05:02:16 +0000</lastBuildDate>
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		<title>Review: Joanne Greenbaum/Shane Campbell Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-joanne-greenbaumshane-campbell-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-joanne-greenbaumshane-campbell-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:57 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[Joanne Greenbaum]]></category>
		<category><![CDATA[Shane Campbell Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9319</guid>
		<description><![CDATA[RECOMMEDED Wilco fans have already seen Joanne Greenbaum’s work, though they might not know it. Greenbaum provided cover art for the band’s 2011 “The Whole Love,” as well as illustrations for a fifty-two-page booklet that accompanies the deluxe two-CD edition. Her forty-two abstract paintings at Shane Campbell Gallery stand as her own kind of concept [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Human/Gallery 180</title>
		<link>http://art.newcity.com/2012/01/31/review-humangallery-180/</link>
		<comments>http://art.newcity.com/2012/01/31/review-humangallery-180/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:37 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Brandon Briggs]]></category>
		<category><![CDATA[Catherine Maize]]></category>
		<category><![CDATA[Chuck Gneich]]></category>
		<category><![CDATA[E. Thurston Belmer]]></category>
		<category><![CDATA[Illinois Institute of Art]]></category>
		<category><![CDATA[Marisa Andropolis]]></category>
		<category><![CDATA[Nicole McCormick Santiago]]></category>
		<category><![CDATA[Ted Preuss]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9303</guid>
		<description><![CDATA[A variety of annual, national juried exhibitions have been emerging in Chicago over the past few years, and now Chuck Gniech, of the Illinois Institute of Art, has mounted his second “Human” exhibition, intending to explore “the human form as well as the human condition.” Ninety artists responded to his nationwide call, and twenty were [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: New Formalisms 2/65Grand</title>
		<link>http://art.newcity.com/2012/01/31/review-new-formalisms-2-65grand/</link>
		<comments>http://art.newcity.com/2012/01/31/review-new-formalisms-2-65grand/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:16 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[65Grand]]></category>
		<category><![CDATA[Abraham Ritchie]]></category>
		<category><![CDATA[Melissa Oresky]]></category>
		<category><![CDATA[Samantha Bittman]]></category>
		<category><![CDATA[Steven Husby]]></category>
		<category><![CDATA[Todd Chilton]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9309</guid>
		<description><![CDATA[RECOMMENDED “New Formalisms 2” is curator Abraham Ritchie’s sequel to the 2009 exhibition “Beautiful Form,” presenting four young artists who, he claims, are taking “new directions in formal painting,” but who do seem to be using a playbook that’s been in university art departments for at least fifty years. Whether their work is compelling is [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Tadeusz Bilecki/EC Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-tadeusz-bileckiec-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-tadeusz-bileckiec-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:01 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[EC Gallery]]></category>
		<category><![CDATA[Tadeusz Bilecki]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9324</guid>
		<description><![CDATA[RECOMMENDED One singular obsession jumps out in Tadeusz Bilecki&#8217;s paintings: the female face. These large-format abstract portraits—female faces covered in large, often colorful brushstrokes—navigate the space between representative portrait and complete abstraction. Seeing the nearly dozen faces in the one-room gallery creates the feeling that you’re being watched, balanced only by Bilecki&#8217;s use of bright [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Jamie Adams/Zolla/Lieberman Gallery</title>
		<link>http://art.newcity.com/2011/12/13/review-jamie-adamszolla-lieberman-gallery/</link>
		<comments>http://art.newcity.com/2011/12/13/review-jamie-adamszolla-lieberman-gallery/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:05:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Jamie Adams]]></category>
		<category><![CDATA[Zolla Lieberman Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9113</guid>
		<description><![CDATA[These are illusionistic paintings of a pretty girl with her clothes off. But rather than presenting either an ideal of femininity or a sharp look at reality, they are related to academic discourses in art, economics, gender and media studies. It’s what you might call “postmodernism,” which in this case centers on a respectably erudite [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Bob Jones/65Grand</title>
		<link>http://art.newcity.com/2011/12/06/review-bob-jones65grand/</link>
