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	<title>Newcity Art &#187; Art Institute of Chicago</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Exposure/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2012/01/03/review-exposureart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2012/01/03/review-exposureart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 10:00:07 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Heather Rasmussen]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9186</guid>
		<description><![CDATA[RECOMMENDED Fascinated by the colorful and ruthlessly rectangular shipping crates that festoon California ports, Heather Rasmussen took to making miniature paper replicas of them; arranged her constructions to simulate documented accidents in which piles of containers crashed into each other, collapsed, or scattered in a mess; and shot her scenarios in color, leaving out any [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Timothy H. O’Sullivan/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/12/13/review-timothy-h-o%e2%80%99sullivanart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/12/13/review-timothy-h-o%e2%80%99sullivanart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 10:00:50 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Clarence King]]></category>
		<category><![CDATA[Timothy H. O’Sullivan]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9108</guid>
		<description><![CDATA[RECOMMENDED Between 1867 and 1869, the U.S. government sponsored a survey of the wondrous lands between the California border and Cheyenne, Wyoming, including in the team photographer Timothy H. O’Sullivan, who set about shooting intriguing rock formations of various and undreamt of kinds, views from above of budding towns, a vista here and there, and—the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/12/13/review-timothy-h-o%e2%80%99sullivanart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Three Graces/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/12/06/review-the-three-gracesart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/12/06/review-the-three-gracesart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 10:02:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Peter J. Cohen]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9061</guid>
		<description><![CDATA[RECOMMENDED When Peter J. Cohen went through his vast collection of old anonymous snapshots gleaned from flea markets and garage sales, he was struck by how many of them depicted female threesomes, gathered those together, tacked them on the gallery wall, and titled the exhibition “The Three Graces”—beauty, charm and grace. Billed as a history of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Windows on the War: Soviet TASS Posters at Home and Abroad, 1941-1945/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/08/08/review-windows-on-the-war-soviet-tass-posters-at-home-and-abroad-1941%e2%80%931945art-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/08/08/review-windows-on-the-war-soviet-tass-posters-at-home-and-abroad-1941%e2%80%931945art-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:57:33 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Pavel Sokolov-Skalia]]></category>
		<category><![CDATA[Sergei Kostin]]></category>
		<category><![CDATA[TASS]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8244</guid>
		<description><![CDATA[RECOMMENDED In 1939, Clement Greenberg famously distinguished avant-garde art from kitsch, the “predigested art” manufactured for the “ignorant Russian peasant” who knows “no discontinuity between art and life.” That distinction has framed the discourse of American art ever since, but it was a matter of life and death for Soviet artists once social realism was [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Ralph Eugene Meatyard/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/08/08/review-ralph-eugene-meatyardart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/08/08/review-ralph-eugene-meatyardart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 04:57:09 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Elizabeth Siegel]]></category>
		<category><![CDATA[Ralph Eugene Meatyard]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8227</guid>
		<description><![CDATA[RECOMMENDED A transplant from Normal, Illinois to Lexington, Kentucky, Ralph Eugene Meatyard took up photography, got into the circle of intellectuals presided over by Wendell Berry, and indulged his proclivities for the surreal suffused with Southern gothic. An early practitioner of the contemporary scenario shot whose trajectory peaked in the 1960s, Meatyard deployed his wife [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/08/08/review-ralph-eugene-meatyardart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Review: Avant-Garde Art in Everyday Life/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 28 Jun 2011 04:57:59 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Prints]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[El Lissitzky]]></category>
		<category><![CDATA[Gustav Klutsis]]></category>
		<category><![CDATA[John Heartfield]]></category>
		<category><![CDATA[Ladislav Sutnar]]></category>
		<category><![CDATA[Piet Zwart]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8061</guid>
		<description><![CDATA[RECOMMENDED The separation between everyday life and the visionary designers of the avant-garde is one of the ongoing ironies or misrepresentations of the twentieth century. An exhibition at the Art Institute retrieves the connections among graphic design, designed objects, art and “everyday life,” displaying book covers, teapots, postcards and the dynamic graphic work of six [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/06/27/review-avant-garde-art-in-everyday-lifeart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Review: Uta Barth/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/05/30/review-uta-barthart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/05/30/review-uta-barthart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 31 May 2011 04:57:47 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Uta Barth]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7912</guid>
