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	<title>Newcity Art &#187; Rhona Hoffman Gallery</title>
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	<description>Reviews, profiles and news about art in Chicago</description>
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		<title>Review: Huma Bhabha/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2011/04/11/review-huma-bhabharhona-hoffman-gallery/</link>
		<comments>http://art.newcity.com/2011/04/11/review-huma-bhabharhona-hoffman-gallery/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 04:57:38 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Huma Bhabha]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>

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		<description><![CDATA[RECOMMENDED Huma Bhabha&#8217;s sculptures and collages at Rhona Hoffman Gallery seem like untimely ruins of contemporary culture. Although best known for her sculptures, it is Bhabha&#8217;s collages on display here that chiefly create this sense of dislocation between past and present. The foundations of Bhabha&#8217;s collages are photographs of abandoned construction projects in the desert [...]]]></description>
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		<title>Review: Anne Wilson/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2011/01/24/review-anne-wilsonrhona-hoffman-gallery-2/</link>
		<comments>http://art.newcity.com/2011/01/24/review-anne-wilsonrhona-hoffman-gallery-2/#comments</comments>
		<pubDate>Tue, 25 Jan 2011 05:58:53 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Anne Wilson]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>
		<category><![CDATA[Richard Serra]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7129</guid>
		<description><![CDATA[RECOMMENDED In her new exhibition, “Rewinds,” at Rhona Hoffman Gallery, Anne Wilson showcases an artistic practice rooted in hands-on processes of making, forming and creating. Wilson reintroduces a visual vocabulary relying on depictions of sewing tools and ephemera to advocate for the contemporary relevance of craft-based production in material culture. Rather than rely on a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Judy Ledgerwood/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2011/01/17/review-judy-ledgerwoodrhona-hoffman-gallery/</link>
		<comments>http://art.newcity.com/2011/01/17/review-judy-ledgerwoodrhona-hoffman-gallery/#comments</comments>
		<pubDate>Tue, 18 Jan 2011 05:57:15 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Judy Ledgerwood]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=7077</guid>
		<description><![CDATA[RECOMMENDED Walking into the heat and light generated by Judy Ledgerwood’s “Chromatic Patterns for Chicago” from the cold, bleak street in January is one of the best parts of her exhibition at Rhona Hoffman Gallery. Ledgerwood deftly appropriates Color Field abstraction’s scale and subsequent power to activate space and affect viewers by drenching Hoffman’s front [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Review: Kehinde Wiley/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2010/09/27/review-kehinde-wileyrhona-hoffman-gallery/</link>
		<comments>http://art.newcity.com/2010/09/27/review-kehinde-wileyrhona-hoffman-gallery/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 04:57:33 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Jean-Jules-Antoine Lecomte de Nouy]]></category>
		<category><![CDATA[Kehinde Wiley]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=6509</guid>
		<description><![CDATA[Kehinde Wiley has had twenty-six solo shows in museums and galleries since 2003, and his work is in the permanent collections of sixteen American art museums, including those in Milwaukee, Brooklyn, Denver, Minneapolis and Detroit. Obviously there has been a strong upscale market, both critical and commercial, in the opening years of the twenty-first century [...]]]></description>
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		<title>Review: Art &amp; Language/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2010/02/22/review-art-languagerhona-hoffman-gallery/</link>
		<comments>http://art.newcity.com/2010/02/22/review-art-languagerhona-hoffman-gallery/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 04:57:11 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Art & Language]]></category>
		<category><![CDATA[David Batchelor]]></category>
		<category><![CDATA[Mel Ramsden]]></category>
		<category><![CDATA[Michael Baldwin]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>
		<category><![CDATA[Terry Atkinson]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4948</guid>
		<description><![CDATA[RECOMMENDED Rhona Hoffman Gallery is presenting the collaborative group Art &#38; Language, with works ranging from 1965 to 2007. Michael Baldwin and Terry Atkinson founded Art &#38; Language in the late sixties in England, and during the following decade the group grew to include other members (and a New York branch). The group is currently [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art Break: New Sculpture in Chicago</title>
