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	<title>Newcity Art &#187; Gallery 400</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Global Cities, Model Worlds, and The World Finder Pocket Guide to Hell/Gallery 400</title>
		<link>http://art.newcity.com/2012/01/31/review-global-cities-model-worlds-and-the-world-finder-pocket-guide-to-hellgallery-400/</link>
		<comments>http://art.newcity.com/2012/01/31/review-global-cities-model-worlds-and-the-world-finder-pocket-guide-to-hellgallery-400/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:16 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Lize Mogel]]></category>
		<category><![CDATA[Pocket Guide to Hell]]></category>
		<category><![CDATA[Ryan Griffis]]></category>
		<category><![CDATA[Sarah Ross]]></category>
		<category><![CDATA[Steele MacKaye]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9328</guid>
		<description><![CDATA[RECOMMENDED Gallery 400’s double exhibition of “Global Cities, Model Worlds” and “The World Finder Pocket Guide to Hell” is a heavy-handed but nonetheless powerful pair of explorations of mega-events and their unplanned impacts. “Global Cities, Model Worlds,” the more striking of the pair, is more tongue-in-cheek than it first appears. Referencing children’s and science museums, with [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2012/01/31/review-global-cities-model-worlds-and-the-world-finder-pocket-guide-to-hellgallery-400/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Personal Spaces</title>
		<link>http://art.newcity.com/2011/09/20/eye-exam-personal-spaces/</link>
		<comments>http://art.newcity.com/2011/09/20/eye-exam-personal-spaces/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 09:15:43 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Ukrainian Village/East Village]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Candice Breitz]]></category>
		<category><![CDATA[Casilda Sanchez]]></category>
		<category><![CDATA[Desirée Holman]]></category>
		<category><![CDATA[Diego Leclery]]></category>
		<category><![CDATA[EJ Hill]]></category>
		<category><![CDATA[Elijah Burger]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Hans Namuth]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Jefferson Godard]]></category>
		<category><![CDATA[John Neff]]></category>
		<category><![CDATA[LaToya Ruby Frazier]]></category>
		<category><![CDATA[Laurel Nakadate]]></category>
		<category><![CDATA[Leigh Ledare]]></category>
		<category><![CDATA[Lorelei Stewart]]></category>
		<category><![CDATA[Manon de Boer]]></category>
		<category><![CDATA[Michael Sirianni]]></category>
		<category><![CDATA[The Mission]]></category>
		<category><![CDATA[Tom Daws]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=8583</guid>
		<description><![CDATA[By Gretchen Holmes My lover always complains about the smudges I leave on his glasses when my nose and cheeks and forehead smear oil and makeup across his big, thick lenses. &#8221;Darling,&#8221; he says, &#8220;your love and its little mark-making project, it obstructs the aim of my gaze.&#8221; This seems ungrateful: my love’s lenses, the point [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Top 5 of Everything 2010: Art</title>
		<link>http://art.newcity.com/2010/12/21/the-top-5-of-everything-2010-art/</link>
		<comments>http://art.newcity.com/2010/12/21/the-top-5-of-everything-2010-art/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 20:33:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[ADDS DONNA]]></category>
		<category><![CDATA[Alexander Calder]]></category>
		<category><![CDATA[Antena Gallery]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Art Loop Open]]></category>
		<category><![CDATA[Catherine Edelman Gallery]]></category>
		<category><![CDATA[Chicago Art Department]]></category>
		<category><![CDATA[Chicago Artists Resource]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Club Nutz]]></category>
		<category><![CDATA[Corbett vs. Dempsey]]></category>
		<category><![CDATA[Dana DeGiulio]]></category>
		<category><![CDATA[David Weinberg Gallery]]></category>
		<category><![CDATA[David Wojnarowicz]]></category>
		<category><![CDATA[Dawoud Bey]]></category>
		<category><![CDATA[DePaul University Art Museum]]></category>
		<category><![CDATA[Devening Projects]]></category>
		<category><![CDATA[Dina Petrakis]]></category>
		<category><![CDATA[Ebersmoore Gallery]]></category>
		<category><![CDATA[Edra Soto]]></category>
		<category><![CDATA[Eugene Richards]]></category>
		<category><![CDATA[Eun Hyung Kim]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Gladys Nilsson]]></category>
