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	<title>Newcity Art &#187; Sculpture</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
	<lastBuildDate>Wed, 01 Feb 2012 05:02:16 +0000</lastBuildDate>
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		<title>Review: Cathy Wilkes/Renaissance Society</title>
		<link>http://art.newcity.com/2012/01/31/review-cathy-wilkesrenaissance-society/</link>
		<comments>http://art.newcity.com/2012/01/31/review-cathy-wilkesrenaissance-society/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:07 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Cathy Wilkes]]></category>
		<category><![CDATA[Renaissance Society]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9334</guid>
		<description><![CDATA[RECOMMENDED Mannequins, grocery-store checkout belts, paintings and an assortment of domestic detritus are a few of the items in Cathy Wilkes’ mixed-media installation, “I Give You All My Money,” at the Renaissance Society. Most of these items have undergone some form of decay: ash-covered pierrot mannequins, jars of encrusted baby food, tattered bits of cotton, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Superstructures/The Mission</title>
		<link>http://art.newcity.com/2012/01/17/review-superstructuresthe-mission/</link>
		<comments>http://art.newcity.com/2012/01/17/review-superstructuresthe-mission/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 10:00:26 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[David Salkin]]></category>
		<category><![CDATA[Jeroen Nelemans]]></category>
		<category><![CDATA[Susan Giles]]></category>
		<category><![CDATA[The Mission]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9217</guid>
		<description><![CDATA[RECOMMENDED Susan Giles’ site-specific sculpture of the unbuilt Calatrava tower, toppled over inside The Mission, is a model of something unrealized. Although it might refer to the economic crash that scuttled the plans for the building, Giles’ “Crumpled Spire,” deftly built of wood, rests gracefully in the space, echoing the shapes of the windows, lighting grids [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Wish You Were Here/ADDS DONNA</title>
		<link>http://art.newcity.com/2011/12/13/review-wish-you-were-hereadds-donna/</link>
		<comments>http://art.newcity.com/2011/12/13/review-wish-you-were-hereadds-donna/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:05:23 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Garfield Park]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[ADDS DONNA]]></category>
		<category><![CDATA[Ama Saru]]></category>
		<category><![CDATA[Gareth Long]]></category>
		<category><![CDATA[Hsiao Chen]]></category>
		<category><![CDATA[Jo Hormuth]]></category>
		<category><![CDATA[Laura Mackin]]></category>
		<category><![CDATA[Michael Milano]]></category>
		<category><![CDATA[Yogi Proctor]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9116</guid>
		<description><![CDATA[RECOMMENDED “Cynic” seems an unfair label for the uncompromising Diogenes, who carried a lantern during daylight in search of an honest man. At bottom, Dada was similarly nostalgic for art as a lost ideal, an end in itself rather than a vehicle for reflection. This starry-eyed hopelessness applies to an evolving exhibition now in its third [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/12/13/review-wish-you-were-hereadds-donna/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Bob Jones/65Grand</title>
		<link>http://art.newcity.com/2011/12/06/review-bob-jones65grand/</link>
		<comments>http://art.newcity.com/2011/12/06/review-bob-jones65grand/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:05:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[65Grand]]></category>
		<category><![CDATA[Bob Jones]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9067</guid>
		<description><![CDATA[RECOMMENDED The perverse enjoyment I get from looking at the assemblages of found organic detritus (leaves, icicles, rocks) in Andy Goldsworthy’s photographed interventions in natural settings is digestive—the way he takes an otherwise lovely bucolic scene and vandalizes it by, as humans do, taking something perfect and making it (look like) crap. He might as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Karen Reimer/Monique Meloche Gallery</title>
		<link>http://art.newcity.com/2011/11/22/review-karen-reimermonique-meloche-gallery/</link>
		<comments>http://art.newcity.com/2011/11/22/review-karen-reimermonique-meloche-gallery/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:00:17 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Karen Reimer]]></category>
		<category><![CDATA[Monique Meloche Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8994</guid>
		<description><![CDATA[NOTE: The gallery is temporarily closed due to an electrical fire. Way back before the millennium, the Art Institute of Chicago hosted an exhibition of French artist Annette Messager’s amazing textile-based installations. I wandered among hanging forests of plush organs, taxidermied birds wearing crocheted sweaters and perched/impaled on rebar, tangled webs of yarn and crayons, and [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/11/22/review-karen-reimermonique-meloche-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: A Spookhouse</title>
		<link>http://art.newcity.com/2011/10/25/eye-exam-a-spookhouse/</link>
		<comments>http://art.newcity.com/2011/10/25/eye-exam-a-spookhouse/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 09:01:23 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Humboldt Park]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Karsten Lund]]></category>
