Activist Art, Collage, Drawings, Galleries & Museums, Hyde Park, Installation, Michigan Avenue, Multimedia, Painting, Performance, Photography, Prints, Sculpture
Installation view, “The Freedom Principle: Experiments in Art and Music, 1965 to Now,” MCA Chicago. July 11-November 22, 2015. Glenn Ligon. “Give us a Poem,” 2007. Black PVC and white neon. 75 5/8 x 74 1/4 in. The Studio Museum in Harlem, gift of the artist. Photo: Nathan Keay, MCA Chicago.
By Elliot J. Reichert
Each time I venture deeper into the tangled economy of art making and its contingent endeavors, I ask myself: What good is art? I am not an artist, but I work with artists and artworks every day. By all accounts, I should believe deeply in art, and yet I routinely question its value. As such, when I go to look at art, I often search in it for signs of doubt, and I am usually comforted to know that I am not alone in my questioning. For if contemporary art can be united under one banner, it would be doubt itself: doubt about politics, about social relations, about economic and class structures, about the very importance of human life. Ironically, this might be why I gravitate toward art in the first place, despite my ambivalence toward its significance. Art turns my fears into forms; it makes real what I cannot, or do not want, to imagine. Read the rest of this entry »
The forthcoming first issue of .LDOC, featuring photographer Meg T. Noe and writer Alex Jaros. Photo by: Joseph Wilcox.
.LDOC, a biweekly one-sheet publication of photography and creative writing, will appear at select Red Line stops this October, offering the public a gateway to the arts. The publication received a $10,000 grant from Crusade for Art, funding the first year of the free print. Volunteers will hand out new issues on the first and third Monday of each month at Loyola Avenue, Belmont Avenue, Lake Street, 69th Street and 95th Street stops on the CTA Red Line. Newcity sat down with .LDOC founders, the wife and husband duo Danielle and Joseph Wilcox, to get the backstory on the new project. Read the rest of this entry »
Sydney Snyder’s poster for Monique Meloche Gallery, Chicago
To coincide with their current exhibition “The Gallery Tally Poster Project,” Woman Made Gallery (WMG) has issued the release of a report conducted in 2013 regarding gender representation in US commercial galleries. The exhibition is organized by executive director Claudine Isé and Los Angeles artist Micol Hebron and is a social engagement art project, which includes the work of more than 180 artists from all around the world. They not only collected data concerning the ratios of female and male artists in top contemporary art galleries but also visualized it in the form of art, in any medium of their choosing.
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Dan Rizzo-orr’s “Horse Statuette North” and “Horse Statuette Northeast,”
with Mika Horibuchi’s “Screen/Screen,” installation view
Mika Horibuchi and Dan Rizzo-Orr worked closely to present “View with a Room” as a project specific to the gallery space. The mostly painted work of the two artists interlocks with ease across two rooms despite wildly various subject matter and technical methods. Visual approaches reflect neatly onto three-dimensional objects, the sculptures orienting the space in turn. Read the rest of this entry »
Eldzier Cortor. “L’Abbatoire I,” 1950s,
In recognition of his lifetime achievement, a selection of Eldzier Cortor’s prints are now on display at the Art Institute. The earliest series, “L’abbatoire” (slaughterhouse), 1955-1980, documents the artist’s dismay over the violent politics of Haiti, where he once lived. The “Dance” series, 1978, presents the nubile female form in a kind of decorative pattern that recalls the murals of ancient Crete or Egypt. The “Jewels/Theme” series, 1985, encases those same graceful women in brilliant, sharply cut gemstones. The “Sepia Odalisque” series, 1998, sets them, as sultry pairs, into a Turkish harem. Read the rest of this entry »
Chris Reeves and Aaron Walker’s ThingStead press on view at UIC’s Gallery 400 lobby
Next time you’re on or near the UIC campus, stop into Gallery 400 and pick up a copy of ThingStead, PhD art history candidate Chris Reeves and MFA candidate Aaron Walker’s small-press print installation project in the lobby. The two took over the space, which is already bustling with daily foot traffic, and turned it into a checkout lane where patrons can peruse and “take-away” a copy of their latest publication. Each booklet is composed of “reimagined drafts and excerpts” from artists and writers on a specific topic, theme or work to create an amalgamation of ideas or “excursus,” as they like to call it.
