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	<title>Newcity Art &#187; Renaissance Society</title>
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	<link>http://art.newcity.com</link>
	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Cathy Wilkes/Renaissance Society</title>
		<link>http://art.newcity.com/2012/01/31/review-cathy-wilkesrenaissance-society/</link>
		<comments>http://art.newcity.com/2012/01/31/review-cathy-wilkesrenaissance-society/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:07 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Cathy Wilkes]]></category>
		<category><![CDATA[Renaissance Society]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=9334</guid>
		<description><![CDATA[RECOMMENDED Mannequins, grocery-store checkout belts, paintings and an assortment of domestic detritus are a few of the items in Cathy Wilkes’ mixed-media installation, “I Give You All My Money,” at the Renaissance Society. Most of these items have undergone some form of decay: ash-covered pierrot mannequins, jars of encrusted baby food, tattered bits of cotton, [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2012/01/31/review-cathy-wilkesrenaissance-society/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: William J. O’Brien/Renaissance Society</title>
		<link>http://art.newcity.com/2011/05/30/review-william-j-o%e2%80%99brienrenaissance-society/</link>
		<comments>http://art.newcity.com/2011/05/30/review-william-j-o%e2%80%99brienrenaissance-society/#comments</comments>
		<pubDate>Tue, 31 May 2011 04:57:40 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[James Ensor]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[William J. O’Brien]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7928</guid>
		<description><![CDATA[RECOMMENDED The impulse to sort and classify William J. O’Brien’s 100 vessels, urns, plates, masks, heads, fragments and geometric constructions in his current exhibition should be suppressed, at least momentarily, for the power of this display is in its collective glut, as a chorus of many shouting, horrible and sick faces and visceral sculptures, raw [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2011/05/30/review-william-j-o%e2%80%99brienrenaissance-society/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Anna Shteynshleyger/Renaissance Society</title>
		<link>http://art.newcity.com/2010/01/18/review-anna-shteynshleygerrenaissance-society/</link>
		<comments>http://art.newcity.com/2010/01/18/review-anna-shteynshleygerrenaissance-society/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 04:56:38 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Anna Shteynshleyger]]></category>
		<category><![CDATA[Renaissance Society]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4691</guid>
		<description><![CDATA[    RECOMMENDED “I want to make work about biography, but I don’t want to talk about myself,” Anna Shteynshleyger explained when asked about the apparent emotional disjunction of the biographical work currently on exhibition at the Renaissance Society. Twenty large photographs (most forty by fifty inches), portraits and landscapes from the series “City of [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2010/01/18/review-anna-shteynshleygerrenaissance-society/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Newcity&#8217;s Top 5 of Everything 2009: Art &amp; Museums</title>
		<link>http://art.newcity.com/2009/12/28/newcitys-top-5-lists-of-2009-art-museums/</link>
		<comments>http://art.newcity.com/2009/12/28/newcitys-top-5-lists-of-2009-art-museums/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 16:11:54 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[65Grand]]></category>
		<category><![CDATA[Ali Bailey]]></category>
		<category><![CDATA[Alogon]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Austin Eddy]]></category>
		<category><![CDATA[Barbara Crane]]></category>
		<category><![CDATA[Bert Hardy]]></category>
		<category><![CDATA[Birute Zokaityte]]></category>
		<category><![CDATA[Carlos Javier Ortiz]]></category>
		<category><![CDATA[Carroll Dunham]]></category>
		<category><![CDATA[Chuck Walker]]></category>
		<category><![CDATA[Clutch Gallery]]></category>
		<category><![CDATA[Corbett vs. Dempsey]]></category>
		<category><![CDATA[Crisanta de Guzman]]></category>
		<category><![CDATA[Deb Sokolow]]></category>
		<category><![CDATA[DePaul University Art Museum]]></category>
		<category><![CDATA[DOVA Temporary]]></category>
		<category><![CDATA[Ebersmoore Gallery]]></category>
