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	<title>Newcity Art</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
	<lastBuildDate>Tue, 21 May 2013 09:00:56 +0000</lastBuildDate>
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		<title>Review: From Russia to America/Palette and Chisel</title>
		<link>http://art.newcity.com/2013/05/21/review-from-russia-to-americapalette-and-chisel/</link>
		<comments>http://art.newcity.com/2013/05/21/review-from-russia-to-americapalette-and-chisel/#comments</comments>
		<pubDate>Tue, 21 May 2013 09:00:56 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Chaim Livchitz]]></category>
		<category><![CDATA[Jacob Livchitz]]></category>
		<category><![CDATA[Misha Livchitz]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=14007</guid>
		<description><![CDATA[RECOMMENDED Exhibitions of successive generations of artists from the same family unavoidably document the change of fashion, but the three generations of artists from the Livchitz family also straddles two different cultures, Soviet and American. As a member of the Soviet Artist’s Union, the grandfather, Chaim (1912–1994), did what most professional artists have done throughout [...]]]></description>
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		<title>Review: Subconscious Eye/Ukrainian Institute of Modern Art</title>
		<link>http://art.newcity.com/2013/05/21/review-subconscious-eyeukrainian-institute-of-modern-art/</link>
		<comments>http://art.newcity.com/2013/05/21/review-subconscious-eyeukrainian-institute-of-modern-art/#comments</comments>
		<pubDate>Tue, 21 May 2013 09:00:33 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[Bruce Thorn]]></category>
		<category><![CDATA[John Kurtz]]></category>
		<category><![CDATA[Paul Lamantia]]></category>
		<category><![CDATA[Ukrainian Institute of Modern Art]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=14013</guid>
		<description><![CDATA[RECOMMENDED Meet three wild and crazy Chicago guys from the generation that grew up in the 1950s and sixties, back when the language of art had not yet been deconstructed and the Beatles had not yet met the Maharishi. Although John Kurtz, Paul Lamantia and Bruce Thorn are introspective, their artworks are hardly private, and [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Review: Terri Zupanc/Jean Albano Gallery</title>
		<link>http://art.newcity.com/2013/05/21/review-terri-zupancjean-albano-gallery/</link>
		<comments>http://art.newcity.com/2013/05/21/review-terri-zupancjean-albano-gallery/#comments</comments>
		<pubDate>Tue, 21 May 2013 09:00:30 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[River North]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Jacques Villeglé]]></category>
		<category><![CDATA[Jean Albano Gallery]]></category>
		<category><![CDATA[Terri Zupanc]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=14004</guid>
		<description><![CDATA[RECOMMENDED After three decades producing contemplative oil paintings and sumi-e ink studies, Terri Zupanc’s latest source of meditation is the land around his family’s cottage on Paint Lake in Upper Peninsula Michigan. The artist’s first exhibition at Jean Albano Gallery, “Paint Lake” contains wood bark and occasional animal shells categorized as “found objects” alongside misty, [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2013/05/21/review-terri-zupancjean-albano-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Review: Jodi Swanson (Alempijevic)/Chicago Photography Center</title>
		<link>http://art.newcity.com/2013/05/21/review-jodi-alempijevicchicago-photography-center/</link>
		<comments>http://art.newcity.com/2013/05/21/review-jodi-alempijevicchicago-photography-center/#comments</comments>
		<pubDate>Tue, 21 May 2013 09:00:30 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chicago Photography Center]]></category>
		<category><![CDATA[Jodi Alempijevic]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=13995</guid>
		<description><![CDATA[RECOMMENDED Right up front about using photography to express her ever-incomplete journey of self-discovery, Jodi Swanson (Alempijevic) does not specialize, deploying whatever technique and genre depicts the mood that she wants to represent to herself and communicate to viewers. Whether she is shooting in black-and-white or color; going straight or venturing into digital manipulation; posing [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Multiple Exposures/Bridgeport Art Gallery</title>
		<link>http://art.newcity.com/2013/05/21/review-multiple-exposuresbridgeport-art-gallery/</link>
		<comments>http://art.newcity.com/2013/05/21/review-multiple-exposuresbridgeport-art-gallery/#comments</comments>
		<pubDate>Tue, 21 May 2013 09:00:29 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Bridgeport]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Bridgeport Art Gallery]]></category>
		<category><![CDATA[Jane Alt]]></category>
		<category><![CDATA[Jessica Tampas]]></category>
		<category><![CDATA[Mary Rafferty]]></category>
		<category><![CDATA[Susan Annable]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=14001</guid>
		<description><![CDATA[Mary Rafferty &#160; RECOMMENDED Of the eleven gifted veteran Chicago art photographers whose work is on display here, running the gamut of genres, techniques and sensibilities, Mary Rafferty’s in-your-face color punk portraits against white backgrounds of roller derby queens, Jane Alt’s wild color shots of swirling smoky controlled (you wouldn’t know it) forest burns, and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>To Profit or Not? How Art Galleries Make Money in Chicago, and Why Some Choose Not To</title>
		<link>http://art.newcity.com/2013/05/16/to-profit-or-not-how-art-galleries-make-money-in-chicago-and-why-some-choose-not-to/</link>
		<comments>http://art.newcity.com/2013/05/16/to-profit-or-not-how-art-galleries-make-money-in-chicago-and-why-some-choose-not-to/#comments</comments>
		<pubDate>Thu, 16 May 2013 11:00:36 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Galleries & Museums]]></category>
