By Jason Foumberg
A new breed of curator is emerging: the art collector. It’s almost standard practice for private collections to make their way into public museums by way of vanity exhibitions, even if they sometimes cause controversy, such as the Greek entrepreneur Dakis Joannou’s current collection show at New York’s New Museum. More often than not, though, such shows barely register on the critical radar even though they (seemingly) violate some ethical boundary of public trust.
In Chicago, the city of alternatives, private exhibition spaces in domestic settings abound. This is the reverse of the Joannou conflict—inviting the public into private spaces—but it may mark a relaxing of those taut and fraught lines of art ownership.
On the grand scale, there’s The Richard H. Driehaus Museum in a River North mansion that houses its namesake’s decorative arts collection. On a smaller scale, but more profuse, are the dozens of citywide temporary art spaces found in apartments and homes. A couple of surprising new art spaces, in collectors’ homes, opens the door to a deeper understanding of the collector as curator. [Read more…]