		<category><![CDATA[Eel Space]]></category>
		<category><![CDATA[Egle Vertelkaite]]></category>
		<category><![CDATA[Eric Ellis]]></category>
		<category><![CDATA[Garage Spaces]]></category>
		<category><![CDATA[Golden Gallery]]></category>
		<category><![CDATA[Green Lantern Gallery]]></category>
		<category><![CDATA[H. C. Westermann]]></category>
		<category><![CDATA[He Said-She Said]]></category>
		<category><![CDATA[Heaven Gallery]]></category>
		<category><![CDATA[Hyde Park Art Center]]></category>
		<category><![CDATA[I space]]></category>
		<category><![CDATA[InCUBATE]]></category>
		<category><![CDATA[James Castle]]></category>
		<category><![CDATA[Jon Lowenstein]]></category>
		<category><![CDATA[Linda Warren Gallery]]></category>
		<category><![CDATA[Liu Bolin]]></category>
		<category><![CDATA[LUMA]]></category>
		<category><![CDATA[Mary Lou Zelazny]]></category>
		<category><![CDATA[Mess Hall]]></category>
		<category><![CDATA[Molly Springfield]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Museum of Contemporary Photography]]></category>
		<category><![CDATA[Mvseum]]></category>
		<category><![CDATA[Nina Berman]]></category>
		<category><![CDATA[Olafur Eliasson]]></category>
		<category><![CDATA[olumbia College Center for Book & Paper Arts]]></category>
		<category><![CDATA[Paul Chan]]></category>
		<category><![CDATA[Peter Lemke]]></category>
		<category><![CDATA[Psychic Reality]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[Rob Carter]]></category>
		<category><![CDATA[Roosevelt University Gage Gallery]]></category>
		<category><![CDATA[Roy Boyd Gallery]]></category>
		<category><![CDATA[Sarah Krepp]]></category>
		<category><![CDATA[Schneider Gallery]]></category>
		<category><![CDATA[SCOTT PROJECTS]]></category>
		<category><![CDATA[Smart Museum]]></category>
		<category><![CDATA[Spertus Museum]]></category>
		<category><![CDATA[Spoke]]></category>
		<category><![CDATA[Stephen Daiter Gallery]]></category>
		<category><![CDATA[Stolen]]></category>
		<category><![CDATA[Swimming Pool Project Space]]></category>
		<category><![CDATA[The Coop]]></category>
		<category><![CDATA[The Modern Wing]]></category>
		<category><![CDATA[Thomas Robertello Gallery]]></category>
		<category><![CDATA[Tony Wight Gallery]]></category>
		<category><![CDATA[Twelve Galleries]]></category>
		<category><![CDATA[Western Exhibitions]]></category>
		<category><![CDATA[Will Staples]]></category>
		<category><![CDATA[Woman Made Gallery]]></category>
		<category><![CDATA[Young Sun Han]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4533</guid>
		<description><![CDATA[Top 5 Museum Shows Olafur Eliasson, Museum of Contemporary Art Your Pal, Cliff: Selections from the H.C. Westermann Study Collection, Smart Museum Paul Chan, Renaissance Society Mary Lou Zelazny, Hyde Park Art Center James Castle: A Retrospective, Art Institute of Chicago —Jason Foumberg Top 5 Gallery Shows Rob Carter, Ebersmoore Gallery Big Youth, Corbett vs. [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/12/28/newcitys-top-5-lists-of-2009-art-museums/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>At Zeroes End: Art in Chicago, 2000–2009</title>
		<link>http://art.newcity.com/2009/12/01/at-zeroes-end-art-in-chicago-2000%e2%80%932009/</link>
		<comments>http://art.newcity.com/2009/12/01/at-zeroes-end-art-in-chicago-2000%e2%80%932009/#comments</comments>
		<pubDate>Tue, 01 Dec 2009 22:33:00 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Alan Artner]]></category>
		<category><![CDATA[Anthony Elms]]></category>
		<category><![CDATA[AREA]]></category>
		<category><![CDATA[Art Chicago]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Art or Idiocy?]]></category>
		<category><![CDATA[Bad at Sports]]></category>
		<category><![CDATA[Beatrice Fisher]]></category>
		<category><![CDATA[Ben Schaafsma]]></category>
		<category><![CDATA[Blunt Art Text]]></category>
		<category><![CDATA[Bridge]]></category>
		<category><![CDATA[Carl Hammer]]></category>
		<category><![CDATA[Carlos Cortez]]></category>
		<category><![CDATA[Chicago Artists Coalition]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Cody Hudson]]></category>
		<category><![CDATA[Critical Inquiry]]></category>
		<category><![CDATA[Dan Peterman]]></category>
		<category><![CDATA[Ed Paschke]]></category>
		<category><![CDATA[Fred Camper]]></category>
		<category><![CDATA[Gallery 400]]></category>
		<category><![CDATA[Geraldine McCullough]]></category>
		<category><![CDATA[Green Lantern Gallery]]></category>
