Reviews, profiles and news about art in Chicago

Review: James Ensor/Art Institute of Chicago

Drawings, Loop, Michigan Avenue, Painting, Prints No Comments »
James Ensor. "The Temptation of Saint Anthony," 1887

James Ensor. “The Temptation of Saint Anthony,” 1887

RECOMMENDED

James Ensor’s six-foot-tall drawing “The Temptation of Saint Anthony,” 1887, is the exhibition’s thematic and physical centerpiece, set like an altarpiece at the end of a dark, chapel-like corridor. It’s a dense tangle of scary figures and texts, and a teeming universe of references to the artist’s life. The Art Institute wisely bought it in 2006; it hasn’t been shown in sixty years. Composed of fifty-one separate sheets mounted on canvas, it’s a conservation triumph. Stylistically, it’s a cross between Northern Renaissance art and the cramped doodles of underground comics. Indeed, Ensor’s drawing-based art was expressed in almost every two-dimensional media, including the then-new manufactured color pencils. Read the rest of this entry »

Portrait of the Artist: Jeff Gibson

Artist Profiles, Digital Art, Installation, Prints, West Loop No Comments »
Jeff Gibson. "Product (detail)," 2014,  ink-jet wallpaper, dimensions variable

Jeff Gibson. “Product (detail),” 2014,
ink-jet wallpaper, dimensions variable

Jeff Gibson culls images from the internet’s massive store, choosing JPEGs of products silhouetted against white backgrounds, highlighted perfectly by their surrounding vacuous atmosphere. When combined, the images call out to each other in a fashion not immediately recognizable, playing against the objects’ shiny machinery or garish design. “My roots are in pop and conceptualism so a lot of my subject matter is from popular culture and bears that stain, and I am only happy to rub the world’s nose in,” says Gibson. Gibson views all his images as products, calling attention to the aesthetics of consumerism via visual taxonomies. Read the rest of this entry »

Review: Aron Gent/Devening Projects + Editions

Garfield Park, Prints No Comments »
Aron Gent. Both works "Untitled," 2014,  Epson UltraChrome K3 ink on Arches hot press watercolor paper,

Aron Gent. Both works “Untitled,” 2014,
Epson UltraChrome K3 ink on Arches hot press watercolor paper,

RECOMMENDED

“Pure Pictures, Perfect Prints,” Aron Gent’s solo exhibition at Devening Projects + Editions, is immediately pleasant, with its ample white space and idiosyncratic chintz of flowers, leaves, printers and arabesques, all rendered in a subdued palette. These images, culled from clip-art collections, are composed and then printed onto an ink-resistant material. This printout is then transferred onto watercolor paper by press, which squeezes and drags the beaded ink into the perfect drips that tress the features of each composition. Such painterly distortions give the sense of an individual hand at work, but of course, it is anything but. These gestures are dictated by blunt forces: the irregular texture of paper, the volume and viscosity of the ink, the magnitude and direction of the pressure exerted by the press. Read the rest of this entry »

Review: Stan Shellabarger/Western Exhibitions

Drawings, Installation, Prints, West Loop No Comments »
Installation view of Stan Shellabarger at Western Exhibitions

Installation view of Stan Shellabarger at Western Exhibitions

RECOMMENDED

Stan Shellabarger’s most recent solo show at Western Exhibitions exhibits his durational work through which he contemplates the residue of time and the physical impressions left behind on materials such as paper, wood and steel. Throughout the galleries, he fully embraces each passing moment while creating a collective imagery that is focused, somber and quiet.

At the center of the show, there is the artist’s homage to Carl Andre’s “Plain” called “Untitled (Drypoint).” This work investigates pacing and time as the artist walked on steel plates he arranged to resemble Andre’s work while wearing heavy-grit sandpaper on his shoes. The work hovers on a plinth just above the gallery floor and is marked with a red snaking shape that sets the stage for the remaining pieces in the galleries. This work is the heart of the show, guiding visitors to also pace themselves with his command of minimalist formal strategies. Read the rest of this entry »

Review: A Proximity of Consciousness: Art and Social Action/Sullivan Galleries

Activist Art, Art Schools, Installation, Loop, Performance, Prints, Sculpture No Comments »
Installation view with "Publishing Clearing House" by Temporary Services

Installation view with “Publishing Clearing House” by Temporary Services

RECOMMENDED

“A Proximity of Consciousness” inaugurates SAIC’s season of lectures, book releases and a symposium dedicated to the art of affecting social change. The exhibition is curated by Mary Jane Jacob and Kate Zeller and showcases new works by a powerhouse roster including Michael Rakowitz, Pablo Helguera, James Duignan, J. Morgan Puett, Paul Durica, Iñigo Manglano-Ovalle, Dan Peterman, Laurie Jo Reynolds, Temporary Services, Rirkrit Tiravanija and many more collaborators. Read the rest of this entry »

