Sarah Beth Woods at work on nail-art-related projects
“I don’t actually care about painting people’s nails,” Sarah Beth Woods confesses. “I love making these little nail tips and adorning them. I love the material and the kind of bricolage aspect of it. But I really love what happens when you put it out in the world for people to interact with. I think so much can happen when there are other people putting them on and sharing their stories.”
Woods’ artistic practice bridges the fine-art world with the beauty shop. She creates elaborate, exaggerated braided headdresses and press-on nail tips, often bringing them into fine-art contexts to adorn visitors. Neon-pink nail tips are decorated with oversized gold dollar signs. Red and blue shower poufs have been deconstructed and then woven into intricate hair weaves. Her ghetto-fabulous aesthetic looks straight out of a Nicki Minaj music video, yet her personal appearance is surprisingly neat and conservative. She keeps her hair and nails short, her friendly smile decorated only with clear lip gloss.
Last month, Woods opened her exhibition “Bricoleur” with an event she described as a “collaborative, interactive fiber installation and hair braiding experience” at Azimuth Projects, an apartment gallery in Logan Square with hair braider Fatimata Traore. Visitors took turns having their hair braided and then “accented” with shiny door-knocker earrings and colorful tassels. Woods’ sculptural works comprised of hairpieces and jewelry remain on display in the space. Read the rest of this entry »
Ieke Trinks performing “The Order of Things” last year at Defibrillator Gallery/Photo: Isabelle McGuire
The end of October marks the close of a four-year era when performance art venue Defibrillator Gallery will vacate its current home at 1136 North Milwaukee in Noble Square after losing the lease on their first floor, storefront location. In the gallery’s press release, they explain that this unexpected loss has necessitated suspending programming and scheduled events from the start of November until February 2015, when it hopes to be settled into a new location. Read the rest of this entry »
Eliza Myrie. “diamond, diamond, graphite,” graphite and paper, dimensions variable
In “go/figure,” Eliza Myrie and Daniel Giles converse over problems with abstraction, distortion and obfuscation of black bodies’ representations. Their respective historical research and process-based practices make manifest obscured features in histories of African mining and the craft objects of black slaves in the American South. Read the rest of this entry »
Ai Weiwei. “Circle of Animals/Zodiac Heads” installed at the Adler Planetarium. Photo Credit: Natalia Salazar / Chicago Park District
The third year of The International Exposition of Contemporary and Modern Art (EXPO) is upon us. There is much to be seen this weekend both on and off the Pier, but no one can do it all. (I had a hard time even getting through the encyclopedic press materials in a timely manner.) So strap on your sensible shoes, paint your face like Ziggy Stardust, and keep your eyes peeled for Shaq; here are my recommendations, must-sees and predictions for what’s most likely to elicit schadenfreude.
Tickets are $20 for a one-day pass or $30 for the weekend. The fair is open 11am-7pm Friday and Saturday and 11am-6pm Sunday. Unless otherwise noted, all events are taking place at Navy Pier’s Festival Hall (600 East Grand). Read the rest of this entry »
Val Jeanty and Douglas Kearney rehearsing “Freedom of Shadow: A Tribute to Terry Adkins” at Jeanty’s studio in Brooklyn/Photo: zkonqü.
