Reviews, profiles and news about art in Chicago

Review: Ask the Oracle/Heaven Gallery

Galleries & Museums, Installation, Media & Genres, Multimedia, Painting, Performance, Sculpture, Wicker Park/Bucktown No Comments »
Ann Gaziano, "Pan, Dot and Sofa." Used baking pans, plate hangers, velour fabric, wood.

Ann Gaziano, “Pan, Dot and Sofa.” Used baking pans, plate hangers, velour fabric, wood.

RECOMMENDED

An oracle, similar to a Magic 8 Ball, ascertains and communicates the unknown and introduces an abrupt epiphany, offering a glimpse of the future and providing calm in the face of uncertainty. This group exhibition focuses on supernatural phenomena such as mediums, possession and artificial divination through painting, sculpture and performance.

During the opening, Claire Arctander performed “Magic Act,” in which she challenged the traditional role of the turn-of-the-century male magician. By choosing volunteers in the crowd, Arctander encouraged individuals to “participate in togetherness” and then, calmly but forcibly, tied their shoelaces together as they stood in a congested circle. Arctander’s performance challenged the comfort of intimacy for the handful of participants that were selected and created a meaningful disconnect from the surrounding audience. Read the rest of this entry »

Review: Hardcore Architecture/The Franklin

Architecture, Design, Digital Art, Galleries & Museums, Garfield Park, Installation, Multimedia, Performance, Photography No Comments »
"Suburban Mutilation. The address given for their untitled cassette, in Green Bay, WI 54301. Source: MAXIMUM ROCKNROLL, issue no. 8, September, 1983. Street view date: August, 2012"

Suburban Mutilation. The address given for their untitled cassette, in Green Bay, WI 54301. Source: MAXIMUM ROCKNROLL, issue no. 8, September, 1983. Street view date: August, 2012″

RECOMMENDED

Started as a Tumblr project by Marc Fischer and Public Collectors, “Hardcore Architecture” explores the surprisingly suburban outposts of hardcore underground bands from the 1980s, juxtaposing names like Suburban Mutilation and Crimes Against Humanity with cookie-cutter homes, two-car garages, and well-maintained lawns. The exhibition is housed at The Franklin, a home with its own two-car garage and well-maintained lawn, and includes the Google Street View images Fischer culled alongside zines and a display of T-shirts and tapes from the artist’s own collection. Read the rest of this entry »

Review: The Freedom Principle/Museum of Contemporary Art

Activist Art, Collage, Design, Drawings, Galleries & Museums, Installation, Michigan Avenue, Multimedia, Painting, Performance, Photography, Prints, Video No Comments »
Nick Cave. "Speak Louder," 2011. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: James Prinz Photography.

Nick Cave. “Speak Louder,” 2011.
Courtesy of the artist and Jack Shainman Gallery, New York. Photo: James Prinz Photography.

RECOMMENDED

The Association for the Advancement of Creative Musicians (AACM), the Chicago-born kaleidoscope of experimental musicians, had a motto: “Ancient to Future.” That rallying call pervades the MCA’s “Freedom Principle: Experiments in Art and Music, 1965 to Now.” The show animates the dawn of the black American avant-garde, born out of the Civil Rights era and African anti-colonial movements, and its legacy in contemporary society.

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Portrait of the Artist: Alejandro Figueredo Diaz-Perera

Activist Art, Artist Profiles, Installation, Performance, Photography, Sculpture, Video No Comments »
Alejandro Figueredo Diaz-Perera. "In the Absence of a Body," 2015. Courtesy of the artist.

Alejandro Figueredo Diaz-Perera. “In the Absence of a Body,” 2015.
Performance./Courtesy of the artist

Early this July, internationally known Cuban artist Tania Bruguera received her passport from the Cuban government, which had confiscated it for more than six months. Bruguera’s freedom-to-travel marks a turning point in a long and tumultuous relationship with her home country. At the end of last year, she was detained in Havana for her performance “Tatlin’s Whisper #6,” an open-mic participatory event that encourages free speech, a problematic undertaking in the current political climate of Cuba. In the wake of this news and with a recent shift in official diplomatic relations between the United States and Cuba, it would appear that the future looks bright for the Cuban art community.

