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	<title>Newcity Art</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Eye Exam: New Grounds, New Blood at the Evanston Art Center</title>
		<link>http://art.newcity.com/2012/01/31/eye-exam-new-grounds-new-blood-at-the-evanston-art-center/</link>
		<comments>http://art.newcity.com/2012/01/31/eye-exam-new-grounds-new-blood-at-the-evanston-art-center/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:30:00 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Evanston]]></category>
		<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Evanston Art Center]]></category>
		<category><![CDATA[Norah Diedrich]]></category>
		<category><![CDATA[Shannon Stratton]]></category>
		<category><![CDATA[William Keith Brown]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9314</guid>
		<description><![CDATA[By Dana Boutin With new staff and a new site imminent, the Evanston Art Center, in the words of Executive Director Norah Diedrich, is at a crossroads. Poised for challenges to come, Diedrich says, “The environment and economy that we’re all in—whether you’re a for-profit company, a Fortune 500, or a community center—is in flux [...]]]></description>
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		<title>Portrait of the Artist: David Leggett</title>
		<link>http://art.newcity.com/2012/01/31/portrait-of-the-artist-david-leggett/</link>
		<comments>http://art.newcity.com/2012/01/31/portrait-of-the-artist-david-leggett/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:05:58 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Artist Profiles]]></category>
		<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[David Leggett]]></category>
		<category><![CDATA[Hyde Park Art Center]]></category>
		<category><![CDATA[Western Exhibitions]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9292</guid>
		<description><![CDATA[David Leggett paints while listening to the stand-up comedy of Richard Pryor and Eddie Murphy, which serve as kindling for his sometimes cartoonish, playfully rendered mixed media artworks. “In the early 1990s when Def Comedy came along, it was extremely popular, but if you listen now, it was horrible,” Leggett says. “They were doing impersonations [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Joanne Greenbaum/Shane Campbell Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-joanne-greenbaumshane-campbell-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-joanne-greenbaumshane-campbell-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:57 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[Joanne Greenbaum]]></category>
		<category><![CDATA[Shane Campbell Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9319</guid>
		<description><![CDATA[RECOMMEDED Wilco fans have already seen Joanne Greenbaum’s work, though they might not know it. Greenbaum provided cover art for the band’s 2011 “The Whole Love,” as well as illustrations for a fifty-two-page booklet that accompanies the deluxe two-CD edition. Her forty-two abstract paintings at Shane Campbell Gallery stand as her own kind of concept [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Art Shay/Stephen Daiter Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-art-shaystephen-daiter-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-art-shaystephen-daiter-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:52 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River North]]></category>
		<category><![CDATA[Art Shay]]></category>
		<category><![CDATA[Stephen Daiter Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9289</guid>
		<description><![CDATA[RECOMMENDED Chicago’s premier photojournalist Art Shay captured a moment in place and time, here in the early 1950s, when the gritty old city still held on, with its bittersweet ironies and brutalities, its harshness, and its anticipations of technology-fueled urbanity. Shooting straight and on the fly in unremitting black and white, Shay could pull the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Human/Gallery 180</title>
		<link>http://art.newcity.com/2012/01/31/review-humangallery-180/</link>
		<comments>http://art.newcity.com/2012/01/31/review-humangallery-180/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:37 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Brandon Briggs]]></category>
		<category><![CDATA[Catherine Maize]]></category>
		<category><![CDATA[Chuck Gneich]]></category>
		<category><![CDATA[E. Thurston Belmer]]></category>
		<category><![CDATA[Illinois Institute of Art]]></category>
		<category><![CDATA[Marisa Andropolis]]></category>
		<category><![CDATA[Nicole McCormick Santiago]]></category>
		<category><![CDATA[Ted Preuss]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9303</guid>
		<description><![CDATA[A variety of annual, national juried exhibitions have been emerging in Chicago over the past few years, and now Chuck Gniech, of the Illinois Institute of Art, has mounted his second “Human” exhibition, intending to explore “the human form as well as the human condition.” Ninety artists responded to his nationwide call, and twenty were [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Moyra Davey/Donald Young Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-moyra-daveydonald-young-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-moyra-daveydonald-young-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:30 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Donald Young Gallery]]></category>
