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	<title>Newcity Art &#187; ARC Gallery</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Intimacy/ARC Gallery</title>
		<link>http://art.newcity.com/2011/12/06/review-intimacyarc-gallery/</link>
		<comments>http://art.newcity.com/2011/12/06/review-intimacyarc-gallery/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:00:22 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River West]]></category>
		<category><![CDATA[ARC Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9064</guid>
		<description><![CDATA[RECOMMENDED From Jean-Robert Franco’s black-and-white large-format full–frontal female nudes, standing and staring straight at us impassively; through Elena Elbe’s color studies of overlapping exposures of the same nude woman that illustrate the conceit of “Me, MYSELF, and I,” and Steven Bernas’ crazy-colored, distorted and ghoulish figures—constructed by projecting snippets of pornography and his own handiwork [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Carleen Clifton Bragg/ARC Gallery</title>
		<link>http://art.newcity.com/2011/03/07/review-colleen-clifton-braggarc-gallery/</link>
		<comments>http://art.newcity.com/2011/03/07/review-colleen-clifton-braggarc-gallery/#comments</comments>
		<pubDate>Tue, 08 Mar 2011 05:56:52 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River West]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Colleen Clifton Bragg]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7367</guid>
		<description><![CDATA[RECOMMENDED Unframed and tacked unpretentiously on the gallery wall, Carleen Clifton Bragg’s black-and-white street portraits—mostly candid—of down-and-out African Americans and wasted whites who live amongst us forswear indulgence in patronization, humanization or victimization; her subjects are for the most part depressed, as we see them when we venture into their neighborhoods. Sometimes homeless and holding [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Anat Pollack/ARC Gallery</title>
		<link>http://art.newcity.com/2010/09/13/review-anat-pollockarc-gallery/</link>
		<comments>http://art.newcity.com/2010/09/13/review-anat-pollockarc-gallery/#comments</comments>
		<pubDate>Tue, 14 Sep 2010 04:57:55 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Anat Pollack]]></category>
		<category><![CDATA[ARC Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6389</guid>
		<description><![CDATA[RECOMMENDED Seized with the purpose of revealing the archetypal and impossible longings exploited by television advertising, Anat Pollack photographs moments of commercials from the screen and processes them in the computer so that the original color images no longer bear traces of specific products and communicate only hazy hopes and phantasmic dreams. In one of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Wes Carson/ARC Gallery</title>
		<link>http://art.newcity.com/2010/06/28/review-wes-carsonarc-gallery/</link>
		<comments>http://art.newcity.com/2010/06/28/review-wes-carsonarc-gallery/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 04:57:17 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River West]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Wes Carson]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5840</guid>
		<description><![CDATA[RECOMMENDED Ending up somewhere in a liquid world of surreal fantasy tinged with New Age, Wes Carson gets there by putting his willowy model through various paces, shooting her in the act of performing so that the resulting photo will be blurred, and then printing the image digitally in blue tones to make it look [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Shane Prine/ARC Gallery</title>
		<link>http://art.newcity.com/2010/04/05/review-shane-prinearc-gallery/</link>
		<comments>http://art.newcity.com/2010/04/05/review-shane-prinearc-gallery/#comments</comments>
		<pubDate>Tue, 06 Apr 2010 04:57:03 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[River West]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Shane Prine]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5284</guid>
		<description><![CDATA[RECOMMENDED Another of the army of redeemers of the ruins, Shane Prine shoots the interiors of derelict houses, finding in the copious rubble and refuse forms that—but for the fact that they are filthy—could pass for modernist sculptures and assemblages. Prine renders his subjects in black-and-white chiaroscuro, taking advantage of shadows and pools of light [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Michele Stutts/ARC Gallery</title>
		<link>http://art.newcity.com/2009/09/07/review-michele-stuttsarc-gallery/</link>
		<comments>http://art.newcity.com/2009/09/07/review-michele-stuttsarc-gallery/#comments</comments>
