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	<title>Newcity Art &#187; Prints</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
	<lastBuildDate>Wed, 01 Feb 2012 05:02:16 +0000</lastBuildDate>
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		<title>Review: The Wroclaw School of Printmaking/Chicago Cultural Center</title>
		<link>http://art.newcity.com/2012/01/17/review-the-wroclaw-school-of-printmakingchicago-cultural-center/</link>
		<comments>http://art.newcity.com/2012/01/17/review-the-wroclaw-school-of-printmakingchicago-cultural-center/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:51 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Eugeniusz Geppert Academy of Art and Design]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9223</guid>
		<description><![CDATA[RECOMMENDED Looking at Chicago Cultural Center’s exhibition of the Wroclaw School of Printmaking, one gets the sense that there might be more time in Wroclaw, Poland, than we have here. Three galleries filled with large, complex, detailed and technically brilliant prints provide evidence that artists in Poland have time to concentrate on dense, romantic images. Printmaking [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Living Book/Carrie Secrist Gallery</title>
		<link>http://art.newcity.com/2012/01/17/review-living-bookcarrie-secrist-gallery/</link>
		<comments>http://art.newcity.com/2012/01/17/review-living-bookcarrie-secrist-gallery/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:37 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Art Books]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Carrie Secrist Gallery]]></category>
		<category><![CDATA[Jeremiah Chiu]]></category>
		<category><![CDATA[Jonathan Krohn]]></category>
		<category><![CDATA[Michael Bingaman]]></category>
		<category><![CDATA[Plural]]></category>
		<category><![CDATA[Renata Graw]]></category>
		<category><![CDATA[The Center for Book Technology]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9244</guid>
		<description><![CDATA[Designed to represent an automated book-production facility, &#8220;Living Book&#8221; is a collaboration by Plural (the graphic design duo Jeremiah Chiu and Renata Graw) and Jonathan Krohn of The Center for Book Technology. The exhibition uses custom software designed by Michael Bingaman to capture images via an overhead camera, which are projected on a wall. Viewers [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Tony Fitzpatrick/Firecat Projects</title>
		<link>http://art.newcity.com/2011/12/20/review-tony-fitzpatrickfirecat-projects/</link>
		<comments>http://art.newcity.com/2011/12/20/review-tony-fitzpatrickfirecat-projects/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 10:05:56 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Prints]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Firecat Projects]]></category>
		<category><![CDATA[Tony Fitzpatrick]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9154</guid>
		<description><![CDATA[RECOMMENDED After eight years away from the copper plates, Tony Fitzpatrick has bought a new press, hired a master printer and staff, and is back in the printmaking business with two new, complementary series of multicolor etchings. As with his designs for collage, he starts with a big evocative figure in the center and then [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Windows on the War: Soviet TASS Posters at Home and Abroad, 1941-1945/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/08/08/review-windows-on-the-war-soviet-tass-posters-at-home-and-abroad-1941%e2%80%931945art-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/08/08/review-windows-on-the-war-soviet-tass-posters-at-home-and-abroad-1941%e2%80%931945art-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:57:33 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Pavel Sokolov-Skalia]]></category>
		<category><![CDATA[Sergei Kostin]]></category>
		<category><![CDATA[TASS]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8244</guid>
		<description><![CDATA[RECOMMENDED In 1939, Clement Greenberg famously distinguished avant-garde art from kitsch, the “predigested art” manufactured for the “ignorant Russian peasant” who knows “no discontinuity between art and life.” That distinction has framed the discourse of American art ever since, but it was a matter of life and death for Soviet artists once social realism was [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Rina Lazo and Arturo Garcia-Bustos/Casa Avilés Art Gallery</title>
		<link>http://art.newcity.com/2011/07/25/review-rina-lazo-and-arturo-garcia-bustoscasa-aviles-art-gallery/</link>
		<comments>http://art.newcity.com/2011/07/25/review-rina-lazo-and-arturo-garcia-bustoscasa-aviles-art-gallery/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 04:57:23 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Arturo Garcia-Bustos]]></category>
		<category><![CDATA[Casa Avilés Art Gallery]]></category>
		<category><![CDATA[Rina Lazo]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8156</guid>
		<description><![CDATA[RECOMMENDED There may be some doubt whether the populist, agrarian, folkloric ideals of the Mexican revolution still apply, a hundred years later, to a modern state on the verge of anarchy. But they have been inspiring many Mexican artists ever since, including Arturo García-Bustos (born 1926) and his wife, Rina Lazo (born 1923), whose prints [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Avant-Garde Art in Everyday Life/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 28 Jun 2011 04:57:59 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[El Lissitzky]]></category>