Review: Chicago, Europe, and the Great War/Newberry Library

Design, Multimedia, Prints No Comments »
"Neutrality Rag," 1915, monographic, Frank K. Root & Co., Chicago

“Neutrality Rag,” 1915, monographic, Frank K. Root & Co., Chicago

With intriguing visual and printed matter documenting the first global war from a Chicago perspective, the Newberry once again demonstrates how world events played out at home. In this centennial year, most Americans still know woefully little about WWI. Visitors learn that more than a hundred thousand American soldiers died—the U.S. entered late in the war—but millions more in the European countries. Battlefield horrors are not emphasized here. Rather, soldiers’ letters and camp photographs, as well as civic organizations’ pamphlets and broadsides, indicate the vastness of the enterprise. Read the rest of this entry »

Review: How to Make A Hood/Arts Incubator

Activist Art, Multimedia, Photography, Prints, Sculpture No Comments »
Amir George. "“The Hood We Live In," 3-channel video installation

Amir George. “The Hood We Live In,” 3-channel video installation

RECOMMENDED

Prompted by unarmed Trayvon Martin being shot to death in 2012, curator La Keisha Leek assembled a cadre of artists that address negative depictions of black experience in the news media while also considering the images that African Americans hold of themselves. The titular “Hood” is a multiplicity for Leek: neighbor-hood, object-hood, person-hood, Negro-hood and woman-hood. Within these multilayered spheres identity is fluid, a stark opposition to the monolithic representation of African Americans culturally generated around Martin and more recently Ferguson, Missouri. Read the rest of this entry »

Expo Dispatches: Blah Blah Blah, Bright Inclusions in Expo and Edition, and Champagne Bubbles

Art Fairs, Collage, Installation, Painting, Photography, Prints, Sculpture, West Loop 1 Comment »
Eric May. "Eat in the Streets," 2011

Eric May. “Eat in the Streets,” 2011 (Booth #740)

Bag of raw almonds for energy boost, false lashes stowed in my handbag for evening-wear eye-drama boost, press badge and a prayer for stamina: Expo Chicago’s press preview yesterday rolled directly into the Vernissage party that dispersed across town to a boat party, a disco dance and dishes of art world gossip: which gallery’s staff is jumping ship? who’s leaving their long-term gallery representation? who’s been exploring her ‘lesbian side’? who’s pregnant? and so on. Thursday’s kickoff to the fair was over-stimulating and today’s shaping up the same. I stopped for lunch and worked out some thoughts about patterns in the artworks exhibited, highlights and rare occasions for profundity for Expo visitors who are art lovers if not big-time collectors. Read the rest of this entry »

Art World’s Big Weekend 2014: Comprehensive Listing of Gallery Openings for September 4–7 [updated]

Andersonville, Bronzeville, Collage, Drawings, Edgewater, Evanston, Fall Preview, Garfield Park, Installation, Lincoln Square, Logan Square, Multimedia, Painting, Photography, Prints, River North, Sculpture, Suburban, Ukrainian Village/East Village, Video, West Loop, Wicker Park/Bucktown 1 Comment »
Andrew Falkowski. "Pink Monochrome," 2014

Andrew Falkowski. “Pink Monochrome,” 2014

Thursday, September 4


LOOP

Dan Ramirez, painting
Union League Club of Chicago, 65 West Jackson
Opening reception: 5:30pm-7pm, through September 30
(Members only opening, viewing by appointment only)

SUBURBS

Anthony Iacuzzi and Christopher Schneberger, photography
Perspective Gallery, 1310-1/2B Chicago Avenue, Evanston
Opening reception: 5pm-8pm, through September 28

Amy Vogel, mixed-media survey exhibition
Cleve Carney Art Gallery at College of DuPage, Fawell and Park Boulevards, Glen Ellyn
Opening reception: 12pm-2pm, through October 25

Taehoon Kim and Barbara Diener, large scale sculpture and photographic installation
Moraine Valley Community College, 9000 West College, Palos Hills
Opening reception: 3pm–5pm, through September 18 and October 23 respectively Read the rest of this entry »

Review: Funky Turns 40/DuSable Museum

Prints No Comments »
Josie And The Pussy Cats original production cel, 1970-71, Hanna-Barbera Productions, CBS

Josie And The Pussy Cats original production cel, 1970-71, Hanna-Barbera Productions, CBS

RECOMMENDED

“Funky Turns 40: Black Character Revolution” focuses on the Saturday morning cartoons of the 1970s that feature the first ever positive portrayals of African Americans in animation. Presenting original production cels and drawings of cartoons such as the popular “Jackson Five” animation and even “Josie and the Pussy Cats” (Valerie being the positive black character), the exhibition evokes nostalgia in anyone that has watched these shows while celebrating a significant moment in black history.

Read the rest of this entry »