If the “buy local” consumer ethos has improved the environment and kickstarted local economies, Chicago’s art collectors would do better to build their collections the same way they fill their fridges. For aspiring and seasoned connoisseurs alike, Chicago is rife with opportunities to purchase affordable, beautiful work by emerging and established local artists. [Read more…]
By Elliot J. Reichert
There is an ironic faith in art criticism that is inherent to every effort to write about its death. It is as if writing itself can save us from the void of what art writing has become. [Read more…]
I like a little humor with my art, and even a cursory look at the work of Scott Reeder will tell you that he agrees. [Read more…]
This two-person show is a perfect exhibition to check out as summer slowly comes to an end. Cohen and Ruiz are two rising, Chicago-bred artists who both use warm, vibrant colors and landscaped scenes to evoke memories of hot days spent outdoors. [Read more…]
It is difficult to imagine late 20th century Chicago art without the irreverent pop culture attitude of the Imagists, but that’s exactly what this exhibition has done. It begins with the non-figurative sculpture of Konstantin Milonadis and Mychajlo Urban, co-founders of the Ukrainian Institute of Modern Art. Coming from war-torn Eastern Europe, they chose to create a happier world with rationally organized space surrounding their playful, finely tuned sculptures. The exhibition pulls in other artists who, like them, studied at the School of the Art Institute of Chicago in the decade following the Second World War. These Americans were far more involved with their inner lives than with changing the world. Despite changing trends, the artists in this exhibition who worked into the 80s, 90s and beyond continued to pursue their own vision in later work that is more refined in its expression of established maturity rather than turbulent youth.
By Elliot J. Reichert
The above image was sent to me anonymously in the middle of the night. Shocking as it appears, I was relieved to receive it. You see, weeks ago I had contacted a few artist friends to ask them to reflect on the upcoming fall art season in Chicago and to ask one to “take over” the task of appraising it. To my surprise, they were reluctant to describe it, even those who had exhibitions of their work opening in the coming weeks. Later, I realized that their silence was my doing, having asked a question that could produce no coherent answer.
Much like the drawing game made famous by the Surrealists, Chicago’s 2015 fall art season is an exquisite corpse—a thing of grotesque beauty that is the dream of no one, but the creation of many. At first glance, it appears sinister, like the Block Museum’s solo show of newly commissioned works by Chicago artist Geof Oppenheimer. Rumor has it that the sculptor has filled the museum’s ample galleries with austere and foreboding installations resembling the cinderblock constructions of grim institutions, like prison, or perhaps your corporate office. Even more menacing, Irena Haiduk, also Chicago-based and also exhibiting new work, will haunt the eaves of the Renaissance Society’s transformed gallery with the Sirens of Greek mythology, luring visitors unexpectedly into a debate on the revolutionary possibilities of art and social change amidst current political upheaval worldwide. [Read more…]
Playfully eschewing stereotypes of pink flamingos and garden gnomes, the 2nd Terrain Biennial is dedicated to featuring interventions into the conventional landscape of front yards by emerging as well as established artists who have been invited to create site-specific works. Founded in 2011 by Chicago artist Sabina Ott, contributing artists are selected for their ability to challenge the space between public and private, function and decoration and figure and ground.
This year’s biennial takes an international scale, but remains centered in the Chicago suburb of Oak Park across from Longfellow Middle School on Highland Avenue. Unlike many alternative exhibitions, these public artworks will be accessible at all times. According to Ott, one of the goals of the exhibition was to engage pedestrians, visitors, teachers, students and neighbors with myriad forms of contemporary art. Another goal with “Terrain 2.0” was to expand the scope beyond Oak Park. [Read more…]