		<category><![CDATA[Gustav Klutsis]]></category>
		<category><![CDATA[John Heartfield]]></category>
		<category><![CDATA[Ladislav Sutnar]]></category>
		<category><![CDATA[Piet Zwart]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8061</guid>
		<description><![CDATA[RECOMMENDED The separation between everyday life and the visionary designers of the avant-garde is one of the ongoing ironies or misrepresentations of the twentieth century. An exhibition at the Art Institute retrieves the connections among graphic design, designed objects, art and “everyday life,” displaying book covers, teapots, postcards and the dynamic graphic work of six [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Tragic Muse/Smart Museum of Art</title>
		<link>http://art.newcity.com/2011/04/11/review-the-tragic-musesmart-museum-of-art/</link>
		<comments>http://art.newcity.com/2011/04/11/review-the-tragic-musesmart-museum-of-art/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 04:57:31 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Anna Lea Merritt]]></category>
		<category><![CDATA[Edouard Manet]]></category>
		<category><![CDATA[George Romney]]></category>
		<category><![CDATA[Henry Fuseli]]></category>
		<category><![CDATA[Smart Museum of Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7542</guid>
		<description><![CDATA[Something terrible happens in the world every day, so tragedy is the bread and butter of daily journalism, but as the subject of Aristotle’s &#8220;Poetics,&#8221; the foundational text of European aesthetics, it well deserves the scholarly attention which University of Chicago professors of art history, as well as philosophy, English and classical literature have given [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Thomas Rowlandson/Block Museum</title>
		<link>http://art.newcity.com/2011/02/07/review-thomas-rowlandsonblock-museum/</link>
		<comments>http://art.newcity.com/2011/02/07/review-thomas-rowlandsonblock-museum/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 05:58:06 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Evanston]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Block Museum]]></category>
		<category><![CDATA[Thomas Rowlandson]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7198</guid>
		<description><![CDATA[RECOMMENDED The mid-eighteenth century was the heyday of Georgian England. The civil and international religious wars of the previous century were a dim memory, revolution had not yet risen in France, and commercial swag was flowing into London from the far-flung empire. As brewers, gamblers, young women and musicians flocked to the capital, the prosperous [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/02/07/review-thomas-rowlandsonblock-museum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Jun’ichiro Skeino/Floating World Gallery</title>
		<link>http://art.newcity.com/2010/12/13/review-jun%e2%80%99ichiro-skeinofloating-world-gallery/</link>
		<comments>http://art.newcity.com/2010/12/13/review-jun%e2%80%99ichiro-skeinofloating-world-gallery/#comments</comments>
		<pubDate>Tue, 14 Dec 2010 05:57:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Prints]]></category>
		<category><![CDATA[Floating World Gallery]]></category>
		<category><![CDATA[Jun’ichiro Skeino]]></category>
		<category><![CDATA[Koshiro Onchi]]></category>
		<category><![CDATA[Sosaku Hanga]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6966</guid>
		<description><![CDATA[RECOMMENDED “Lost troves” appear so often in the secondary art market one wonders whether their amazing rediscovery has something to do with marketing. Whatever the reason, several dozen early prints by Jun’ichiro Sekino (1914-1988) have recently surfaced in Chicago. They are a remarkable collection of work done during the dark days of Japan’s failing empire [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/12/13/review-jun%e2%80%99ichiro-skeinofloating-world-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Le Dernier Cri/The Hills Esthetic Center</title>
		<link>http://art.newcity.com/2010/11/01/review-le-dernier-crithe-hills-esthetic-center/</link>
		<comments>http://art.newcity.com/2010/11/01/review-le-dernier-crithe-hills-esthetic-center/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 04:58:07 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Caroline Sury]]></category>
		<category><![CDATA[Le Dernier Cri]]></category>
		<category><![CDATA[Pakito Bolino]]></category>
		<category><![CDATA[The Hills Esthetic Center]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6762</guid>
		<description><![CDATA[RECOMMENDED While the unbounded freedom of conceptual art is the empty kernel at the core of our aesthetic era, much art nonetheless still makes its point more effectively in what it does than in what it says. And it seems no coincidence that France, the nation that formulated sadism, the most perfected practical realization of [...]]]></description>
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		<slash:comments>0</slash:comments>
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