Reviews, profiles and news about art in Chicago

Review: Daniel Giles and Eliza Myrie/Roots & Culture

Ceramics, Drawings, Installation, Performance, Video, Wicker Park/Bucktown No Comments »
Eliza Myrie. "diamond, diamond, graphite," graphite and paper, dimensions variable

Eliza Myrie. “diamond, diamond, graphite,” graphite and paper, dimensions variable

RECOMMENDED

In “go/figure,” Eliza Myrie and Daniel Giles converse over problems with abstraction, distortion and obfuscation of black bodies’ representations. Their respective historical research and process-based practices make manifest obscured features in histories of African mining and the craft objects of black slaves in the American South. Read the rest of this entry »

Review: Bryan Zanisnik/Aspect/Ratio

Installation, Video, West Loop No Comments »
Bryan Zanisnik. "Aquarium Painting,"  2014, still from 2 channel HD video, 3 minutes 21 seconds

Bryan Zanisnik. “Aquarium Painting,”
2014, still from 2 channel HD video, 3 minutes 21 seconds

RECOMMENDED

Newly opened at Aspect/Ratio, an exhibition by New York artist Bryan Zanisnik considers the relatively compact space of its gallery as it presents viewers with scaled-down versions of the artist’s practice. Zanisnik, known for his large-scale installations of discarded paraphernalia that strongly reference suburban kitsch and are arranged to create chaotic yet aesthetically pleasing sculptures, gives us a taste of his interests in this show—absurdity, humor and family, infused with a nostalgia for the past. Read the rest of this entry »

Review: Cargo Space/A+D Gallery

Loop, Multimedia, Performance, Public Art, Video No Comments »
Exterior view, Cargo Space bus, 2014 Parked in the Papermaker's Garden, Columbia College Chicago, Wabash Ave. at 8th St. Photo credit: April Alonso

Exterior view, Cargo Space bus, 2014
Parked in the Papermaker’s Garden, Columbia College Chicago, Wabash at 8th/Photo: April Alonso

RECOMMENDED

Cargo Space: Chicago/Milwaukee,” an exhibition running simultaneously at A + D Gallery in Chicago and INOVA in Milwaukee, is built around a mobile residency housed on a twenty-seven-foot diesel bus, a conceptual project formed by collaborators Christopher Sperandio and Simon Grennan, sponsored by Rice University in Houston, and propelled by a desire to physically connect artists and audiences that are geographically distant through a mobile platform. Among the included artists (a sprawling group of Chicago and Milwaukee based makers) is Erik L. Peterson who has staged the work “Stretch Limo (94),” 2014, a site-specific installation at INOVA, a building that originally housed an automobile factory. Read the rest of this entry »

Art World’s Big Weekend 2014: Comprehensive Listing of Gallery Openings for September 4–7 [updated]

Andersonville, Bronzeville, Collage, Drawings, Edgewater, Evanston, Fall Preview, Garfield Park, Installation, Lincoln Square, Logan Square, Multimedia, Painting, Photography, Prints, River North, Sculpture, Suburban, Ukrainian Village/East Village, Video, West Loop, Wicker Park/Bucktown 1 Comment »
Andrew Falkowski. "Pink Monochrome," 2014

Andrew Falkowski. “Pink Monochrome,” 2014

Thursday, September 4


LOOP

Dan Ramirez, painting
Union League Club of Chicago, 65 West Jackson
Opening reception: 5:30pm-7pm, through September 30
(Members only opening, viewing by appointment only)

SUBURBS

Anthony Iacuzzi and Christopher Schneberger, photography
Perspective Gallery, 1310-1/2B Chicago Avenue, Evanston
Opening reception: 5pm-8pm, through September 28

Amy Vogel, mixed-media survey exhibition
Cleve Carney Art Gallery at College of DuPage, Fawell and Park Boulevards, Glen Ellyn
Opening reception: 12pm-2pm, through October 25

Taehoon Kim and Barbara Diener, large scale sculpture and photographic installation
Moraine Valley Community College, 9000 West College, Palos Hills
Opening reception: 3pm–5pm, through September 18 and October 23 respectively Read the rest of this entry »

News: New Season of ACRE-TV Launches Today

Multimedia, News etc., Video No Comments »
Still from Tara Nelson's "Fruit Hospital"

Still from Tara Nelson’s “Fruit Hospital”

“If television delivers the people, ACRE TV delivers the Soylent Green, thinly sliced and mostly eyes and ears and brains. I stream, you stream, we all stream for mustard paintings and ketchup pairings. I’ve never seen the Food Network, but I assume it’s like this.” So goes ACRE TV’s description of “Psychedelicatessen,” their block of programming that premieres today, Monday, September 1 and runs through the end of October. Featuring thirty-plus artists and collaborative projects, programs are lined up from 8am through till midnight each day. These projects center around unexpected intersection points between psychedelia and a connoisseurship of food-related artworks. Read the rest of this entry »

Portrait of the Artist: Leslie Hewitt

Installation, Video No Comments »
Leslie Hewitt. "Untitled Structures," dual channel video installation, 2012

Leslie Hewitt and Bradford Young. “Untitled Structures,” dual channel video installation, 2012

Sifting through the black-and-white photographs from the Menil Collection, Leslie Hewitt was disarmed by the quiet moments of everyday life found amidst the turbulent marches, violent mobs and impassioned speeches of the Civil Rights Movement. Borrowing a glance, a gesture or a pose, the artist transformed the archive of 230 photographs into a cinematic meditation on memory.