Alejandro Figueredo Diaz-Perera, a Cuban-born artist now residing in Chicago, is cautiously optimistic about the changes he has seen. “It’s part of the process and it’s needed…this becomes a symbol for the end of the [Cold War]…but the social and political ways of thinking are the same as they were fifty years ago.”

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Eye Exam: What Good is Art?

Activist Art, Collage, Drawings, Galleries & Museums, Hyde Park, Installation, Michigan Avenue, Multimedia, Painting, Performance, Photography, Prints, Sculpture No Comments »
Installation view, "The Freedom Principle: Experiments in Art and Music, 1965 to Now," MCA Chicago. July 11-November 22, 2015. Glenn Ligon. Give us a Poem, 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay, © MCA Chicago.

Installation view, “The Freedom Principle: Experiments in Art and Music, 1965 to Now,” MCA Chicago. July 11-November 22, 2015. Glenn Ligon. “Give us a Poem,” 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay,  MCA Chicago.

By Elliot J. Reichert

Each time I venture deeper into the tangled economy of art making and its contingent endeavors, I ask myself: What good is art? I am not an artist, but I work with artists and artworks every day. By all accounts, I should believe deeply in art, and yet I routinely question its value. As such, when I go to look at art, I often search in it for signs of doubt, and I am usually comforted to know that I am not alone in my questioning. For if contemporary art can be united under one banner, it would be doubt itself: doubt about politics, about social relations, about economic and class structures, about the very importance of human life. Ironically, this might be why I gravitate toward art in the first place, despite my ambivalence toward its significance. Art turns my fears into forms; it makes real what I cannot, or do not want, to imagine.  Read the rest of this entry »

Review: Kera MacKenzie and Andrew Mausert-Mooney/Roman Susan Gallery

Craft Work, Design, Drawings, Galleries & Museums, Installation, Media & Genres, Performance, Rogers Park No Comments »
Kera MacKenzie and Andrew Mausert-Mooney, Installation view, "Havoc and Tumbled, 2015. Courtesy of Roman Susan.

Kera MacKenzie and Andrew Mausert-Mooney, Installation view, “Havoc and Tumbled,” 2015.
Courtesy of Roman Susan.

RECOMMENDED

In “Havoc and Tumbled,” collaborators Kera MacKenzie and Andrew Mausert-Mooney packed Roman Susan’s little room with TVs and plants. Each monitor is different, ranging from 1970s-style sets to slick, hi-def screens. While each video has its own content, bits of scenes and clips bleed into other TVs, establishing them as parts of the same filmic project. Each screen is different, so things shift in quality, creating a fluctuation in visual textures in this glimpse of wildlife in this Rogers Park gallery.

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News: Out of Site 2015 Begins this Weekend

Art Fairs, Multimedia, Performance, Public Art, Street Art, Wicker Park/Bucktown No Comments »
Michal Samama. "Lament of Plastic," performance. Photo by Guy Kremnitzer.

Michal Samama. “Lament of Plastic,” performance/Photo: Guy Kremnitzer

It’s going to get confrontational in Wicker Park/Bucktown, beginning Saturday, July 25. The mission behind Out of Site is “to create unexpected encounters of public performance,” a take-it-to-the-streets art festival embarking on its fifth year of public performance art programming. Artists create whimsical disruptions for people as they go about their daily routines, choosing sites around the neighborhood that resonate with their practice.

The series launches this weekend with three performances in collaboration with the Wicker Park Fest. Sheryl Oring, an artist from North Carolina, will invite the public to write letters to the President of the United States as part of her piece “I Wish to Say,” previously performed at the 2012 Democratic National Convention, the Berlin Wall Memorial and other locations. To date, over 2,000 letters have been transcribed on a typewriter and submitted to the White House.

While the details surrounding some performances are clear, the vast majority of performances are only yet known by a date, a time, a location, and an artist’s name. Ballenarca, a troupe from Puerto Rico via Austin, Texas, will take place at the intersection of Milwaukee and Evergreen, near the new 606 walking path. Without giving it away, passersby can expect to behold a large, bespectacled mobile sculpture come to life. “The Wisdom Box” by Duff Norris immediately follows. The public can anticipate this work by looking online for records of a previous performance called “Infinity Box,” but if you really want to know more you’ll just have to show up.

Sheryl Oring. "I Wish to Say," performance. Photo by Dhanraj Emanuel.

