Last week, longtime friends Kathleen Burnett and Teresa Grammatke opened the doors to Gallery 2506, a commercial gallery in Logan Square. The launch of their “Perception” exhibition, which runs through May 29, marked its grand opening. This show, and those that follow, focuses on beauty—a key component of Gallery 2506’s mission.
The Art Institute of Chicago (AIC) recently announced collector Irving Stenn Jr.’s gift of 105 pivotal contemporary drawings by renowned artists. Considered to be one of the most significant contributions of drawings to have ever been given to the museum, the encompassing and vast body of work heavily focuses on works from the 1960s, to which Stenn was keenly attracted. The gifts were exhibited a couple years ago at AIC but will now be part of their permanent collection, put on display on occasion when their inclusion is appropriate to the exhibitions. When asked in a phone interview about why he decided to donate the drawings now, Stenn says, “The timing seems right, the Art Institute of Chicago is wonderful, and these drawings belong in the public hand.” Read the rest of this entry »
In recognition of his lifetime achievement, a selection of Eldzier Cortor’s prints are now on display at the Art Institute. The earliest series, “L’abbatoire” (slaughterhouse), 1955-1980, documents the artist’s dismay over the violent politics of Haiti, where he once lived. The “Dance” series, 1978, presents the nubile female form in a kind of decorative pattern that recalls the murals of ancient Crete or Egypt. The “Jewels/Theme” series, 1985, encases those same graceful women in brilliant, sharply cut gemstones. The “Sepia Odalisque” series, 1998, sets them, as sultry pairs, into a Turkish harem. Read the rest of this entry »
The first in a series of t-shirt design challenges sponsored by the Art Institute of Chicago (AIC) and the t-shirt company Threadless is quickly drawing to a close, with a March 10 deadline for submissions. When two globally recognized entities like these join forces in the name of art, beautiful things can happen. This is the first in an ongoing series of art-inspired t-shirt design challenges where artists from all over the world have been asked to create a piece of art inspired by the works of the museum and submit their designs. Read the rest of this entry »
This morning the list of 136 artists to be included in the upcoming fifty-sixth Venice Biennale was announced. Two Chicago-based artists are included in this impressive roster: Theaster Gates and Kerry James Marshall (#1 and #4 respectively on Newcity’s 2014 Art 50 list). The Bienniale opens on May 9, 2015 and runs through November 22, 2015. Read the rest of this entry »
By Matt Morris
Friends of mine are used to me bristling against the word “normal,” and many of the art students I teach have opted to avoid it lest they elicit a mini-lecture that questions the production of normalcy as an underlying societal force. At issue is how normative conceptions of being come about in relation to what is deemed abnormal: this could be queer, minority or, as I’m considering here, the production of the category of disability. 2015 marks the twenty-fifth anniversary of the Americans with Disabilities Act (ADA), leaving me with questions of what the art world has done over these decades to not only comply with government-mandated civil rights law but to actively imagine modes of engagement that appreciate differently abled bodies and minds of both art audiences and artists as an opportunity to create new forms of meaningful experience.
In his 2011 essay “Beautiful Progress to Nowhere,” Chicago-based artist, writer and educator Joseph Grigely wonders, “…The arts need disabled people; but it’s not clear what exactly defines this need. Is it because difference is ‘good’? Or is it because the experience disables those who interact with us, thereby rewriting the tacit rules by which we share space together?”
Perhaps innovations in how art can be a place of interaction for low and non-sighted individuals, those who are deaf, people with special needs for mobility and other perhaps difficult to predict differences in bodies stresses the incommensurability of shared experiences in art: it’s not the same for any of us, no matter what shared abilities we might have. I spoke with Dr. Carrie Sandahl, head of the Program on Disability Art, Culture, and Humanities at UIC, “Everybody can get some experience of the artwork with their own history and apparatus, but it doesn’t have to match. Why do we think that it’s ever going to match? Audiences are going to bring different things.” Read the rest of this entry »
In 2010, the anonymous graffiti crew Made U Look (MUL) executed a graffiti bombing of the Art Institute of Chicago’s Modern Wing. Under cover of snowfall, they painted a vibrant, text-based fifty-foot mural bookended by the phrases “Modern Art… Made You Look.” This unsanctioned act of institution critique challenged accessibility while calling attention to exclusion of graffiti from the canon of contemporary art. Steppenwolf for Young Adults, the revered ensemble’s teen-focused offshoot, has revisited the event that sparked these debates, concluding its revolution-focused season with “This Is Modern Art (based on true events).”
Alexander Calder, Andy Warhol and John Chamberlain are a few names from Ruth Horwich’s collection featured in the upcoming First Open sale of Post-War and Contemporary Art at Christie’s in New York on March 6, 2015.
Influential leaders and one of Chicago’s resident power couples, Ruth and her late husband Leonard impacted our region’s art scene not only with loaned and gifted artworks to many of our prominent local institutions—including the Museum of Contemporary Art (MCA) and the Smart Museum of Art—but also as two of MCA’s founders and champions for major public artworks such as Jean Dubuffet’s “Monument with Standing Beast” outside the Thompson Center. Leonard died in 1983, and given Ruth’s death in July 2014, twenty-four pieces from their collection will be offered for sale. An exhibition will precede the auction at Christie’s Rockefeller Center Galleries, from February 28 to March 3, 2015. Read the rest of this entry »
In early January, The Art Institute of Chicago (AIC) announced that Rebecca Long has been appointed as their new Patrick G. and Shirley W. Ryan associate curator in the department of medieval to modern European painting and sculpture. Long, who was associate curator of European painting and sculpture before 1800 at the Indianapolis Museum of Art (IMA) for the last six years prior to her new appointment, will be responsible for Italian and Spanish painting and sculpture before 1750 at AIC and will assume her position on February 27.
In the midst of moving to Chicago, Long writes via email, “I’m eagerly looking forward to working with such an amazing collection, to everything from research and gallery installation projects to thinking about creative and meaningful ways to expand the collection in order to broaden and augment its already formidable strengths. I’m also excited about joining the Art Institute’s efforts to reach a broad public and to give visitors a range of possible means of experiencing and learning from collections, exhibitions, and programs.” Long also humbly expresses her gratitude for all that she learned at IMA, articulating that the highlight for her was working with “Sacred Spain: Art and Belief in the Spanish World,” an exhibition she was involved with when she first came to IMA as a research fellow. Read the rest of this entry »
Winter can be a dreary month, with all its slushy snow, bitter cold, and flamboyantly merry couples. So if the skating rink in Millennium Park is causing your seasonal affective disorder to spike you and the various coffee shops around the city are filled to capacity, why not warm those frozen paws by taking advantage of the free admission days at our splendid museums? Here is a compilation of free museum days at twenty-one art, cultural and history museums to keep your brain active, eyes mesmerized, and your seasonal affective disorder at bay. (Mahjabeen Syed) Read the rest of this entry »