		<description><![CDATA[RECOMMENDED A conjurer of visual effects in the quiet setting of her Los Angeles home as it interfaces with her yard outside through its windows, Uta Barth has explored the eye’s exhaustion by taking repeated photos of a tree, the liminal state of dusk in one of her rooms and, most recently, the play of [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/05/30/review-uta-barthart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Kings, Queens, and Courtiers: Art in Early Renaissance France/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/03/14/review-kings-queens-and-courtiers-art-in-early-renaissance-franceart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/03/14/review-kings-queens-and-courtiers-art-in-early-renaissance-franceart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 15 Mar 2011 04:58:54 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Bourdichon]]></category>
		<category><![CDATA[Colombe]]></category>
		<category><![CDATA[Jean Fouquet]]></category>
		<category><![CDATA[Jean Hey]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Nicolas Froment]]></category>
		<category><![CDATA[Pierre Sala]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7407</guid>
		<description><![CDATA[RECOMMENDED As its title denotes, this is an exhibition of things made to flatter and delight a French royal court, and since so many of the artists are Flemish or Italian, it is French patronage rather than national origin that distinguishes this collection. When shown in the Grand Palais, in Paris, earlier this year, it [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/03/14/review-kings-queens-and-courtiers-art-in-early-renaissance-franceart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Peter Fischli and David Weiss/Art Institute of Chicago</title>
		<link>http://art.newcity.com/2011/02/21/review-peter-fischli-and-david-weissart-institute-of-chicago/</link>
		<comments>http://art.newcity.com/2011/02/21/review-peter-fischli-and-david-weissart-institute-of-chicago/#comments</comments>
		<pubDate>Tue, 22 Feb 2011 05:58:54 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[David Weiss]]></category>
		<category><![CDATA[Peter Fischli]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7298</guid>
		<description><![CDATA[RECOMMENDED Swiss collaborative duo Peter Fischli and David Weiss excel at multiplying mundane elements to create captivating visual summations. The Art Institute of Chicago exhibits three early projects in which the pair plays with materials and imagined environments, demonstrating a subtle humor and unfettered enthusiasm for the acts of looking, experimenting and questioning. Their first [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/02/21/review-peter-fischli-and-david-weissart-institute-of-chicago/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Top 5 of Everything 2010: Art</title>
		<link>http://art.newcity.com/2010/12/21/the-top-5-of-everything-2010-art/</link>
		<comments>http://art.newcity.com/2010/12/21/the-top-5-of-everything-2010-art/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 20:33:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[ADDS DONNA]]></category>
		<category><![CDATA[Alexander Calder]]></category>
		<category><![CDATA[Antena Gallery]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Art Loop Open]]></category>
		<category><![CDATA[Catherine Edelman Gallery]]></category>
		<category><![CDATA[Chicago Art Department]]></category>
		<category><![CDATA[Chicago Artists Resource]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Club Nutz]]></category>
		<category><![CDATA[Corbett vs. Dempsey]]></category>
		<category><![CDATA[Dana DeGiulio]]></category>
		<category><![CDATA[David Weinberg Gallery]]></category>
		<category><![CDATA[David Wojnarowicz]]></category>
		<category><![CDATA[Dawoud Bey]]></category>
		<category><![CDATA[DePaul University Art Museum]]></category>
		<category><![CDATA[Devening Projects]]></category>
		<category><![CDATA[Dina Petrakis]]></category>
		<category><![CDATA[Ebersmoore Gallery]]></category>
		<category><![CDATA[Edra Soto]]></category>
		<category><![CDATA[Eugene Richards]]></category>
		<category><![CDATA[Eun Hyung Kim]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Gladys Nilsson]]></category>
		<category><![CDATA[Glass Curtain Gallery]]></category>
		<category><![CDATA[Green Lantern Gallery]]></category>
		<category><![CDATA[Humboldt Park Boathouse]]></category>
		<category><![CDATA[Ian Weaver]]></category>
		<category><![CDATA[Iceberg Projects]]></category>
		<category><![CDATA[Instituto Cervantes]]></category>
		<category><![CDATA[International Museum of Surgical Sciences]]></category>
		<category><![CDATA[J. Thomas Pallas]]></category>
		<category><![CDATA[James Garrett Faulkner]]></category>
		<category><![CDATA[Jeff Zimmermann]]></category>
		<category><![CDATA[Jim Duignan]]></category>
		<category><![CDATA[Kathryn Hixson]]></category>
		<category><![CDATA[Laszlo Moholy-Nagy]]></category>
		<category><![CDATA[Lauren Simonutti]]></category>
		<category><![CDATA[Leeza Meksin]]></category>
		<category><![CDATA[Lewis Baltz]]></category>
		<category><![CDATA[Liam Gillick]]></category>
		<category><![CDATA[Lilli Carré]]></category>
		<category><![CDATA[Loyola University Museum of Art]]></category>
		<category><![CDATA[Luc Tuymans]]></category>
		<category><![CDATA[Marwen]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Museum of Contemporary Photography]]></category>
		<category><![CDATA[Packer Schopf Gallery]]></category>
		<category><![CDATA[Patrick Nagatani]]></category>
		<category><![CDATA[Peregrine Program]]></category>
		<category><![CDATA[Philip Hanson]]></category>
		<category><![CDATA[Proximity Magazine]]></category>
		<category><![CDATA[Ray Noland]]></category>
		<category><![CDATA[Rebecca Zorach]]></category>
		<category><![CDATA[Roosevelt University Gage Gallery]]></category>
		<category><![CDATA[Rowley Kennerk Gallery]]></category>
		<category><![CDATA[Shannon Stratton]]></category>
		<category><![CDATA[Smart Museum]]></category>
		<category><![CDATA[Spudnik Press]]></category>
		<category><![CDATA[The Mission Projects]]></category>
		<category><![CDATA[The Suburban]]></category>
		<category><![CDATA[Theaster Gates]]></category>
		<category><![CDATA[Three Walls]]></category>
		<category><![CDATA[Tony Tasset]]></category>
		<category><![CDATA[Ukrainian Institute of Modern Art]]></category>
		<category><![CDATA[W. Eugene Smith]]></category>
		<category><![CDATA[William Eggleston]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7006</guid>
		<description><![CDATA[Top 5 People and Places We’ll Miss Kathryn Hixson David Weinberg Gallery Rowley Kennerk Gallery Green Lantern Gallery James Garrett Faulkner —Jason Foumberg Top 5 Solo Exhibitions Edra Soto/Ebersmoore Gallery Philip Hanson/Corbett vs. Dempsey Lilli Carré/Spudnik Press Gladys Nilsson/Ukrainian Institute of Modern Art Ian Weaver/Packer Schopf Gallery —Jason Foumberg Top 5 Public Art Projects Ray [...]]]></description>
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