		<category><![CDATA[Laura Davis]]></category>
		<category><![CDATA[Mara Baker]]></category>
		<category><![CDATA[Mike Schuh]]></category>
		<category><![CDATA[Sara Black]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8806</guid>
		<description><![CDATA[By Jason Foumberg It was the last place in the world I wanted to be on a sunny autumn afternoon, but the thrill of discovery pulled me into this cavern of moldering garbage. The warehouses of William H. Cooper Co. in West Humboldt Park have no electricity but plenty of running water, dripping from the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/10/25/eye-exam-a-spookhouse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Review: The Language of Less (Then and Now)/Museum of Contemporary Art &amp; Reduction or Something Less/LVL3 Gallery</title>
		<link>http://art.newcity.com/2011/10/18/review-the-language-of-less-then-and-nowmuseum-of-contemporary-art-reduction-or-something-lesslvl3-gallery/</link>
		<comments>http://art.newcity.com/2011/10/18/review-the-language-of-less-then-and-nowmuseum-of-contemporary-art-reduction-or-something-lesslvl3-gallery/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 09:01:30 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Carol Bove]]></category>
		<category><![CDATA[Conor Backman]]></category>
		<category><![CDATA[Gedi Sibony]]></category>
		<category><![CDATA[Jason Dodge]]></category>
		<category><![CDATA[Leonor Antunes]]></category>
		<category><![CDATA[LVL3]]></category>
		<category><![CDATA[Magalie Guerin]]></category>
		<category><![CDATA[Matt Nichols]]></category>
		<category><![CDATA[Michael Darling]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Oscar Tuazon]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8772</guid>
		<description><![CDATA[After a year that’s been rich in lively shows and discussion about the relevance and legacy of Minimalism—the Gerard Byrne show and accompanying panels at the Renaissance Society, for one—this fall’s big Minimalism-then-and-now show at the MCA is a bit of a theoretical letdown. The first major show by chief curator Michael Darling, who joined [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/10/18/review-the-language-of-less-then-and-nowmuseum-of-contemporary-art-reduction-or-something-lesslvl3-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Fictional Landscapes/O&#8217;Connor Gallery at Dominican University</title>
		<link>http://art.newcity.com/2011/09/27/review-fictional-landscapesoconnor-gallery-at-dominican-university/</link>
		<comments>http://art.newcity.com/2011/09/27/review-fictional-landscapesoconnor-gallery-at-dominican-university/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 09:00:34 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[River Forest]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Amy Honchell]]></category>
		<category><![CDATA[Dominican University]]></category>
		<category><![CDATA[Young Cho]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8620</guid>
		<description><![CDATA[RECOMMENDED As fiber-based artists Amy Honchell and Young Cho reveal in statements about their respective practices, their works are shot through with personal meanings and associations: Honchell recalls the mountainous Pennsylvania landscapes of her childhood, and Cho elaborates an intimate mythology revolving around a recurring imaginary character. But the private origins of the pieces in [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/27/review-fictional-landscapesoconnor-gallery-at-dominican-university/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Dan Gunn/Museum of Contemporary Art</title>
		<link>http://art.newcity.com/2011/09/13/review-dan-gunnmuseum-of-contemporary-art/</link>
		<comments>http://art.newcity.com/2011/09/13/review-dan-gunnmuseum-of-contemporary-art/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:00:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Dan Gunn]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8513</guid>
		<description><![CDATA[RECOMMENDED During the 1980s, artists who produced anxious or enigmatic objects gave up the responsibility to be serious, or at least they shed some of the trappings of the high seriousness characterized by Minimalism. Dan Gunn’s “Patchwork Plateau,” on view at the MCA, is an object resembling a room-dividing screen and is placed on its [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/09/13/review-dan-gunnmuseum-of-contemporary-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Calculated Aesthetic/Alderman Exhibitions</title>
		<link>http://art.newcity.com/2011/08/08/review-calculated-aestheticalderman-exhibitions/</link>
		<comments>http://art.newcity.com/2011/08/08/review-calculated-aestheticalderman-exhibitions/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:57:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Alderman Exhibitions]]></category>
		<category><![CDATA[Dominic Peternel]]></category>
		<category><![CDATA[Stephen Coorlas]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8219</guid>
		<description><![CDATA[RECOMMENDED The Emerald Tablet of Hermes Trismegistus, a core text of Renaissance alchemy, describes the structure of the cosmos thusly: &#8220;That which is Below corresponds to that which is Above, and that which is Above corresponds to that which is Below, to accomplish the miracle of the One Thing.&#8221; In the case of the show [...]]]></description>
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		<slash:comments>0</slash:comments>
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