Spencer Finch often uses scientific research to flesh out the concepts of his work. In “Saturated Sight,” pastel drawings and fluorescent light sculptures explore synesthesia, a neurological occurrence where one sensory experience triggers a second, involuntary sensory experience. [Read more…]
“The Scale of Worlds” typifies Jacob Hashimoto’s “kite” works. Vertical layers of “kites”—multi-sized, circular-shaped pieces made of paper and bamboo—are threaded together and suspended between two rows of pegs, filling a square space on the wall. From afar, the “kites” resemble a patriotic-colored target. Nearing the piece reveals a contained, visual dance of individually painted and decorated circles. [Read more…]
Deana Lawson’s found and staged images embody photography’s contradictory nature. Her scenes are filled with black bodies in predominately black places around the world, from Africa and the Caribbean to U.S. locales including New Orleans, Detroit and the Flatbush, Brownsville and Canarsie neighborhoods in Brooklyn. For Lawson, her subjects are like extended family, though when she first encounters them, they are strangers. [Read more…]
Collage is always born upon an undercurrent of violence; no matter the nature of the dismantling—be it surgical or savage—the end result is without fail an image sutured together from the destruction of others, a Frankenstein’s monster of thoughts, feelings, ideas and icons made melange, a mass grave of optics. [Read more…]
Long heralded as a mecca for alternative practices, collectivity and socially engaged art, Chicago increasingly finds itself among the most visible international art destinations precisely because of its distinct character and openness to change and growth. What makes this city fertile ground for launching new talent and sustaining confirmed genius? A complex and ever-changing network of curators, collectors, administrators, critics, dealers, educators and other enthusiasts cultivate Chicago’s artistic vitality and diversity. The Art 50 is Newcity’s annual snapshot of Chicago’s art ecosystem. This year, we track the power players who shape the terrain in which we thrive.
The Art 50 was written by Elliot J. Reichert, Maria Girgenti, Abraham Ritchie, Kate Sierzputowski and B. David Zarley.
Cover and interior photos by Joe Mazza/Brave Lux on location at the Museum of Contemporary Art Chicago [Read more…]
Aside from the obvious aesthetic concerns of making objects of lasting beauty, the central problem of abstraction has always been one of style and technique. More specifically, it has been the search for a technique that yields and animates an autographic or signature style as unique as the painter’s vision. It’s a lot harder than it sounds: as evidence, witness the cliché-ridden failures of abstract painting’s supposed “comeback” visible at any given art fair.
All the more reason then to celebrate the seven artists whose works comprise the concentrated, diverse and yet seamlessly integrated “Abstraction: A Visual Language” at Rhona Hoffman Gallery. That these artists are also women is a fact worth highlighting in its own right, but let’s be clear: these are damn good painters first and foremost who make singular works that defy easy categorization. [Read more…]