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	<title>Newcity Art &#187; DePaul University Museum</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Mark Curran/DePaul University Museum</title>
		<link>http://art.newcity.com/2010/02/08/review-mark-currandepaul-university-museum/</link>
		<comments>http://art.newcity.com/2010/02/08/review-mark-currandepaul-university-museum/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 04:57:55 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[DePaul University Museum]]></category>
		<category><![CDATA[Mark Curran]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4835</guid>
		<description><![CDATA[RECOMMENDED As part of his broader study of “industrialized space” in the era of globalization, photographer and installation artist Mark Curran honed in on the Hewlett-Packard Manufacturing and Research complex in Leixlip, Ireland that has since been closed down as the multinational technology giant went in search of cheaper labor. If we did not know [...]]]></description>
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		<title>Review: Double Exposure/DePaul University Museum</title>
		<link>http://art.newcity.com/2009/04/20/review-double-exposuredepaul-university-museum/</link>
		<comments>http://art.newcity.com/2009/04/20/review-double-exposuredepaul-university-museum/#comments</comments>
		<pubDate>Tue, 21 Apr 2009 04:57:47 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Carrie Mae Weems]]></category>
		<category><![CDATA[DePaul University Museum]]></category>
		<category><![CDATA[Hank Willis Thomas]]></category>
		<category><![CDATA[Lorna Simpson]]></category>
		<category><![CDATA[Willie Robert Middlebrook]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2899</guid>
		<description><![CDATA[RECOMMENDED From straight documentary to cultural criticism of representation; from celebrations of tradition to biting postmodern play; from sentimentality to irony, this lavish exhibition is the most brilliant survey of recent African-American photography ever to hit Chicago. The contemporary stars–Carrie Mae Weems, Lorna Simpson, Willie Robert Middlebrook, et al.–are in the house, but so are [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Reverence Renewed: Colonial Andean Art from the Thoma Collection/DePaul University Museum</title>
		<link>http://art.newcity.com/2009/02/16/review-reverence-renewed-colonial-andean-art-from-the-thoma-collectiondepaul-university-museum/</link>
		<comments>http://art.newcity.com/2009/02/16/review-reverence-renewed-colonial-andean-art-from-the-thoma-collectiondepaul-university-museum/#comments</comments>
		<pubDate>Tue, 17 Feb 2009 05:57:40 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[DePaul University Museum]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2457</guid>
		<description><![CDATA[RECOMMENDED In the early decades of the seventeenth-century, Cuszo was home to the first school of native artists in the colonial new world, using mostly European forms to serve a mostly European religion. But somehow it was different. The Virgin was just a little more like a giant earth mother—and the Trinity was sometimes presented [...]]]></description>
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		<title>Eye Exam: The Future Is Right Behind You</title>
		<link>http://art.newcity.com/2009/02/09/eye-exam-the-future-is-right-behind-you/</link>
		<comments>http://art.newcity.com/2009/02/09/eye-exam-the-future-is-right-behind-you/#comments</comments>
		<pubDate>Tue, 10 Feb 2009 05:59:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Black Panther]]></category>
		<category><![CDATA[DePaul University Museum]]></category>
		<category><![CDATA[Emory Douglas]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[University of Chicago]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2385</guid>
		<description><![CDATA[By Abraham Ritchie The exhibition “Paper Trail” at Gallery 400 is not a typical art exhibition, and it doesn’t claim to be one. Instead, it recreates the gallery as a gathering place, bringing together ephemera, mostly photographs, newspapers and books, from the late 1960s and early seventies related to various American radical political groups. The [...]]]></description>
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		<title>Review: Radicals in Black and Brown and Rising Up Angry/DePaul University Library</title>
		<link>http://art.newcity.com/2008/09/22/radicals-in-black-and-brown-depaul-university-library/</link>
		<comments>http://art.newcity.com/2008/09/22/radicals-in-black-and-brown-depaul-university-library/#comments</comments>
		<pubDate>Mon, 22 Sep 2008 03:14:20 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[DePaul University Museum]]></category>
		<category><![CDATA[Hiram Maristany]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=1107</guid>
		<description><![CDATA[RECOMMENDED Accompanying DePaul University Museum&#8217;s reflection on the 1968 Democratic convention, the school&#8217;s Center for Latino Research has mounted an independent double show with more than eighty photographs highlighting the Young Lords, Black Panthers and the precursors of the Rainbow Coalition, by a bevy of local shooters. A welcome supplement to the Museum&#8217;s images of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: 1968: Art and Politics in Chicago/DePaul University Museum</title>
		<link>http://art.newcity.com/2008/09/22/%e2%80%9c1968-art-and-politics-in-chicago%e2%80%9ddepaul-university-museum/</link>
		<comments>http://art.newcity.com/2008/09/22/%e2%80%9c1968-art-and-politics-in-chicago%e2%80%9ddepaul-university-museum/#comments</comments>
		<pubDate>Mon, 22 Sep 2008 03:10:15 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[DePaul University Museum]]></category>
		<category><![CDATA[Robert Sengstacke]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=1105</guid>
		<description><![CDATA[RECOMMENDED In a time of economic collapse and an unpopular war, it is worth looking back forty years to 1968 when Americans were told they could have &#8220;guns and butter,&#8221; and many of them said, &#8220;Hold the guns.&#8221; This lavish exhibit of the art that responded to the fabled Chicago Democratic Party convention and played [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Augustus Frederick Sherman/DePaul University Museum</title>
		<link>http://art.newcity.com/2008/05/29/review-augustus-frederick-shermandepaul-university-museum/</link>
		<comments>http://art.newcity.com/2008/05/29/review-augustus-frederick-shermandepaul-university-museum/#comments</comments>
		<pubDate>Thu, 29 May 2008 17:33:24 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Lincoln Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Augustus Frederick Sherman]]></category>
		<category><![CDATA[DePaul University Museum]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=268</guid>
		<description><![CDATA[RECOMMENDED As a clerk at Ellis Island from 1892-1925, amateur photographer Augustus Sherman seized the opportunity to take portraits of immigrants who failed the initial screening process and were held for further interrogation. Although his aim was to document the variety of human types composing the tidal wave of migrants, according to the ethnological conceits [...]]]></description>
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