		<category><![CDATA[Glass Curtain Gallery]]></category>
		<category><![CDATA[Green Lantern Gallery]]></category>
		<category><![CDATA[Humboldt Park Boathouse]]></category>
		<category><![CDATA[Ian Weaver]]></category>
		<category><![CDATA[Iceberg Projects]]></category>
		<category><![CDATA[Instituto Cervantes]]></category>
		<category><![CDATA[International Museum of Surgical Sciences]]></category>
		<category><![CDATA[J. Thomas Pallas]]></category>
		<category><![CDATA[James Garrett Faulkner]]></category>
		<category><![CDATA[Jeff Zimmermann]]></category>
		<category><![CDATA[Jim Duignan]]></category>
		<category><![CDATA[Kathryn Hixson]]></category>
		<category><![CDATA[Laszlo Moholy-Nagy]]></category>
		<category><![CDATA[Lauren Simonutti]]></category>
		<category><![CDATA[Leeza Meksin]]></category>
		<category><![CDATA[Lewis Baltz]]></category>
		<category><![CDATA[Liam Gillick]]></category>
		<category><![CDATA[Lilli Carré]]></category>
		<category><![CDATA[Loyola University Museum of Art]]></category>
		<category><![CDATA[Luc Tuymans]]></category>
		<category><![CDATA[Marwen]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Museum of Contemporary Photography]]></category>
		<category><![CDATA[Packer Schopf Gallery]]></category>
		<category><![CDATA[Patrick Nagatani]]></category>
		<category><![CDATA[Peregrine Program]]></category>
		<category><![CDATA[Philip Hanson]]></category>
		<category><![CDATA[Proximity Magazine]]></category>
		<category><![CDATA[Ray Noland]]></category>
		<category><![CDATA[Rebecca Zorach]]></category>
		<category><![CDATA[Roosevelt University Gage Gallery]]></category>
		<category><![CDATA[Rowley Kennerk Gallery]]></category>
		<category><![CDATA[Shannon Stratton]]></category>
		<category><![CDATA[Smart Museum]]></category>
		<category><![CDATA[Spudnik Press]]></category>
		<category><![CDATA[The Mission Projects]]></category>
		<category><![CDATA[The Suburban]]></category>
		<category><![CDATA[Theaster Gates]]></category>
		<category><![CDATA[Three Walls]]></category>
		<category><![CDATA[Tony Tasset]]></category>
		<category><![CDATA[Ukrainian Institute of Modern Art]]></category>
		<category><![CDATA[W. Eugene Smith]]></category>
		<category><![CDATA[William Eggleston]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7006</guid>
		<description><![CDATA[Top 5 People and Places We’ll Miss Kathryn Hixson David Weinberg Gallery Rowley Kennerk Gallery Green Lantern Gallery James Garrett Faulkner —Jason Foumberg Top 5 Solo Exhibitions Edra Soto/Ebersmoore Gallery Philip Hanson/Corbett vs. Dempsey Lilli Carré/Spudnik Press Gladys Nilsson/Ukrainian Institute of Modern Art Ian Weaver/Packer Schopf Gallery —Jason Foumberg Top 5 Public Art Projects Ray [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/12/21/the-top-5-of-everything-2010-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Steve Reinke/Gallery 400</title>
		<link>http://art.newcity.com/2010/11/22/review-steve-reinkegallery-400/</link>
		<comments>http://art.newcity.com/2010/11/22/review-steve-reinkegallery-400/#comments</comments>
		<pubDate>Tue, 23 Nov 2010 05:57:42 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Dani Leventhal]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[James Richards]]></category>
		<category><![CDATA[Jessie Mott]]></category>
		<category><![CDATA[John Marriott]]></category>
		<category><![CDATA[Steve Reinke]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6862</guid>
		<description><![CDATA[RECOMMENDED Gallery 400’s exhibition of new work from Steve Reinke and collaborators Dani Leventhal, John Marriott, Jessie Mott and James Richards manages to be both sardonically funny as well as often unexpectedly and profoundly confrontational. Centered around an hour-long suite of Reinke’s new video work, which mixes moral interrogation with humor, ironic voiceovers and Beckettesque [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/11/22/review-steve-reinkegallery-400/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Familiar Object</title>
		<link>http://art.newcity.com/2010/09/27/eye-exam-familiar-object/</link>
		<comments>http://art.newcity.com/2010/09/27/eye-exam-familiar-object/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 04:59:22 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Alexander Archipenko]]></category>
		<category><![CDATA[ArchiTech Gallery]]></category>
		<category><![CDATA[Carl Hammer Gallery]]></category>
		<category><![CDATA[Carol Jackson]]></category>
		<category><![CDATA[Chris Johanson]]></category>
		<category><![CDATA[Frank Gehry]]></category>
