This Saturday, September 20, the Poetry Foundation will present a performance of “Freedom of Shadow: A Tribute to Terry Adkins.” The oratorio is written for solo voice and digital turntables by Douglas Kearney and Val Jeanty. In conjunction with the performance, the foundation exhibits a site-responsive calligraphic wall painting titled “ulteriori ombre” by Drury Brennan. The performance begins at 6pm on Saturday and will run between thirty and forty-five minutes. It is free and open to the public. Read the rest of this entry »
“Cargo Space: Chicago/Milwaukee,” an exhibition running simultaneously at A + D Gallery in Chicago and INOVA in Milwaukee, is built around a mobile residency housed on a twenty-seven-foot diesel bus, a conceptual project formed by collaborators Christopher Sperandio and Simon Grennan, sponsored by Rice University in Houston, and propelled by a desire to physically connect artists and audiences that are geographically distant through a mobile platform. Among the included artists (a sprawling group of Chicago and Milwaukee based makers) is Erik L. Peterson who has staged the work “Stretch Limo (94),” 2014, a site-specific installation at INOVA, a building that originally housed an automobile factory. Read the rest of this entry »
On September 3, the nonprofit organization 3Arts announced that visual artist Riva Lehrer was one of the first two recipients of a newly created artist fellowship residency at the University of Illinois at Chicago (UIC) that will support “the creation of new work by local artists with disabilities who are actively engaged in raising awareness about disability culture on and off campus.” This pilot year of the new residency has been awarded to two past 3Arts Award recipients, Lehrer and theater and performing artist Robert Schleifer. Following their time as residents, the application process will be open to qualifying artists in the Chicago metropolitan area.
Through the duration of their time as residents (varying, but about three months), the two artists will have full access to the resources available on UIC’s campus, support for completing new artistic projects and a wide range of paid opportunities for programming intended for students and faculty (such as critiques and studio visits) and the general public (such as public forums and workshops). Lehrer will be given studio space and Schleifer will have access to theater space. 3Arts has contributed $10,000 for these two fellowships, with funding tailored to the specific artists and their projects. Read the rest of this entry »
This Saturday, August 9, Thalia Hall in Pilsen will host the nineteenth and final Brain Frame, a bimonthly show self-described as “performative comix readings.” Three years ago, cartoonist and filmmaker Lyra Hill began Brain Frame as an experimental space for comics-based works to be performed for live audiences. Projected slide shows, music, puppetry and other zany forms of theater have been the staples with which comic artists and authors have expanded on their illustrative universes into dynamic live events. In an email to Newcity, Hill writes, “These past three years of Brain Frame have been hugely influential to the underground scene (particularly the alt-comics scene) in Chicago, and an exhausting whirlwind for me. I’m really looking forward to celebrating Brain Frame’s success and calling for the community to sustain itself moving forward.” Read the rest of this entry »
The Museum of Contemporary Art in Chicago has acquired “Mishima in Mexico,” a high-definition video projection with accompanying programmed LED light installation by the American artist Wu Tsang. This work is added to the museum’s collection on the eve of “Moved by the Motion” a performance work by Wu Tsang and the performance artist boychild that will be presented at the MCA tomorrow, Tuesday August 5, from 6pm-8pm. Read the rest of this entry »
“I was very little when I went as Glinda for Halloween one year, with very patient parents,” recounts artist Vincent Tiley as we met for coffee in Bushwick, the neighborhood in Brooklyn where he resides. Costumed as the good witch of Oz was one of Tiley’s earliest forays into the effervescent world of drag. “I take a lot from my experience coming out in college in Baltimore surrounded by a queer punk scene, making looks and going to a club and feeling all the feels that you get being weird at a place where people want you to be sexy.” For Tiley, bodies contain these tensions between the desire to be desired and a nearly contradictory one to challenge and affront. His first solo exhibition, “New Skin” at elee.mosynary gallery in Pilsen, is populated with heavily adorned bulbous paintings on digitally printed spandex that are “Blob Portraits” of club kids and drag queens that Tiley has befriended.
Celebrating its tenth year, this Saturday’s Printers Ball grows to include thirty-one free programs such as readings, workshops, exhibitions, performances, a DJed dance party and ongoing marketplaces of print goods throughout the day. Since the ball’s move to Spudnik Press at Hubbard Street Lofts last year, more organizations have joined up to collaborate and host its expansion into a greater variety of featured events that celebrate blurred spaces between the literary and the visual. Eight different sites in and around the lofts will host the events. Read the rest of this entry »
The Facebook invitation was cryptic: “A wedding of an unknown couple, with unknown guests, at an unknown location. If you are interested in attending please respond in the manner you see fit, otherwise disregard.”
The event was scheduled for March 21. At 6pm the guests began to arrive, ad hoc glitterati of the art world. Dressed in black and white they sat under a canopy of paper streamers duct-taped to the ceiling. They laughed, chatted, drank wine and every so often glanced over their shoulders in anticipation of the unknown couple.
“I always wanted to throw a wedding. I just needed to find a couple to marry,” explains artist Alberto Aguilar. He posted an ad on Craigslist offering a wedding free of charge to a couple willing to get married before strangers.
A young couple responded intrigued by the peculiar proposal. “We began planning the celebration but as the day got closer, they sent me a text message and told me that they had decided not to go ahead with it. I think in the end it was a last-minute fear.” Read the rest of this entry »
During the first two hours of the Chicago-based performance group Anatomical Theatres of Mixed Reality’s “The Operature,” the audience is invited into an interactive wonderland of screens that glow with snippets of text and additional video content like what might be found in a DVD’s extras menu. No more techy than most of our regular lives, ATOM-r renders our relationships to the virtual simultaneously uncanny and erotic. Likewise, the choreographed performance that follows does not aim to demolish categories of maleness and masculinity, but nonetheless calls out ruptures of violence and desirability to be found therein.
In advance of this densely conceptual, multimedia performance, I interviewed Judd Morrissey and Mark Jeffery, ATOM-r’s progenitors. “In some ways ‘The Operature’ is deeply controlled and yet is luscious and intimate and gasping in its restraint to hold onto the deep desire to have and to hold another male body,” says Jeffery.
They began with research, probing into Samuel Steward’s “The Stud File,” a record of the former Chicagoan’s sexual exploits, as well as Francis Glessner Lee’s “Nutshell Studies of Unexplained Death”—miniature tableaus of crime-scene reenactments, as well as texts from Gertrude Stein and Kenneth Anger. Read the rest of this entry »
The comedian Brian Regan once recalled describing his symptoms to the doctor: “It feels like everything on my inside wants to be on my outside.” Switch that from physical to emotional feelings and you have the work of prominent feminist, writer, teacher and artist, Faith Wilding, whose impressive sampling of her enormous life’s work is on display in a retrospective exhibition.
In 1972, Wilding participated in the groundbreaking feminist exhibition Womanhouse, the first public showcase of feminist art, in Los Angeles. There she performed “Waiting,” a highly influential piece that continues to have resonance today. Wilding’s work has been shown in major feminist art exhibitions over the last forty years and continues to hold sway in contemporary feminist discourse. Because of her accomplishments, the Women’s Caucus for Art is awarding her a Lifetime Achievement Award.
Inevitably, Wilding’s renowned feminist background coats the show with political and historical overtones. However, her artwork also stands tall on a separate stage: that of Faith Wilding’s impassioned journey through life. Bodies, plants, moths and horses memorialize loss, catharsis, transformation and renewal. Read the rest of this entry »