Claude-Aline Miller, Sandro Miller and Carrie Lannon at DARKROOM 2015/Photo: Jeff Schear
The Museum of Contemporary Photography (MoCP) announced that its upcoming 40th Anniversary Benefit Auction to take place on February 25 will pay homage to philanthropist Sonia Bloch and acclaimed Chicago artist Barbara Kasten, presenting each woman with the Silver Camera Award in honor of their contributions to the medium of photography. Read the rest of this entry »
Top 5 Art Anniversaries
School of the Art Institute of Chicago (150th)
The Renaissance Society (100th)
Arts Club of Chicago (99th)
Smart Museum (40th)
Loyola University Art Museum (10th)
Top 5 Visiting Artist Talks
–Elliot Reichert Read the rest of this entry »
Nadav Kander. “Fengine III (Monument to Progress and Prosperity), Chongqing Municipality,” 2007.
Frank Gehry said that “architecture should speak of its time and place, but yearn for timelessness.” Read the rest of this entry »
Long heralded as a mecca for alternative practices, collectivity and socially engaged art, Chicago increasingly finds itself among the most visible international art destinations precisely because of its distinct character and openness to change and growth. What makes this city fertile ground for launching new talent and sustaining confirmed genius? A complex and ever-changing network of curators, collectors, administrators, critics, dealers, educators and other enthusiasts cultivate Chicago’s artistic vitality and diversity. The Art 50 is Newcity’s annual snapshot of Chicago’s art ecosystem. This year, we track the power players who shape the terrain in which we thrive.
The Art 50 was written by Elliot J. Reichert, Maria Girgenti, Abraham Ritchie, Kate Sierzputowski and B. David Zarley.
Cover and interior photos by Joe Mazza/Brave Lux on location at the Museum of Contemporary Art Chicago Read the rest of this entry »
Tomas van Houtryve. “A North Korean woman loads a pistol for firing practice in Pyongyang, North Korea,” 2007.
There is no state-appointed official to guide you on your tour of “North Korean Perspectives.” The inner workings of the Hermit Kingdom, a charming term applied to any country that purposely shuts itself from the rest of the world, have been captured on film for your review. Beware, all is not as it seems.
Read the rest of this entry »
Activist Art, Architecture, Art Fairs, Art Schools, Collage, Comics, Design, Digital Art, Drawings, Evanston, Fall Preview, Galleries & Museums, Garfield Park, Gold Coast/Old Town, Humboldt Park, Hyde Park, Installation, Little Village, Logan Square, Loop, Michigan Avenue, Multimedia, Museum Campus, Outsider Art, Painting, Performance, Photography, Pilsen, Prints, Public Art, River North, River West, Rogers Park, Sculpture, South Loop, Street Art, Streeterville, Suburban, Ukrainian Village/East Village, Uptown, Video, West Loop, West Town, Wicker Park/Bucktown
The thing that was sent to me in its intended but unsettling orientation.
By Elliot J. Reichert
The above image was sent to me anonymously in the middle of the night. Shocking as it appears, I was relieved to receive it. You see, weeks ago I had contacted a few artist friends to ask them to reflect on the upcoming fall art season in Chicago and to ask one to “take over” the task of appraising it. To my surprise, they were reluctant to describe it, even those who had exhibitions of their work opening in the coming weeks. Later, I realized that their silence was my doing, having asked a question that could produce no coherent answer.
Much like the drawing game made famous by the Surrealists, Chicago’s 2015 fall art season is an exquisite corpse—a thing of grotesque beauty that is the dream of no one, but the creation of many. At first glance, it appears sinister, like the Block Museum’s solo show of newly commissioned works by Chicago artist Geof Oppenheimer. Rumor has it that the sculptor has filled the museum’s ample galleries with austere and foreboding installations resembling the cinderblock constructions of grim institutions, like prison, or perhaps your corporate office. Even more menacing, Irena Haiduk, also Chicago-based and also exhibiting new work, will haunt the eaves of the Renaissance Society’s transformed gallery with the Sirens of Greek mythology, luring visitors unexpectedly into a debate on the revolutionary possibilities of art and social change amidst current political upheaval worldwide. Read the rest of this entry »
Students from the Picture Me program with museum staff/Photo: Jacob Boll
The Museum of Contemporary Photography (MoCP) at Columbia College Chicago will receive a $20,000 award from the National Endowment for the Arts (NEA) to aid MoCP’s Picture Me after-school photography mentorship program for high-school students. Picture Me develops Chicago teenagers as independent artists by cultivating skills to produce creativity. This aim coincides with NEA’s commitment for “advancing learning, fueling creativity, and celebrating the arts,” as Jane Chu, NEA chairman, puts it in the press release. Read the rest of this entry »
Charl Landvreugd. “Atlantic Transformerz: Faidherbe,” 2014
archival inkjet print
By Matt Morris
The Museum of Contemporary Photography (MoCP) is presently host to a fashion parade poised in lithe contestation of dominant racist portrayals of the contemporary urban black man as a streetwise predator, marked as such by codes of dress that lie between stereotypes of gangster, pimp and deadbeat. Enter the “Dandy Lion,” a cultural phenomenon curator Shantrelle P. Lewis here examines as a counterpoint to the sagging cliché. A fetish for fine tailoring, nostalgic forms of menswear interpreted through the performances and rituals of dress found variously in African cultures, an elegant, highly crafted self-image, and adept showmanship: these are among a dandy lion’s hallmarks. As Lewis notes in her curator’s statement, “[T]he African Diasporan dandy cleverly manipulates clothing and attitude to exert his agency rather than succumb to the limited ideals placed on him by society. He performs identity. Most importantly, an integral part of this rebellion entails posing before a camera.” Read the rest of this entry »
Hyounsang Yoo. “The Celebration,” 2013
The Museum of Contemporary Photography (MoCP) has begun accepting submissions for the third iteration of the Snider Prize. Sponsored by MoCP patrons Lawrence K. and Maxine Snider, the Snider Prize is a purchase award given to emerging artists who are on the cusp of leaving graduate school and is open to MFA students who are currently in their final year of study at an accredited program in the US. One artist is awarded a sum of $2,000, the funds of which will be used toward purchasing pieces of work that will be supplemented to MoCP’s permanent collection. Additionally, two honorable mentions will receive $500 each. Submissions for the 2015 Snider Prize will be accepted from January 15 through April 1, 2015. Read the rest of this entry »
Richard Mosse. “Sugar Ray,” chromogenic development print, 2012
“Phantoms in the Dirt” at The Museum of Contemporary Photography, guest curated by the MCA’s Karsten Lund, takes a literal approach to the photographic treatment of detritus, while showcasing a number of works with more subtle allusions to dirt, dust, baseness and the essential materiality of the photographic process.
The exhibition is introduced by a number of richly material works. Harold Mendez’s installation “Let the shadows in to play their part” plasters the back wall of the museum’s first floor in eucalyptus bark, fleck’s of black silicone carbide and other pigments. Richard Mosse’s palpable photographs of a surreal cotton-candy landscape are in fact images of the Congolese countryside shot on Kodak Aerochrome, a defunct infrared film which renders vegetation in brilliant pinks and reds. Read the rest of this entry »