		<category><![CDATA[Frank Lloyd Wright]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Gregor Schneider]]></category>
		<category><![CDATA[Joseph Yoakum]]></category>
		<category><![CDATA[Kavi Gupta Gallery]]></category>
		<category><![CDATA[Rachel Whiteread]]></category>
		<category><![CDATA[Richard Neutra]]></category>
		<category><![CDATA[Roots and Culture]]></category>
		<category><![CDATA[Stephanie Syjuco]]></category>
		<category><![CDATA[Teresa Szanto]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6514</guid>
		<description><![CDATA[By Jason Foumberg In the 1990s, a huge range of contemporary art was categorized into some simple themes. There was a quick consensus that “the body” and “identity,” “memory” and “home” defined the queries and struggles of our contemporary era, as if the big world was so complex—and overburdened by art theory—that we needed to [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/09/27/eye-exam-familiar-object/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Stephanie Syjuco/Gallery 400</title>
		<link>http://art.newcity.com/2010/09/20/review-stephanie-syjucogallery-400/</link>
		<comments>http://art.newcity.com/2010/09/20/review-stephanie-syjucogallery-400/#comments</comments>
		<pubDate>Tue, 21 Sep 2010 04:57:56 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Stephanie Syjuco]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6455</guid>
		<description><![CDATA[RECOMMENDED There is a formal elegance to Stephanie Syjuco&#8217;s installation at Gallery 400, despite the awkwardness of the objects on display. Each object was designed online by users of Google&#8217;s 3D modeling program, SketchUp, and then reproduced in the gallery by Syjuco using basic materials, such as cardboard and foam core, cut and taped together [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/09/20/review-stephanie-syjucogallery-400/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Eun Hyung Kim/Gallery 400</title>
		<link>http://art.newcity.com/2010/05/04/review-eun-hyung-kimgallery-400/</link>
		<comments>http://art.newcity.com/2010/05/04/review-eun-hyung-kimgallery-400/#comments</comments>
		<pubDate>Wed, 05 May 2010 02:22:02 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Eun Hyung Kim]]></category>
		<category><![CDATA[Gallery 400]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=5472</guid>
		<description><![CDATA[RECOMMENDED We&#8217;re in the habit of talking about site-specific installations, but time-specific would be a more appropriate tag for Eun Hyung Kim’s new exhibition at Gallery 400. The artist’s ever-increasing catalog of images is equally journalistic, confessional, and allegorical: a man urinates on his own face (decapitated, in the toilet), a person grows from a [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/05/04/review-eun-hyung-kimgallery-400/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Making Art Work for You</title>
		<link>http://art.newcity.com/2010/02/16/eye-exam-making-art-work-for-you/</link>
		<comments>http://art.newcity.com/2010/02/16/eye-exam-making-art-work-for-you/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 04:59:44 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Art Work]]></category>
		<category><![CDATA[Art Worker’s Coalition]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Gregory Sholette]]></category>
		<category><![CDATA[Holland Cotter]]></category>
		<category><![CDATA[Julia Bryan-Wilson]]></category>
		<category><![CDATA[Piero Manzoni]]></category>
		<category><![CDATA[Temporary Services]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4920</guid>
		<description><![CDATA[By Nate Lee and Jason Foumberg Art historian Julia Bryan-Wilson’s recently published book “Art Workers” looks into how artists, critics, museum guards and art professionals consolidated in protest, in the 1960s and seventies in New York City, against the Vietnam War. In process, a short-lived Art Worker’s Coalition successfully increased the opportunities for “art workers,” [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>At Zeroes End: Art in Chicago, 2000–2009</title>
		<link>http://art.newcity.com/2009/12/01/at-zeroes-end-art-in-chicago-2000%e2%80%932009/</link>
		<comments>http://art.newcity.com/2009/12/01/at-zeroes-end-art-in-chicago-2000%e2%80%932009/#comments</comments>
		<pubDate>Tue, 01 Dec 2009 22:33:00 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Alan Artner]]></category>
		<category><![CDATA[Anthony Elms]]></category>
		<category><![CDATA[AREA]]></category>
		<category><![CDATA[Art Chicago]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Art or Idiocy?]]></category>