		<category><![CDATA[Gregory Knight]]></category>
		<category><![CDATA[H. C. Westermann]]></category>
		<category><![CDATA[Hyde Park Art Center]]></category>
		<category><![CDATA[Iconoduel]]></category>
		<category><![CDATA[James Yood]]></category>
		<category><![CDATA[Jim Dempsey]]></category>
		<category><![CDATA[Jim Duignan]]></category>
		<category><![CDATA[Jim Nutt]]></category>
		<category><![CDATA[John Corbett]]></category>
		<category><![CDATA[Joyce Owens]]></category>
		<category><![CDATA[Kathryn Born]]></category>
		<category><![CDATA[Kerry James Marshall]]></category>
		<category><![CDATA[Leisure Arts]]></category>
		<category><![CDATA[Leon Golub]]></category>
		<category><![CDATA[Lorelei Stewart]]></category>
		<category><![CDATA[Lumpen]]></category>
		<category><![CDATA[May Revue]]></category>
		<category><![CDATA[Mess Hall]]></category>
		<category><![CDATA[Michael Piazza]]></category>
		<category><![CDATA[Michael Workman]]></category>
		<category><![CDATA[Michelle Grabner]]></category>
		<category><![CDATA[Mike Wolf]]></category>
		<category><![CDATA[Modern Wing]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Museum of Contemporary Photography]]></category>
		<category><![CDATA[Navy Pier]]></category>
		<category><![CDATA[Nick Cave]]></category>
		<category><![CDATA[Panel House]]></category>
		<category><![CDATA[Paul Klein]]></category>
		<category><![CDATA[Phonebook]]></category>
		<category><![CDATA[Phyllis Bramson]]></category>
		<category><![CDATA[Prompt]]></category>
		<category><![CDATA[Proximity]]></category>
		<category><![CDATA[Ray Yoshida]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[Robert Heinecken]]></category>
		<category><![CDATA[Smart Museum]]></category>
		<category><![CDATA[Stockyard Institute]]></category>
		<category><![CDATA[Stray Show]]></category>
		<category><![CDATA[Temporary Services]]></category>
		<category><![CDATA[Ten by Ten]]></category>
		<category><![CDATA[Three Walls]]></category>
		<category><![CDATA[Tony Fitzpatrick]]></category>
		<category><![CDATA[Wesley Kimler]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4418</guid>
		<description><![CDATA[  By Jason Foumberg Art is long, but institutional memory is short. In many ways, Chicago’s art history is written as it occurs, in situ, by the people who produce it. Artists toil in their studios, heads-down. Apartment galleries open and close as briskly as the seasons change. We consume one-night-only events by the half-dozen, [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/12/01/at-zeroes-end-art-in-chicago-2000%e2%80%932009/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Review: Jim Lutes/Valerie Carberry Gallery</title>
		<link>http://art.newcity.com/2009/11/23/review-jim-lutesvalerie-carberry-gallery/</link>
		<comments>http://art.newcity.com/2009/11/23/review-jim-lutesvalerie-carberry-gallery/#comments</comments>
		<pubDate>Tue, 24 Nov 2009 04:57:46 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Jim Lutes]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[Valerie Carberry Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4374</guid>
		<description><![CDATA[RECOMMENDED Jim Lutes’ mid-career retrospective at the Renaissance Society last winter silenced any doubts regarding the painter’s status as one of Chicago’s preeminent living artists. It also showed that Lutes, after producing exceptional work for over twenty years, is only now—owing to an unexpected encounter with egg tempera—reaching the top of his game and continuing [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/11/23/review-jim-lutesvalerie-carberry-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Several Silences/Renaissance Society</title>
		<link>http://art.newcity.com/2009/05/25/review-several-silencesrenaissance-society/</link>
		<comments>http://art.newcity.com/2009/05/25/review-several-silencesrenaissance-society/#comments</comments>
		<pubDate>Tue, 26 May 2009 04:57:35 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Carl Michael von Hausswolff]]></category>
		<category><![CDATA[Gran Fury]]></category>
		<category><![CDATA[Harold Mendez]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[Troy Brauntuch]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3279</guid>
