Yoakum began making art at the age of seventy-six, when God told him to pick up a pen and begin drawing. Living on Chicago’s South Side, he made some two-thousand works before his death in 1972. [Read more…]
By Michael Weinstein
There is a tinge and twinge of sadness attending the viewing of the three concurrent exhibits showcasing the fabled collection of artworks amassed by Ruth Horwich and her husband Leonard over the last half century.
One cannot escape the sense that an era has ended. The Horwich collection is being broken up and cast to the four winds in the aftermath of Ruth Horwich’s death in July, 2014 at the age of ninety-four, preceded by Leonard’s passing in 1983. Her estate seeks to monetize the art. The choice pieces, from the viewpoint of marketability, by Alexander Calder and Andy Warhol, for example, have already been handled by Christie’s. Now we have an opportunity to see the rest of the collection, the non-Western indigenous artifacts at Douglas Dawson Gallery, and the works of the Chicago artists from the second half of the twentieth century—the backbone of the collection—at Carl Hammer Gallery and Russell Bowman Art Advisory. [Read more…]
Roy Boyd Gallery will close its doors after forty-two years on October 15. This venerable exhibition space in River North has shown Chicago artists along with a number of artists from the West Coast and around the world. Along with several decades of exhibiting artists in his Chicago gallery, Boyd also ran a second space in Los Angeles from 1981 until 1993. In these last days of the River North location at 739 North Wells, the gallery is presenting a panoply of art objects from its remaining inventory, a salon of works comprised of touchstones from across the space’s lifetime, in particular the Boyds’ devotion to abstraction. [Read more…]
Dan Ramirez, painting
Union League Club of Chicago, 65 West Jackson
Opening reception: 5:30pm-7pm, through September 30
(Members only opening, viewing by appointment only)
Anthony Iacuzzi and Christopher Schneberger, photography
Perspective Gallery, 1310-1/2B Chicago Avenue, Evanston
Opening reception: 5pm-8pm, through September 28
Amy Vogel, mixed-media survey exhibition
Cleve Carney Art Gallery at College of DuPage, Fawell and Park Boulevards, Glen Ellyn
Opening reception: 12pm-2pm, through October 25
Taehoon Kim and Barbara Diener, large scale sculpture and photographic installation
Moraine Valley Community College, 9000 West College, Palos Hills
Opening reception: 3pm–5pm, through September 18 and October 23 respectively [Read more…]
C.J. Pyle’s exhibition, “Saints and Sinners” is a meditation on detail and texture. To create these complex portraits, he needs only a few simple materials: ballpoint pens, Paper Mate pencils, and LP or book covers. He says no paper compares to that of 1970s and 1980s LP covers and the uniqueness of each pencil in a pack giving him a breadth of possibilities with line.
Back in the day when Detroit was Motown, making Thunderbirds and coating the cosmos with pop soul, Bill Rauhauser was out on the streets with his camera, funky as one can get, shooting freak-show signage, a Shriners parade, teenagers cavorting in the lake, ordinary undignified people and musicians plying their trade, all in black and white, and all with an indulgent tongue-in-cheek smile. Those were the days, it would seem, although the other sixties—the riots and the protests—presaged the post-industrial pit into which the city has fallen, at least in the public mind. [Read more…]
Chicago-trained, NYC-based artist David Sharpe has been painting cosmic spectaculars for many decades—a thrilling example from about thirty years ago recently hung in the Koffler collection at the DePaul Art Museum. Within that magnificence, the artist has often placed crudely rendered human figures that now feel less like the defiant scrawls of a schoolboy and more like the angry frustration of a mid-life crisis set in the sophisticated, pictorial world of early twentieth-century modernism.
His backgrounds resemble the bright, upbeat Arcadian interiors of Matisse, sometimes complete with the serpentine edges of philodendron leaves. They encompass angular female figures—sisters of the big-foot monster-women and angry wives of Picasso. [Read more…]