		<comments>http://art.newcity.com/2011/12/06/review-bob-jones65grand/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:05:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[65Grand]]></category>
		<category><![CDATA[Bob Jones]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9067</guid>
		<description><![CDATA[RECOMMENDED The perverse enjoyment I get from looking at the assemblages of found organic detritus (leaves, icicles, rocks) in Andy Goldsworthy’s photographed interventions in natural settings is digestive—the way he takes an otherwise lovely bucolic scene and vandalizes it by, as humans do, taking something perfect and making it (look like) crap. He might as [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Joan Mitchell&#8217;s Life and Art—Brutal and Beautiful</title>
		<link>http://art.newcity.com/2011/11/22/eye-exam-joan-mitchells-life-and-art%e2%80%94brutal-and-beautiful/</link>
		<comments>http://art.newcity.com/2011/11/22/eye-exam-joan-mitchells-life-and-art%e2%80%94brutal-and-beautiful/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:30:55 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Artist Profiles]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Joan Mitchell]]></category>
		<category><![CDATA[Patricia Albers]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8996</guid>
		<description><![CDATA[By Janina Ciezadlo How much do we need to know about the feelings and ideas that give a painter the energy to push a brush around a large canvas? Having just read the new biography &#8221;Joan Mitchell, Lady Painter,&#8221; by Patricia Albers, I now know a great deal about what Joan Mitchell did from day to day. [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/11/22/eye-exam-joan-mitchells-life-and-art%e2%80%94brutal-and-beautiful/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Jim Lutes/Valerie Carberry Gallery</title>
		<link>http://art.newcity.com/2011/11/22/review-jim-lutesvalerie-carberry-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/22/review-jim-lutesvalerie-carberry-gallery-2/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:00:04 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Jim Lutes]]></category>
		<category><![CDATA[Valerie Carberry Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9002</guid>
		<description><![CDATA[Those who saw his 2009 retrospective at the Renaissance Society might well be surprised that Jim Lutes is painting moody landscapes. Until now, his career has moved back and forth between abstract expression and spectral, sketchy, flabby figuration. But the four wall-size landscapes now showing in Valerie Carberry are far too picturesque to be considered [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/11/22/review-jim-lutesvalerie-carberry-gallery-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Wyatt Grant, Lionel Guzman and Jared Silbert/Hungryman Gallery</title>
		<link>http://art.newcity.com/2011/11/15/review-wyatt-grant-lionel-guzman-and-jared-silberthungryman-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/15/review-wyatt-grant-lionel-guzman-and-jared-silberthungryman-gallery-2/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:00:54 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Logan Square]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[HungryMan Gallery]]></category>
		<category><![CDATA[Jared Silbert]]></category>
		<category><![CDATA[Lionel Guzman]]></category>
		<category><![CDATA[Wyatt Grant]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8931</guid>
		<description><![CDATA[RECOMMENDED The title of New York-based artist Lionel Guzman’s light-box sculpture, “Synthetic,” operates in a few registers. First, a single visual impression is created from disparate elements, by arranging cutouts, rotating color filter gels, a microcontroller, a fan and LEDs inside a stereo speaker case and behind a layer of Plexiglas and vintage graph paper. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: David Lefkowitz/Carrie Secrist Gallery</title>
		<link>http://art.newcity.com/2011/11/15/review-david-lefkowitzcarrie-secrist-gallery-2/</link>
		<comments>http://art.newcity.com/2011/11/15/review-david-lefkowitzcarrie-secrist-gallery-2/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 10:00:48 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Carrie Secrist Gallery]]></category>
		<category><![CDATA[David Lefkowitz]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8927</guid>
		<description><![CDATA[RECOMMENDED David Lefkowitz’s exhibition, “Facilities and Grounds,” is a careful examination of the relationship between the natural world and the built environments we inhabit everyday. In his series of pristine watercolors on meticulously unfolded cardboard boxes, Lefkowitz depicts everything from grand views of a city, to sturdy-looking stone buildings, to airport terminals. The architecture, however, [...]]]></description>
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		<slash:comments>1</slash:comments>
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