Sheryl Oring. “I Wish to Say,” performance/Photo: Dhanraj Emanuel

Out of Site was founded by artist Carron Little as she was “thinking about how wonderful it would be if people were to come home from a long week in the office and come across a unique surprise,” Little said in an email conversation with Newcity. She continued, “I was also invited onto the WPB Arts Committee to rethink how we fund art locally [after] having written a piece about how all the local funding had gone to a consulting firm. So it was part of a broader initiative to fund performance artists who seemed to be doing a lot of work for free.”

The vision for Out of Site goes beyond the scope of providing simple entertainment to a consumer public. “Public performance is vital for every city landscape; building moments that are out of the ordinary can bring joy and wonder to people,” Little remarked. “This is imperative in our workaholic culture. We need things that take us out of the monotony.  The New Situationists in Paris talk about the city being a new Babylon. Le Corbusier founded the modern city discussing ideas of productivity and circulation to build economy, but if people aren’t happy they bring that sadness to work.”

In previous iterations, curators didn’t tell people where the performances would take place. There are no tickets to purchase with a start and end time. Be there or be square, or better yet, you might be there anyway.

Out of Site runs daily at different locations throughout Wicker Park & Bucktown from Saturday, July 25, through Sunday, September 6. (Whitney Richardson)

Eye Exam: Leaving Saturn’s Return

Digital Art, Drawings, Performance No Comments »
James Lee Byars. Pink letter, ca. 1982 Gold crayon on pink Japanese paper Collection of Michael Lowe and Kimberly Klosterman

James Lee Byars. Pink letter, ca. 1982
Gold crayon on pink Japanese paper
Collection of Michael Lowe and Kimberly Klosterman

By Matt Morris

“You’ve gotten so much more mystical this year,” said my twin during a recent phone call. We’d been talking horoscopes and tarot, and more generally about forms of reading that are predicated on alternatives to empirical reason. We’ve turned thirty this year, and now we’re completing a period astrologers call Saturn’s return. It’s the first time Saturn returns to its position at the time of your birth, and it’s said to accompany crisis and questioning—finding out what you’ve built so far, whether it’s strong enough to continue working, and what tumultuous deconstruction will radically reshape your life. Read the rest of this entry »

This City of Turmoil: An Interview with Ingrid LaFleur of AFROTOPIA About Her Detroit

Activist Art, Art Books, Installation, Performance No Comments »
Ingrid LaFleur of Afrotopia

Ingrid LaFleur of Afrotopia

By Allison Glenn

Can you talk a bit more about the Detroit you experienced as an adolescent and young adult, and how this Detroit may or may not have shifted?
I call the years of my youth the “Golden Era” of Detroit. Blackness was a norm. No matter where you went, we were the majority and as a result being black was a beautiful enjoyable experience. It was a sort of paradise that I yearn for now.

My parents were collectors of contemporary art. My life growing up was filled with trips to the DIA [Detroit Institute of Arts] for art classes and mystery walks. My father frequently took me to Cranbrook where they showed all the edgy contemporary work. He loved buying work from local Detroit artists; grad shows at the College for Creative Studies and emerging mid-career artists from the African diaspora. Read the rest of this entry »

Point of Origin: Mapping the Arts in Detroit

Architecture, Galleries & Museums, Installation, Multimedia, Outsider Art, Performance, Public Art, Sculpture No Comments »
Olayami Dabls, N'Kisi House, 2007, wood, glass, tile, bricks, paint, MBAD African Bead Museum in Detroit, MI. Photo credit: Charlene Uresy

Olayami Dabls, N’Kisi House, 2007,
wood, glass, tile, bricks, paint, MBAD African Bead Museum in Detroit/Photo: Charlene Uresy

By Allison Glenn

The twenty-first century has brought with it the re-emergence of contemporary conceptual artists engaged with penumbral zones. These artists are interested in site, positing new ideas for usage of once-inhabited homes and urban spaces. Whether the middle of the desert or the center of a blighted neighborhood, these sites exist on the theoretical—albeit times physical—margins of society. Artistic engagement with these interstitial spaces is on a material level, with art and architecture converging to create radical and experimental approaches to living. Positing ideas for architecture, technology, space and the body’s relation to it, artists are projecting utopic ideals for the future of the quotidian urban environment. What emerges from this are hybrid works of art and cultural production. Read the rest of this entry »