		<pubDate>Tue, 08 Sep 2009 04:57:39 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Michele Stutts]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3848</guid>
		<description><![CDATA[RECOMMENDED “Cabrini Green is beautiful,” the man in the film proudly declares, standing in front of a chain-link fence and graffiti-covered wall. And to him and many of the former Cabrini tenants, this seemingly contradictory statement is true. Michele Stutts captures their testimonials in a forty-five minute documentary. Juxtaposed against ten mixed-media pieces, the result [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Ken Konchel/ARC Gallery</title>
		<link>http://art.newcity.com/2009/09/07/review-ken-konchelarc-gallery/</link>
		<comments>http://art.newcity.com/2009/09/07/review-ken-konchelarc-gallery/#comments</comments>
		<pubDate>Tue, 08 Sep 2009 04:57:01 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Alexander Rodchenko]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Ken Konchel]]></category>
		<category><![CDATA[Laszlo Moholy-Nagy]]></category>
		<category><![CDATA[Paul Strand]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3834</guid>
		<description><![CDATA[RECOMMENDED An old-school modernist straight black-and-white photographic abstractionist, Ken Konchel shoots details of the most powerful architectural structures that he can find to create geometric force fields that assault the viewer’s eye. With a proclivity for massive concrete and steel forms that his framing places in juxtaposition, Konchel’s aesthetic combines the sense of imposing brute [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/09/07/review-ken-konchelarc-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Margaret LeJeune/ARC Gallery</title>
		<link>http://art.newcity.com/2009/07/27/review-margaret-lejeunearc-gallery/</link>
		<comments>http://art.newcity.com/2009/07/27/review-margaret-lejeunearc-gallery/#comments</comments>
		<pubDate>Tue, 28 Jul 2009 04:57:26 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Margaret LeJeune]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3558</guid>
		<description><![CDATA[RECOMMENDED Roman goddesses of the hunt, not. Margaret LeJeune’s series of color photographic portraits, in &#8220;The Modern Day Diana,&#8221; of women who take to the fields and forests with their weapons and bring their trophies back dead, show unassuming and ordinary people who betray no traces of blood lust. Shot in their simple rural homes [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/07/27/review-margaret-lejeunearc-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Sabba Saleem Syal/ARC Gallery</title>
		<link>http://art.newcity.com/2009/07/27/review-sabba-saleem-syalarc-gallery/</link>
		<comments>http://art.newcity.com/2009/07/27/review-sabba-saleem-syalarc-gallery/#comments</comments>
		<pubDate>Tue, 28 Jul 2009 04:57:24 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Sabba Saleem Syal]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3561</guid>
		<description><![CDATA[RECOMMENDED Much in the news as a site in the “war against terrorism,” Pakistan is for Sabba Saleem Syal a “contested” country without a fixed identity–a site in the culture wars of our time. To prove her point that diversity rules, Syal has cut out scores of informal color photos of Pakistani women of all [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/07/27/review-sabba-saleem-syalarc-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Money Matters</title>
		<link>http://art.newcity.com/2009/07/06/eye-exam-money-matters/</link>
		<comments>http://art.newcity.com/2009/07/06/eye-exam-money-matters/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 04:59:41 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[3Arts]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Artadia]]></category>
		<category><![CDATA[Arts Work Fund]]></category>
		<category><![CDATA[Chances Dances]]></category>
		<category><![CDATA[Iñigo Manglano-Ovalle]]></category>
		<category><![CDATA[Jason Lazarus]]></category>
		<category><![CDATA[Philip von Zweck]]></category>
		<category><![CDATA[Rebecca Kling]]></category>
		<category><![CDATA[The Richard H. Driehaus Foundation]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3489</guid>
		<description><![CDATA[By Jason Foumberg It’s usually around this time of year that I look forward to finding out the winners of The Richard H. Driehaus Foundation’s artist grants, an unrestricted gift of $15,000 (up from $10,000 in years past) to three Chicago-based artists. Since 2002, the foundation awarded money to two dozen artists simply for being [...]]]></description>
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