“I was often overwhelmed by the flatness of the photographic image, how its limits—the geometry of it—are often so apparent to me,” Hewitt reflects as we talked late into the afternoon. “From the very beginning, I grappled with the border created by the square or the rectangle of a given image.” In a two-channel video projection “Untitled (Structures)” (2012), the artist attempts to expand the two-dimensional space of the photograph. The quivering light of the projector illuminates architectural ghosts and invites the viewer to step into crumbling urban ruins. From Memphis to Chicago, the dilapidated structures of the Universal Life Insurance Company, the Johnson Publishing headquarters (publisher of Ebony and Jet) and the Rosenwald Apartments flicker across the screen, so haunting one can almost smell the amber and mahogany of age. Read the rest of this entry »

News: MCA Acquires Wu Tsang Video Artwork

News etc., Performance, Video No Comments »
Still from Wu Tsang's "Mishima in Mexico," 2012

Still from Wu Tsang’s “Mishima in Mexico,” 2012

The Museum of Contemporary Art in Chicago has acquired “Mishima in Mexico,” a high-definition video projection with accompanying programmed LED light installation by the American artist Wu Tsang. This work is added to the museum’s collection on the eve of “Moved by the Motion” a performance work by Wu Tsang and the performance artist boychild that will be presented at the MCA tomorrow, Tuesday August 5, from 6pm-8pm. Read the rest of this entry »

Eye Exam: A Quick History of Chicago’s Art and Tech Boom

Multimedia, Video No Comments »

 

Curt Cloninger, "Twixt The Cup And The Lip #3 (Letting the language speak itself?)," 2011. On view in "glitChicago" at the UIMA.

Curt Cloninger, “Twixt The Cup And The Lip #3 (Letting the language speak itself?),” 2011. On view in “glitChicago” at the UIMA.

By Jason Foumberg

A museum survey of Chicago’s innovative glitch art scene opening this month provides a good moment to revisit the city’s deep legacy of media arts. This is where contemporary art intertwines with emergent communications technologies—video, analog and digital computers, and repurposed commercial imaging technology—whatever artists could get their hands on. The local scene is today propelled by many do-it-yourself makers, but heavy academic support in decades past helped media arts flourish here. Some observers have noted that new media art evolved out of Chicago’s experimental music subculture. Curator of “glitChicago,” Paul Hertz says that glitch art, like hacking, is an artist’s answer to Big Media; the movement revives discarded electronics and advocates for open sharing of tools and content. “glitChicago” shows August 1 through September 28 at the Ukrainian Institute of Modern Art, 2320 West Chicago.

1936: Nathan Lerner, a student at the New Bauhaus in Chicago, stands in traffic medians to photograph the patterns of traffic lights. Lerner later invents the light box.

1947: “Vision in Motion,” Moholy-Nagy’s manifesto, is published in Chicago one year after his death. The book makes a case for the marriage of art and technology, and would inform art and design curriculums for decades at the School of the Art Institute and the Illinois Institute of Technology.

1968: Artists Bill McCabe and Robert Frontier put their penises on a copy machine, creating some of the first copy-machine art in Chicago. By 1970, these alternative printmaking machines become the basis for the Generative Systems program at the School of the Art Institute of Chicago, spearheaded by Sonia Landy Sheridan. Read the rest of this entry »

Portrait of the Artist: Vincent Tiley

Painting, Performance, Pilsen, Video No Comments »
"Pearl," acrylic and nail polish on digitally printed spandex, sequins, and velvet

“Pearl,” acrylic and nail polish on digitally printed spandex, sequins and velvet

“I was very little when I went as Glinda for Halloween one year, with very patient parents,” recounts artist Vincent Tiley as we met for coffee in Bushwick, the neighborhood in Brooklyn where he resides. Costumed as the good witch of Oz was one of Tiley’s earliest forays into the effervescent world of drag. “I take a lot from my experience coming out in college in Baltimore surrounded by a queer punk scene, making looks and going to a club and feeling all the feels that you get being weird at a place where people want you to be sexy.” For Tiley, bodies contain these tensions between the desire to be desired and a nearly contradictory one to challenge and affront. His first solo exhibition, “New Skin” at elee.mosynary gallery in Pilsen, is populated with heavily adorned bulbous paintings on digitally printed spandex that are “Blob Portraits” of club kids and drag queens that Tiley has befriended.

Read the rest of this entry »

Review: Susan Giles and Jeroen Nelemans/Aspect Ratio

Sculpture, Video, West Loop No Comments »
Susan Giles. "Untitled (Humayun’s with Cultures)," drawing paper, 2013

Susan Giles. “Untitled (Humayun’s with Cultures),” drawing paper, 2013

RECOMMENDED

In both Susan Giles and Jeroen Nelemans’ practices, video and sculptural works borrow content from tourism and art history as the basis for re-imagining the material representations of place.

Susan Giles’ video “Pulling Out the Words,” 2011, is a series of interviews with five subjects about favorite landscapes in which all of their spoken descriptions have been cut. Landscapes are conveyed only through the speakers’ gestures, stutters and breaths, with Giles’ camera tracking the speakers’ hands, upper body or face.

The perceptual shifts afforded by lacunae continues into the next small room with Nelemans’ Flavin-esque “from the Postcard Series, Untitled #3,” 2012. An enlarged postcard of Dutch tulip fields is sliced vertically and wrapped around slender fluorescent tubes. Colored diagonal lines illuminate the space in between the rows, neatly continuing the image as light spilling onto the wall. Nelemans, Dutch but Chicago-based, is interested in cultural pilfering: tulips originate from Turkey but are a national representation of The Netherlands. Read the rest of this entry »