In 2010, the anonymous graffiti crew Made U Look (MUL) executed a graffiti bombing of the Art Institute of Chicago’s Modern Wing. Under cover of snowfall, they painted a vibrant, text-based fifty-foot mural bookended by the phrases “Modern Art… Made You Look.” This unsanctioned act of institution critique challenged accessibility while calling attention to exclusion of graffiti from the canon of contemporary art. Steppenwolf for Young Adults, the revered ensemble’s teen-focused offshoot, has revisited the event that sparked these debates, concluding its revolution-focused season with “This Is Modern Art (based on true events).”
The University of Chicago’s (UChicago) department of visual arts (DoVA) will bring Joe Scanlan and his controversial fictional character Donelle Woolford, who will be depicted by Jennifer Kidwell, to the Logan Center for the Arts this Thursday, February 19, at 7pm. Scanlan received a lot of heat during and after the 2014 Whitney Biennial for his Donelle Woolford project for which he, a white male Princeton professor, invented a black female artist character to assume responsibility for a body of work he created. Scanlan’s creation raises a multitude of convoluted questions, with words like “white male privilege,” and “conceptual black face” representing just a few of the issues raised in the uproar. In an email to Newcity, Scanlan writes, “Jennifer Kidwell and I let everyone else have their say about this project last year, from the United States to London to Capetown to Aukland. So now we’ll take a turn responding to our critics.” Read the rest of this entry »
The 2015 round of Ten x Ten collaborations between musicians and visual artists will start with a kickoff event this Sunday, February 8. Under the curatorial supervision of three diverse Chicago organizations—Elastic Arts, Homeroom and Spudnik Press—this fourth iteration of Ten x Ten has grown into four events over the next eight months hosted at several venues: Spudnik Press Cooperative, Constellation and Elastic Arts. It’s a definite scaling up from past years, which consisted of only one event. With Elastic Arts Foundation as guest curators—which includes saxophonist Dave Rempis and composer Paul Giallorenzo—the 2015 project highlights jazz and probes how artists working across different media interpret improvisation. The series organizers musician and visual artist Jordan Martins with bassoonist and composer Katherine Young will start this cycle’s inaugural event with a free lecture addressing improvisation and the use of visual symbols outside the boundaries of traditional music notation. About the project, Martins writes on his personal website, “I‘m pleased to be participating in this event, which is a partnership with some of my favorite Chicago powerhouses.” Read the rest of this entry »
Tomorrow night is the start of “REVIVAL 2015: Source Evolution,” four evenings of interactive performance experience at the Jay Pritzker Pavilion Stage at Millennium Park, located at 201 East Randolph as part of the Chicago Department of Cultural Affairs and Special Events’ (DCASE) OnEdge performance series. REVIVAL has received a two-week residency at the Pavilion during which collaborators Eric Hoff and Jesse Young present a line of exploration for their artists and attendees to consider: “We can go back home. Can we go forward home?” Read the rest of this entry »
Producing two concurrent shows in one space, Puppies Puppies occupies the top and bottom of the building that houses Courtney Blades—“Bathroom” above and “Gollum” appropriately down below. What might have been a gimmicky, plain exhibition has been realized toward intriguing ends that reconcile stark understatements with excessively idiosyncratic fantasies. Read the rest of this entry »
“A Proximity of Consciousness” inaugurates SAIC’s season of lectures, book releases and a symposium dedicated to the art of affecting social change. The exhibition is curated by Mary Jane Jacob and Kate Zeller and showcases new works by a powerhouse roster including Michael Rakowitz, Pablo Helguera, James Duignan, J. Morgan Puett, Paul Durica, Iñigo Manglano-Ovalle, Dan Peterman, Laurie Jo Reynolds, Temporary Services, Rirkrit Tiravanija and many more collaborators. Read the rest of this entry »
“I don’t actually care about painting people’s nails,” Sarah Beth Woods confesses. “I love making these little nail tips and adorning them. I love the material and the kind of bricolage aspect of it. But I really love what happens when you put it out in the world for people to interact with. I think so much can happen when there are other people putting them on and sharing their stories.”
Woods’ artistic practice bridges the fine-art world with the beauty shop. She creates elaborate, exaggerated braided headdresses and press-on nail tips, often bringing them into fine-art contexts to adorn visitors. Neon-pink nail tips are decorated with oversized gold dollar signs. Red and blue shower poufs have been deconstructed and then woven into intricate hair weaves. Her ghetto-fabulous aesthetic looks straight out of a Nicki Minaj music video, yet her personal appearance is surprisingly neat and conservative. She keeps her hair and nails short, her friendly smile decorated only with clear lip gloss.
Last month, Woods opened her exhibition “Bricoleur” with an event she described as a “collaborative, interactive fiber installation and hair braiding experience” at Azimuth Projects, an apartment gallery in Logan Square with hair braider Fatimata Traore. Visitors took turns having their hair braided and then “accented” with shiny door-knocker earrings and colorful tassels. Woods’ sculptural works comprised of hairpieces and jewelry remain on display in the space. Read the rest of this entry »
The end of October marks the close of a four-year era when performance art venue Defibrillator Gallery will vacate its current home at 1136 North Milwaukee in Noble Square after losing the lease on their first floor, storefront location. In the gallery’s press release, they explain that this unexpected loss has necessitated suspending programming and scheduled events from the start of November until February 2015, when it hopes to be settled into a new location. Read the rest of this entry »
In “go/figure,” Eliza Myrie and Daniel Giles converse over problems with abstraction, distortion and obfuscation of black bodies’ representations. Their respective historical research and process-based practices make manifest obscured features in histories of African mining and the craft objects of black slaves in the American South. Read the rest of this entry »
The third year of The International Exposition of Contemporary and Modern Art (EXPO) is upon us. There is much to be seen this weekend both on and off the Pier, but no one can do it all. (I had a hard time even getting through the encyclopedic press materials in a timely manner.) So strap on your sensible shoes, paint your face like Ziggy Stardust, and keep your eyes peeled for Shaq; here are my recommendations, must-sees and predictions for what’s most likely to elicit schadenfreude.
Tickets are $20 for a one-day pass or $30 for the weekend. The fair is open 11am-7pm Friday and Saturday and 11am-6pm Sunday. Unless otherwise noted, all events are taking place at Navy Pier’s Festival Hall (600 East Grand). Read the rest of this entry »