		<category><![CDATA[Bad at Sports]]></category>
		<category><![CDATA[Beatrice Fisher]]></category>
		<category><![CDATA[Ben Schaafsma]]></category>
		<category><![CDATA[Blunt Art Text]]></category>
		<category><![CDATA[Bridge]]></category>
		<category><![CDATA[Carl Hammer]]></category>
		<category><![CDATA[Carlos Cortez]]></category>
		<category><![CDATA[Chicago Artists Coalition]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Cody Hudson]]></category>
		<category><![CDATA[Critical Inquiry]]></category>
		<category><![CDATA[Dan Peterman]]></category>
		<category><![CDATA[Ed Paschke]]></category>
		<category><![CDATA[Fred Camper]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Geraldine McCullough]]></category>
		<category><![CDATA[Green Lantern Gallery]]></category>
		<category><![CDATA[Gregory Knight]]></category>
		<category><![CDATA[H. C. Westermann]]></category>
		<category><![CDATA[Hyde Park Art Center]]></category>
		<category><![CDATA[Iconoduel]]></category>
		<category><![CDATA[James Yood]]></category>
		<category><![CDATA[Jim Dempsey]]></category>
		<category><![CDATA[Jim Duignan]]></category>
		<category><![CDATA[Jim Nutt]]></category>
		<category><![CDATA[John Corbett]]></category>
		<category><![CDATA[Joyce Owens]]></category>
		<category><![CDATA[Kathryn Born]]></category>
		<category><![CDATA[Kerry James Marshall]]></category>
		<category><![CDATA[Leisure Arts]]></category>
		<category><![CDATA[Leon Golub]]></category>
		<category><![CDATA[Lorelei Stewart]]></category>
		<category><![CDATA[Lumpen]]></category>
		<category><![CDATA[May Revue]]></category>
		<category><![CDATA[Mess Hall]]></category>
		<category><![CDATA[Michael Piazza]]></category>
		<category><![CDATA[Michael Workman]]></category>
		<category><![CDATA[Michelle Grabner]]></category>
		<category><![CDATA[Mike Wolf]]></category>
		<category><![CDATA[Modern Wing]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Museum of Contemporary Photography]]></category>
		<category><![CDATA[Navy Pier]]></category>
		<category><![CDATA[Nick Cave]]></category>
		<category><![CDATA[Panel House]]></category>
		<category><![CDATA[Paul Klein]]></category>
		<category><![CDATA[Phonebook]]></category>
		<category><![CDATA[Phyllis Bramson]]></category>
		<category><![CDATA[Prompt]]></category>
		<category><![CDATA[Proximity]]></category>
		<category><![CDATA[Ray Yoshida]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[Robert Heinecken]]></category>
		<category><![CDATA[Smart Museum]]></category>
		<category><![CDATA[Stockyard Institute]]></category>
		<category><![CDATA[Stray Show]]></category>
		<category><![CDATA[Temporary Services]]></category>
		<category><![CDATA[Ten by Ten]]></category>
		<category><![CDATA[Three Walls]]></category>
		<category><![CDATA[Tony Fitzpatrick]]></category>
		<category><![CDATA[Wesley Kimler]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4418</guid>
		<description><![CDATA[  By Jason Foumberg Art is long, but institutional memory is short. In many ways, Chicago’s art history is written as it occurs, in situ, by the people who produce it. Artists toil in their studios, heads-down. Apartment galleries open and close as briskly as the seasons change. We consume one-night-only events by the half-dozen, [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Preview: Gnathonemus Petersii/Gallery 400</title>
		<link>http://art.newcity.com/2009/10/05/preview-gnathonemus-petersiigallery-400/</link>
		<comments>http://art.newcity.com/2009/10/05/preview-gnathonemus-petersiigallery-400/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 04:57:52 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Alex Halsted]]></category>
		<category><![CDATA[Christian Marclay]]></category>
		<category><![CDATA[David Moré]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Gnathonemus Petersii]]></category>
		<category><![CDATA[Kenneth Rinaldo]]></category>
		<category><![CDATA[Matmos]]></category>
		<category><![CDATA[Vega Estates]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4072</guid>
		<description><![CDATA[RECOMMENDED In college I saw Christian Marclay’s 1989 “Tape Fall,” a piece that features a ladder supporting a reel-to-reel tape recorder, which plays the sound of a waterfall while unspooling a ribbon of tape into a pile on the floor. Then in August 2008 at Vega Estates I saw David Moré’s &#8220;THIS MEANS SOMETHING! Close Encounters [...]]]></description>
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		<slash:comments>0</slash:comments>
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