		<category><![CDATA[Moyra Davey]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9300</guid>
		<description><![CDATA[RECOMMENDED “In the Spirit of Walser” at Donald Young Gallery is a series of exhibitions by artists inspired by the poetic, rambling stories of Swiss writer Robert Walser (1878-1956). The second exhibition in this series features new works by Moyra Davey, including &#8220;Subway Writers II,” a grid of twenty-five photographs, and &#8220;Les Goddesses,” a sixty-one [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Stanley Tigerman/Graham Foundation</title>
		<link>http://art.newcity.com/2012/01/31/review-stanley-tigermangraham-foundation/</link>
		<comments>http://art.newcity.com/2012/01/31/review-stanley-tigermangraham-foundation/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:29 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Gold Coast/Old Town]]></category>
		<category><![CDATA[Graham Foundation]]></category>
		<category><![CDATA[Stanley Tigerman]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9296</guid>
		<description><![CDATA[ RECOMMENDED An ambitious retrospective of fin-de-twentieth-siecle art, architecture and design at London’s Victoria and Albert Museum illuminates the dreamlike nature of the “postmodern” moment, a dizzying refraction of hedonistic anarchy and abject terror. In her review of the exhibition, Artforum editor Elizabeth Schambelan sets “beguiling images of playful incongruity” against Fredric Jameson’s notion of “hyperspace” [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2012/01/31/review-stanley-tigermangraham-foundation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Global Cities, Model Worlds, and The World Finder Pocket Guide to Hell/Gallery 400</title>
		<link>http://art.newcity.com/2012/01/31/review-global-cities-model-worlds-and-the-world-finder-pocket-guide-to-hellgallery-400/</link>
		<comments>http://art.newcity.com/2012/01/31/review-global-cities-model-worlds-and-the-world-finder-pocket-guide-to-hellgallery-400/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:16 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Lize Mogel]]></category>
		<category><![CDATA[Pocket Guide to Hell]]></category>
		<category><![CDATA[Ryan Griffis]]></category>
		<category><![CDATA[Sarah Ross]]></category>
		<category><![CDATA[Steele MacKaye]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9328</guid>
		<description><![CDATA[RECOMMENDED Gallery 400’s double exhibition of “Global Cities, Model Worlds” and “The World Finder Pocket Guide to Hell” is a heavy-handed but nonetheless powerful pair of explorations of mega-events and their unplanned impacts. “Global Cities, Model Worlds,” the more striking of the pair, is more tongue-in-cheek than it first appears. Referencing children’s and science museums, with [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2012/01/31/review-global-cities-model-worlds-and-the-world-finder-pocket-guide-to-hellgallery-400/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: New Formalisms 2/65Grand</title>
		<link>http://art.newcity.com/2012/01/31/review-new-formalisms-2-65grand/</link>
		<comments>http://art.newcity.com/2012/01/31/review-new-formalisms-2-65grand/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:16 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[65Grand]]></category>
		<category><![CDATA[Abraham Ritchie]]></category>
		<category><![CDATA[Melissa Oresky]]></category>
		<category><![CDATA[Samantha Bittman]]></category>
		<category><![CDATA[Steven Husby]]></category>
		<category><![CDATA[Todd Chilton]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9309</guid>
		<description><![CDATA[RECOMMENDED “New Formalisms 2” is curator Abraham Ritchie’s sequel to the 2009 exhibition “Beautiful Form,” presenting four young artists who, he claims, are taking “new directions in formal painting,” but who do seem to be using a playbook that’s been in university art departments for at least fifty years. Whether their work is compelling is [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2012/01/31/review-new-formalisms-2-65grand/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Stuck Up: A Selected History of Alternative &amp; Pop Culture Told Through Stickers/Maxwell Colette Gallery</title>
		<link>http://art.newcity.com/2012/01/31/review-stuck-up-a-selected-history-of-alternative-pop-culture-told-through-stickersmaxwell-colette-gallery/</link>
		<comments>http://art.newcity.com/2012/01/31/review-stuck-up-a-selected-history-of-alternative-pop-culture-told-through-stickersmaxwell-colette-gallery/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:15 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Street Art]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[DB Burkeman]]></category>
		<category><![CDATA[Maxwell Colette Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9337</guid>
		<description><![CDATA[RECOMMENDED Stickers are an idealized art medium—an attempt to connect with an audience through means not acceptable within traditional art institutions. Here, in a selected retrospective of sticker art, they are organized by theme and placed with some care behind glass, which is a type of presentation that could deflate the antagonistic allure key to [...]]]></description>
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		<slash:comments>0</slash:comments>
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