		<category><![CDATA[Carolina Jayaram]]></category>
		<category><![CDATA[Chicago Artists Coalition]]></category>
		<category><![CDATA[Firecat Projects]]></category>
		<category><![CDATA[Gallerista]]></category>
		<category><![CDATA[Joshua Herrington]]></category>
		<category><![CDATA[Linda Warren]]></category>
		<category><![CDATA[Linda Warren Projects]]></category>
		<category><![CDATA[Stan Klein]]></category>
		<category><![CDATA[Tony Fitzpatrick]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=13964</guid>
		<description><![CDATA[By Jason Foumberg This is a story about what Chicago’s art galleries are doing to grow our local art economy. More than once I have heard an art dealer joke that their commercial art gallery is really a not-for-profit because, well, their business makes no profit. Despite that appraisal, non-profit fundraising techniques are finding their [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2013/05/16/to-profit-or-not-how-art-galleries-make-money-in-chicago-and-why-some-choose-not-to/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Review: David Abed/Century Guild</title>
		<link>http://art.newcity.com/2013/05/14/review-david-abedcentury-guild/</link>
		<comments>http://art.newcity.com/2013/05/14/review-david-abedcentury-guild/#comments</comments>
		<pubDate>Tue, 14 May 2013 09:00:54 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Century Guild]]></category>
		<category><![CDATA[David Abed]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=13944</guid>
		<description><![CDATA[RECOMMENDED Contemporary symbolist painting is a hard sell in Chicago. It doesn’t revel in bright, sunny landscapes, gritty urban realism, or echoes of popular culture. As developed in the late-nineteenth century, it cultivates spirituality in a dark inner world accessible only to the artist/genius and those able to follow. As the Belgian poet Emile Verhaeren [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2013/05/14/review-david-abedcentury-guild/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Meredith Zielke, Yoni Goldstein, Ellen Garvens and Joanne Tilley/International Museum of Surgical Science</title>
		<link>http://art.newcity.com/2013/05/14/review-meredith-zielke-yoni-goldstein-ellen-garvens-and-joanne-tilleyinternational-museum-of-surgical-science/</link>
		<comments>http://art.newcity.com/2013/05/14/review-meredith-zielke-yoni-goldstein-ellen-garvens-and-joanne-tilleyinternational-museum-of-surgical-science/#comments</comments>
		<pubDate>Tue, 14 May 2013 09:00:26 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Gold Coast/Old Town]]></category>
		<category><![CDATA[Ellen Garvens]]></category>
		<category><![CDATA[International Museum of Surgical Science]]></category>
		<category><![CDATA[Joanne Tilley]]></category>
		<category><![CDATA[Meredith Zielke]]></category>
		<category><![CDATA[Yoni Goldstein]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=13924</guid>
		<description><![CDATA[RECOMMENDED We all have our visions of medical hell that grow out of traumatic childhood memories that we would rather forget, but that haunt us throughout our lives. Meredith Zielke and Yoni Godstein have unsparingly confronted their painful pasts, merging them in a set of color photographic scenarios taken in a dark and dank derelict Chicago [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2013/05/14/review-meredith-zielke-yoni-goldstein-ellen-garvens-and-joanne-tilleyinternational-museum-of-surgical-science/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Elsa Muñoz/Zygman Voss Gallery</title>
		<link>http://art.newcity.com/2013/05/14/review-elsa-munozzygman-voss-gallery/</link>
		<comments>http://art.newcity.com/2013/05/14/review-elsa-munozzygman-voss-gallery/#comments</comments>
		<pubDate>Tue, 14 May 2013 09:00:26 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Elsa Muñoz]]></category>
		<category><![CDATA[Zygman Voss Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=13921</guid>
		<description><![CDATA[&#160; RECOMMENDED At the heart of Elsa Muñoz’s exhibition of recent seascapes, landscapes, still-lifes and portraits seems to be a coming-of-age drama with recent or impending tragedies that may or may not be autobiographical. The sun never penetrates a humid atmosphere of sadness that hangs over these dark images, even when the artist steps outside [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2013/05/14/review-elsa-munozzygman-voss-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: AfriCOBRA/South Side Community Art Center</title>
		<link>http://art.newcity.com/2013/05/14/review-africobrasouth-side-community-art-center/</link>
		<comments>http://art.newcity.com/2013/05/14/review-africobrasouth-side-community-art-center/#comments</comments>
		<pubDate>Tue, 14 May 2013 09:00:10 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Bronzeville]]></category>
		<category><![CDATA[AfriCOBRA]]></category>
		<category><![CDATA[Barbara Jones-Hogu]]></category>
		<category><![CDATA[by Jose Williams]]></category>
		<category><![CDATA[Charles White]]></category>
		<category><![CDATA[Elizabeth Catlett]]></category>
		<category><![CDATA[Margaret Burroughs]]></category>
		<category><![CDATA[Nathan Lerner]]></category>
		<category><![CDATA[Rebecca Zorach]]></category>
		<category><![CDATA[South Side Community Art Center]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=13932</guid>
		<description><![CDATA[&#160; &#160; RECOMMENDED A venerable South Side institution of which many Chicagoans may not have heard is the starting point for a three-stage investigation of the artists&#8217; group AfriCOBRA. A timely collaboration among several South Side arts institutions celebrates the origins, philosophy and impact of this group of artists. AfriCOBRA (African Commune of Bad Relevant [...]]]></description>
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		<slash:comments>0</slash:comments>
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