		<link>http://art.newcity.com/2010/02/08/art-break-new-sculpture-in-chicago/</link>
		<comments>http://art.newcity.com/2010/02/08/art-break-new-sculpture-in-chicago/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 04:58:44 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Chicago Cultural Center]]></category>
		<category><![CDATA[Christine Tarkowski]]></category>
		<category><![CDATA[John McCracken]]></category>
		<category><![CDATA[Kavi Gupta Gallery]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>
		<category><![CDATA[Richard Rezac]]></category>
		<category><![CDATA[Susan Giles]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4824</guid>
		<description><![CDATA[There’s a trend practiced by some of Chicago’s established and regarded sculptors that, while not new, resurges every few years like a scheduled comet passing overhead, illuminating the heaps of unsorted recyclables that calls itself “contemporary sculpture,” for a brief flashing reminder that we can trust our eyes, not just our minds. In short, formalist [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Portrait of the Artist: Richard Rezac</title>
		<link>http://art.newcity.com/2010/01/25/portrait-of-the-artist-richard-rezac/</link>
		<comments>http://art.newcity.com/2010/01/25/portrait-of-the-artist-richard-rezac/#comments</comments>
		<pubDate>Tue, 26 Jan 2010 04:58:49 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Drawings]]></category>
		<category><![CDATA[Michigan Avenue]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>
		<category><![CDATA[Richard Rezac]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=4733</guid>
		<description><![CDATA[Upon attending the opening of Richard Rezac’s third solo show at Rhona Hoffman, I remembered how old I am. Like many of my peers, I consider Rezac’s work inseparable from the mythology of Minimalism, a period of art history we simply did not experience, born too late. While our pilgrimages to Marfa may help us [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Mel Bochner/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2009/05/18/review-mel-bochnerrhona-hoffman-gallery/</link>
		<comments>http://art.newcity.com/2009/05/18/review-mel-bochnerrhona-hoffman-gallery/#comments</comments>
		<pubDate>Tue, 19 May 2009 04:57:05 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Mel Bochner]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=3226</guid>
		<description><![CDATA[RECOMMENDED Mel Bochner, considered by many to be the godfather of text-induced conceptualism, insisted that he never wanted to be seen as a formalist. If taken too seriously, his pieces on language can seem like an impenetrable combination of word formulas, math charts, color-coded lists, groupings and color studies that read more like excruciating word [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/05/18/review-mel-bochnerrhona-hoffman-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Spencer Finch/Rhona Hoffman Gallery</title>
		<link>http://art.newcity.com/2009/04/06/review-spencer-finchrhona-hoffman-gallery/</link>
		<comments>http://art.newcity.com/2009/04/06/review-spencer-finchrhona-hoffman-gallery/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 04:57:18 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Installation]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>
		<category><![CDATA[Spencer Finch]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=2806</guid>
		<description><![CDATA[RECOMMENDED An unlikely combination of experimentalist, aesthete and meta-photographer (anything is possible these days), Spencer Finch produces series of images infused with a moody sensibility that hide more than they reveal. In order to show us an “anti-image,” Finch offers “Thank You, Fog,” fifty-eight small color shots taken at one-minute intervals with a static camera [...]]]></description>
		<wfw:commentRss>http://art.newcity.com/2009/04/06/review-spencer-finchrhona-hoffman-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eye Exam: Beautiful Liars</title>
		<link>http://art.newcity.com/2008/11/03/eye-exam-beautiful-liars/</link>
		<comments>http://art.newcity.com/2008/11/03/eye-exam-beautiful-liars/#comments</comments>
		<pubDate>Mon, 03 Nov 2008 12:19:26 +0000</pubDate>
		<dc:creator>Jason Foumberg</dc:creator>
				<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[West Loop]]></category>
		<category><![CDATA[Donald Young Gallery]]></category>
		<category><![CDATA[New Catalogue]]></category>
		<category><![CDATA[Rhona Hoffman Gallery]]></category>
		<category><![CDATA[Rodney Graham]]></category>

		<guid isPermaLink="false">http://art.newcity.com/?p=1485</guid>
		<description><![CDATA[By Jason Foumberg “Creative nonfiction” is a polite way of saying that the truth has been embellished, the facts have been garnished, and many parts have been made up for the entertainment of the reader or the writer, or both. Despite this relatively new literary classification, James Frey’s memoir was dubbed a lie, whereas Hunter [...]]]></description>
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		<slash:comments>0</slash:comments>
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