“Legend and History,” by Columbus, Ohio-based artist, Ryland Wharton is released today, February 26. Reeves describes the book as “mystical concrete poetry,” as it is a reproduction of passages from M. Caron and S. Hutin’s “The Alchemists.”
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Ruth Horwich’s collection of Alexander Calder jewelry to be offered at auction. Photo: Christie’s Images Ltd. 2015.
Alexander Calder, Andy Warhol and John Chamberlain are a few names from Ruth Horwich’s collection featured in the upcoming First Open sale of Post-War and Contemporary Art at Christie’s in New York on March 6, 2015.
Influential leaders and one of Chicago’s resident power couples, Ruth and her late husband Leonard impacted our region’s art scene not only with loaned and gifted artworks to many of our prominent local institutions—including the Museum of Contemporary Art (MCA) and the Smart Museum of Art—but also as two of MCA’s founders and champions for major public artworks such as Jean Dubuffet’s “Monument with Standing Beast” outside the Thompson Center. Leonard died in 1983, and given Ruth’s death in July 2014, twenty-four pieces from their collection will be offered for sale. An exhibition will precede the auction at Christie’s Rockefeller Center Galleries, from February 28 to March 3, 2015. Read the rest of this entry »
Ten x Ten Preview 2013
The 2015 round of Ten x Ten collaborations between musicians and visual artists will start with a kickoff event this Sunday, February 8. Under the curatorial supervision of three diverse Chicago organizations—Elastic Arts, Homeroom and Spudnik Press—this fourth iteration of Ten x Ten has grown into four events over the next eight months hosted at several venues: Spudnik Press Cooperative, Constellation and Elastic Arts. It’s a definite scaling up from past years, which consisted of only one event. With Elastic Arts Foundation as guest curators—which includes saxophonist Dave Rempis and composer Paul Giallorenzo—the 2015 project highlights jazz and probes how artists working across different media interpret improvisation. The series organizers musician and visual artist Jordan Martins with bassoonist and composer Katherine Young will start this cycle’s inaugural event with a free lecture addressing improvisation and the use of visual symbols outside the boundaries of traditional music notation. About the project, Martins writes on his personal website, “I‘m pleased to be participating in this event, which is a partnership with some of my favorite Chicago powerhouses.” Read the rest of this entry »
Henri de Toulouse-Lautrec. “May Milton,” 1895
lithograph, 31 1/4″ x 24″
This compact, one-room exhibition of a dozen and a half lithographs is a gem. Mounted by Northwestern upperclassmen and overseen by art-history professor S. Hollis Clayson, the works are drawn from the Andra and Irwin Press Collection. The students’ extended labels are well written and informative, and often reveal fresh insights. Smaller documentary images draw parallels to Japanese art, to photographs, and to then-contemporary art. One of these indicates how Picasso painted Lautrec’s poster of the chanteuse May Milton into the background of one of his own paintings. Read the rest of this entry »
Nuria Montiel. “AgriFarm,” 2014,
monoprint, 25″ x 18″
For some art, a gallery acts less like a space that showcases living creativity and more like a funeral home where you go to stare at dead people. Just as that dead person you see laid-out before you was once bright and living in the world, the art so filled with promise and meaning in its proper context, now hangs lifeless, eviscerated by clean corridors, harsh lights and climate control. Like a lot of socially engaged art, sadly, this is the case with Nuria Montiel’s “Wxnder Wxrds” at the Hyde Park Art Center. Read the rest of this entry »