		<description><![CDATA[RECOMMENDED “There is no such thing as silence. Something is always happening that makes sound.” This quote from John Cage functions as a starting point and thesis for “Several Silences”; its message can be sensed soon after entering the large, open space of the gallery, which becomes an echo chamber for the steps and mutterings [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/05/25/review-several-silencesrenaissance-society/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Why Have There Been No Great South Side Artists?</title>
		<link>http://art.newcity.com/2009/03/30/eye-exam-why-have-there-been-no-great-south-side-artists/</link>
		<comments>http://art.newcity.com/2009/03/30/eye-exam-why-have-there-been-no-great-south-side-artists/#comments</comments>
		<pubDate>Tue, 31 Mar 2009 04:59:46 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Bronzeville]]></category>
		<category><![CDATA[News etc.]]></category>
		<category><![CDATA[Andre Guichard]]></category>
		<category><![CDATA[Gallery Guichard]]></category>
		<category><![CDATA[Joyce Owens]]></category>
		<category><![CDATA[Lowell Thompson]]></category>
		<category><![CDATA[Patrick Rivers]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[School of the Art Institute of Chicago]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2728</guid>
		<description><![CDATA[By Jason Foumberg A panel discussion was assembled this past Thursday, March 26, to address a perception that artists on Chicago’s South Side are under-known and undervalued or, at worst, intentionally ignored. As a nod to Ralph Ellison’s 1952 novel “Invisible Man,” the multi-part event, which included the discussion, was titled “Invisible Artist: Creators from [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/03/30/eye-exam-why-have-there-been-no-great-south-side-artists/feed/</wfw:commentRss>
		<slash:comments>19</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Good Conduct Well Chastised</title>
		<link>http://art.newcity.com/2009/03/09/eye-exam-good-conduct-well-chastised/</link>
		<comments>http://art.newcity.com/2009/03/09/eye-exam-good-conduct-well-chastised/#comments</comments>
		<pubDate>Tue, 10 Mar 2009 05:59:16 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Hyde Park]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Marquis de Sade]]></category>
		<category><![CDATA[Paul Chan]]></category>
		<category><![CDATA[Renaissance Society]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2618</guid>
		<description><![CDATA[By Jason Foumberg That the arts suffer in an economic recession/depression is reflected by the recent shrinkage of Chicago’s own gallery scene. Undoubtedly this will mean fewer opportunities for everyone involved—fewer places to show and sell art, fewer projects initiated, fewer things for the critic to criticize. With this, a new terminology has entered the [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/03/09/eye-exam-good-conduct-well-chastised/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Splashes of Color (and Gender)</title>
		<link>http://art.newcity.com/2009/03/02/eye-exam-splashes-of-color-and-gender/</link>
		<comments>http://art.newcity.com/2009/03/02/eye-exam-splashes-of-color-and-gender/#comments</comments>
		<pubDate>Tue, 03 Mar 2009 05:59:56 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Loop]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Wicker Park/Bucktown]]></category>
		<category><![CDATA[Alogon Gallery]]></category>
		<category><![CDATA[Annie Purpura]]></category>
		<category><![CDATA[ARC Gallery]]></category>
		<category><![CDATA[Daniel S. Berger]]></category>
		<category><![CDATA[Emily Shinada]]></category>
		<category><![CDATA[Glenn Ligon]]></category>
		<category><![CDATA[Gosia Koscielak Gallery]]></category>
		<category><![CDATA[Hayley Silverman]]></category>
		<category><![CDATA[Illinois State Museum]]></category>
		<category><![CDATA[Kari Altmann]]></category>
		<category><![CDATA[Kerry James Marshall]]></category>
		<category><![CDATA[Maliea Croy]]></category>
		<category><![CDATA[Natalie Labriola]]></category>
		<category><![CDATA[Renaissance Society]]></category>
		<category><![CDATA[Winslow Homer]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2544</guid>
		<description><![CDATA[By Jason Foumberg This week I found a very similar image in two different exhibitions. The perspective is from the beach, looking seaward. There, against a cloudy horizon, a large wave breaks dramatically causing a frothy white cloud to rise up. In one image, by Kerry James Marshall, the wave splashes against a bracing figure [...]]]></description>
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		<slash:comments>0</slash:comments>
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