This Saturday, September 20, the Poetry Foundation will present a performance of “Freedom of Shadow: A Tribute to Terry Adkins.” The oratorio is written for solo voice and digital turntables by Douglas Kearney and Val Jeanty. In conjunction with the performance, the foundation exhibits a site-responsive calligraphic wall painting titled “ulteriori ombre” by Drury Brennan. The performance begins at 6pm on Saturday and will run between thirty and forty-five minutes. It is free and open to the public. Read the rest of this entry »
Exterior view, Cargo Space bus, 2014
Parked in the Papermaker’s Garden, Columbia College Chicago, Wabash at 8th/Photo: April Alonso
“Cargo Space: Chicago/Milwaukee,” an exhibition running simultaneously at A + D Gallery in Chicago and INOVA in Milwaukee, is built around a mobile residency housed on a twenty-seven-foot diesel bus, a conceptual project formed by collaborators Christopher Sperandio and Simon Grennan, sponsored by Rice University in Houston, and propelled by a desire to physically connect artists and audiences that are geographically distant through a mobile platform. Among the included artists (a sprawling group of Chicago and Milwaukee based makers) is Erik L. Peterson who has staged the work “Stretch Limo (94),” 2014, a site-specific installation at INOVA, a building that originally housed an automobile factory. Read the rest of this entry »
Riva Lehrer. “SUSPENSION: RR,” charcoal, colored pencil and acupuncture needles on paper, 30″ x 44″, 2012
On September 3, the nonprofit organization 3Arts announced that visual artist Riva Lehrer was one of the first two recipients of a newly created artist fellowship residency at the University of Illinois at Chicago (UIC) that will support “the creation of new work by local artists with disabilities who are actively engaged in raising awareness about disability culture on and off campus.” This pilot year of the new residency has been awarded to two past 3Arts Award recipients, Lehrer and theater and performing artist Robert Schleifer. Following their time as residents, the application process will be open to qualifying artists in the Chicago metropolitan area.
Through the duration of their time as residents (varying, but about three months), the two artists will have full access to the resources available on UIC’s campus, support for completing new artistic projects and a wide range of paid opportunities for programming intended for students and faculty (such as critiques and studio visits) and the general public (such as public forums and workshops). Lehrer will be given studio space and Schleifer will have access to theater space. 3Arts has contributed $10,000 for these two fellowships, with funding tailored to the specific artists and their projects. Read the rest of this entry »
Jo Dery performing at Brain Frame 17
This Saturday, August 9, Thalia Hall in Pilsen will host the nineteenth and final Brain Frame, a bimonthly show self-described as “performative comix readings.” Three years ago, cartoonist and filmmaker Lyra Hill began Brain Frame as an experimental space for comics-based works to be performed for live audiences. Projected slide shows, music, puppetry and other zany forms of theater have been the staples with which comic artists and authors have expanded on their illustrative universes into dynamic live events. In an email to Newcity, Hill writes, “These past three years of Brain Frame have been hugely influential to the underground scene (particularly the alt-comics scene) in Chicago, and an exhausting whirlwind for me. I’m really looking forward to celebrating Brain Frame’s success and calling for the community to sustain itself moving forward.” Read the rest of this entry »
Still from Wu Tsang’s “Mishima in Mexico,” 2012
The Museum of Contemporary Art in Chicago has acquired “Mishima in Mexico,” a high-definition video projection with accompanying programmed LED light installation by the American artist Wu Tsang. This work is added to the museum’s collection on the eve of “Moved by the Motion” a performance work by Wu Tsang and the performance artist boychild that will be presented at the MCA tomorrow, Tuesday August 5, from 6pm-8pm. Read the rest of this entry »
“Pearl,” acrylic and nail polish on digitally printed spandex, sequins and velvet
“I was very little when I went as Glinda for Halloween one year, with very patient parents,” recounts artist Vincent Tiley as we met for coffee in Bushwick, the neighborhood in Brooklyn where he resides. Costumed as the good witch of Oz was one of Tiley’s earliest forays into the effervescent world of drag. “I take a lot from my experience coming out in college in Baltimore surrounded by a queer punk scene, making looks and going to a club and feeling all the feels that you get being weird at a place where people want you to be sexy.” For Tiley, bodies contain these tensions between the desire to be desired and a nearly contradictory one to challenge and affront. His first solo exhibition, “New Skin” at elee.mosynary gallery in Pilsen, is populated with heavily adorned bulbous paintings on digitally printed spandex that are “Blob Portraits” of club kids and drag queens that Tiley has befriended.
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